Project Gutenberg's Stories And Tales Of The Irish, by William Carleton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Stories And Tales Of The Irish A Linked Index to the Project Gutenberg Editions Author: William Carleton Editor: David Widger Release Date: May 20, 2009 [EBook #28896] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK STORIES AND TALES OF THE IRISH *** Produced by David Widger STORIES AND TALES OF THE IRISH By William Carleton AN INDEX Edited by David Widger Project Gutenberg Editions CONTENTS ## Willy Reilly ## Fardorougha, The Miser ## Black Baronet ## The Evil Eye ## Jane Sinclair ## Lha Dhu ## The Dead Boxer ## Ellen Duncan ## The Proctor's Daughter ## Valentine M'Clutchy ## The Tithe-Proctor ## The Emigrants Of Ahadarra ## Ned M'Keown ## The Three Tasks ## Shane Fadh's Wedding ## Larry M'Farland's Wake ## The Battle Of The Factions ## The Station ## The Party Fight And Funeral ## The Lough Derg Pilgrim ## The Hedge School ## The Midnight Mass ## The Donagh ## Phil Purcel, The Pig-Driver ## The Geography Of An Irish Oath ## The Lianhan Shee ## Going To Maynooth ## The Poor Scholar ## The Black Prophet ## Phelim Otoole's Courtship ## Wildgoose Lodge ## Tubber Derg (The Red Well) ## Neal Malone ## Art Maguire (The Broken Pledge) VOLUMES, CHAPTERS AND STORIES Willy Reilly PREFACE To The Second Edition CHAPTER I. An Adventure and an Escape. CHAPTER II. The Cooleen Baum. CHAPTER III. Daring Attempt of the Red Rapparee CHAPTER IV. His Rival makes his Appearance, and its Consequences CHAPTER V. The Plot and the Victims. CHAPTER VI. The Warning an Escape CHAPTER VII. An Accidental Incident favorable to Reilly CHAPTER VIII. A Conflagration An Escape And an Adventure CHAPTER IX. A Prospect of Bygone Times CHAPTER X. Scenes that took place in the Mountain Cave CHAPTER XI. The Squire's Dinner and his Guests. CHAPTER XII. Sir Robert Meets a Brother Sportsman CHAPTER XIII. Reilly is Taken, but Connived at by the Sheriff CHAPTER XIV. Reilly takes Service with Squire Folliard. CHAPTER XV. More of Whitecraft's Plots and Pranks CHAPTER XVI. Sir Robert ingeniously extricates Himself out of difficulty CHAPTER XVII. Awful Conduct of Squire Folliard CHAPTER XVIII. Something not very Pleasant for all Parties. CHAPTER XIX. Reilly's Disguise Penetrated CHAPTER XX. The Rapparee Secured CHAPTER XXI. Sir Robert Accepts of an Invitation. CHAPTER XXII. The Squire Comforts Whitecraft in his Affliction. CHAPTER XXIII. The Squire becomes Theological and a Proselytizer CHAPTER XXIV. Jury of the Olden Time CHAPTER XXV. Reilly stands his Trial List of Illustrations Page 11-- Is It a Double Murder You Are About to Execute? Page 18-- Looked With Her Dark Eyes Upon Reilly Page 28 (and Frontispiece)-- You Must Endeavor to Convert Him from Popery Page 29-- Readjustment of his Toilet, at the Large Mirror Page 35-- Touch Me Not, Sir Page 65-- Dashed up to the Scene of Struggle Page 65a-- I Entreat You, to Show These Men Mercy Now Page 91-- Here, Now, I Spread out My Arms--fire! Age 115-- Isn't he a Nice Bit of Goods to Run Away With A Pretty Girl? Page 140-- Discharged a Pistol at Our Hero Page 143-- No, Sir Robert, I Cannot Take Your Hand Page 157-- There is Not a Toss-up Between Them Page 175-- Give That Ring to the Prisoner Page 176-- What, What is This? What Do You Mean? Page 182-- It is He! It Is He! Page 183-- My Son! My Son! Fardorougha, The Miser PART I. PART II. PART III. PART IV. PART V. PART VI. PART VII. PART VIII. AND LAST. List of Illustrations Page 191-- Imprinted the Father's First Kiss Page 245-- He Rattled, and Thumped, And Screamed Page 282-- O'donovan Took the Beloved One in his Arms Page 311-- Most Frightful of All Precipices--death Black Baronet PREFACE. CHAPTER I. A Mail-coach by Night, and a Bit of Moonshine. CHAPTER II. The Town and its Inhabitants. CHAPTER III. Pauden Gair's Receipt how to make a Bad Dinner a Good One CHAPTER IV. An Anonymous Letter CHAPTER V. Sir Thomas Gourlay fails in unmasking the Stranger CHAPTER VI. Extraordinary Scene between Fenton and the Stranger. CHAPTER VII. The Baronet attempts by Falsehood CHAPTER VIII. The Fortune-Teller--An Equivocal Prediction. CHAPTER IX. Candor and Dissimulation CHAPTER X. A Family Dialogue--and a Secret nearly Discovered. CHAPTER XI. The Stranger's Visit to Father MacMalum. CHAPTER XII. Crackenfudge Outwitted by Fenton CHAPTER XIII. The Stranger's Second Visit to Father M'Mahon CHAPTER XIV. Crackenfudge put upon a Wrong Scent CHAPTER XV. Interview between Lady Gourlay and the Stranger CHAPTER XVI. Conception and Perpetration of a Diabolical Plot against Fenton. CHAPTER XVII. A Scene in Jemmy Trailcudgel's CHAPTER XVIII. Dunphy visits the County Wicklow CHAPTER XIX. Interview between Trailcudgel and the Stranger CHAPTER XX. Interview between Lords Cullamore, Dunroe, and Lady Emily CHAPTER XXI. A Spy Rewarded CHAPTER XXII. Lucy at Summerfield Cottage. CHAPTER XXIII. A Lunch in Summerfield Cottage. CHAPTER XXIV. An Irish Watchhouse in the time of the "Charlies." CHAPTER XXV. The Police Office CHAPTER XXVI. The Priest Returns Sir Thomas's Money and Pistols CHAPTER XXVII. Lucy calls upon Lady Gourlay, where she meets her Lover CHAPTER XXVIII. Innocence and Affection overcome by Fraud and Hypocrisy CHAPTER XXIX. Lord Dunroe's Affection for his Father CHAPTER XXX. A Courtship on Novel Principles. CHAPTER XXXI. The Priest goes into Corbet's House very like a Thief CHAPTER XXXII. Discovery of the Baronet's Son CHAPTER XXXIII. The Priest asks for a Loan of Fifty Guineas CHAPTER XXXIV. Young Gourlay's Affectionate Interview with His Father CHAPTER XXXV. Lucy's Vain but Affecting Expostulation with her Father CHAPTER XXXVI. Contains a Variety of Matters CHAPTER XXXVII. Dandy's Visit to Summerfield Cottage CHAPTER XXXVIII. An Unpleasant Disclosure to Dunroe CHAPTER XXXIX. Fenton Recovered--The Mad-House CHAPTER XL. Lady Gourlay sees her Son. CHAPTER XLI. Denouement. List of Illustrations Frontispiece Titlepage Page 329-- A Pair of Enormous Legs, With Spurs on Them Page 350-- How Will You Be Prepared to Render an Account Page 409-- He Stooped and Wildly Kissed Her Now Passive Lips Page 446-- Pistols, Which he Instantly Cocked, and Held Ready Page 584-- A Faint Smile Seemed to Light up his Face The Evil Eye PREFACE. CHAPTER I. Short and Preliminary CHAPTER II. A Murderer's Wake and the Arrival of a Stranger CHAPTER III. Breakfast next morning CHAPTER IV. Woodward meets a Guide CHAPTER V. The Bonfire--The Prodigy CHAPTER VI. Shawn-na-Middogue CHAPTER VII. A Council of Two CHAPTER VIII. A Healing of the Breach CHAPTER IX. Chase of the White Hare CHAPTER X. True Love Defeated CHAPTER XI. A Conjurer's Levee CHAPTER XII. Fortune-telling CHAPTER XIII. Woodward is Discarded from Mr. Goodwin's Family CHAPTER XIV. Shawn-na-Middogue Stabs Charles Lindsay CHAPTER XV. The Banshee. CHAPTER XVI. A House of Sorrow CHAPTER XVII. Description of the Original Tory CHAPTER XVIII. The Toir, or Tory Hunt CHAPTER XIX. Plans and Negotiations CHAPTER XX. Woodward's Visit to Ballyspellan CHAPTER XXI. The Dinner at Ballyspellan CHAPTER XXII. History of the Black Spectre CHAPTER XXIII. Greatrakes at Work--Denouement List of Illustrations Frontispiece Titlepage Page 631-- The Gaze Was Long and Combative Page 652-- I Will Follow It Until Morning Page 697-- One Long, Dark, Inexplicable Gaze Page 736-- Shawn-na-middogue, Your Mother's Victim Page 774-- Kiss You for the Sake of Our Early Love Jane Sinclair PART I. PART II. PART III. List of Illustrations Page 5-- Having Gained the Bank, he Approached Them Page 44-- Spot Which Would Have Been Fatal to You Page 52-- How is This?--how Is This?--he Is Not Here! Lha Dhu The Dead Boxer CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. List of Illustrations Frontispiece Titlepage Page 91-- With Stealthy Pace he Crept Over Page 110-- He Made a Stab at My Neck Ellen Duncan ELLEN DUNCAN THE PROCTOR'S DAUGHTER List of Illustrations Frontispiece Titlepage Page 120-- One Long and Lingering Look of Affection Page 124-- "Shame! Oh, for Shame!" Were the First Exclamations Valentine M'Clutchy PREFACE CHAPTER I. An Irish Pair and Spoileen Tent CHAPTER II. Birth and Origin of Mr. M'Clutchy CHAPTER III. Solomon M'Slime, a Religious Attorney CHAPTER IV. Poll Doolin, the Child Cadger CHAPTER V. A Mysterious Meeting CHAPTER VI. The Life and Virtues of an Irish Absentee CHAPTER VII. Reflections on Absenteeism CHAPTER VIII. Poverty and Sorrow CHAPTER IX. A Dialogue, exhibiting Singular Principles of Justice CHAPTER X. A Dutiful Grandson and a Respectable Grandmother CHAPTER XI. Darby and Solomon at Prayer CHAPTER XII. Interview between Darby and Mr. Lucre CHAPTER XIII. Darby's Brief Retirement from Public Life. CHAPTER XIV. Poll Doolin's Honesty, and Phil's Gallantry CHAPTER XV. Objects of an English Traveller CHAPTER XVI. Solomon in Trouble CHAPTER XVII. A Moral Survey, or a Wise Man led by a Fool CHAPTER XVIII. An Execution by Val's Blood-Hounds CHAPTER XIX. An Orange Lodge at Full Work CHAPTER XX. Sobriety and Loyalty CHAPTER XXI. Darby's Piety Rewarded CHAPTEK XXII. Castle Cumber Grand Jury Room CHAPTER XXIII. A Rent Day CHAPTEK XXIV. Raymond's Sense of Justice CHAPTER XXV. Val and his Son brought to Trial CHAPTER XXVI. Harman's Interview with Mary M'Loughlin CHAPTER XXVII. Bob Beatty's Last Illness CHAPTER XXVIII. Darby is a Spiritual Ganymede CHAPTER XXIX. Solomon Suffers a Little Retribution CHAPTER XXX. The Mountain Grave-Yard CHAPTER XXXI. Richard Topertoe and his Brother List of Illustrations Page 142-- There's As Many Curses Before You in Hell Page 186-- See, Mary, See--they're Gallopin Page 216-- Oh, What a Sweet Convert You Are Page 231-- Borrow the Loan of Your Religion Page 233-- How Many Articles in Your Church? Page 322-- "Ah, Very Right," Said Bob. Page 355-- Such Was the End of Valentine M'clutchy The Tithe-Proctor PREFACE. CHAPTER I. The Chapel Green of Esker Dearg. CHAPTER II. The Proctor's Principles and His Family. CHAPTER III. Mountain Legislation, and its Executive of Blood. CHAPTER IV. Mirth and Murder--A Tithe-Proctor's Office. CHAPTER V. A Hang-Choice Shot--The "Garrison" on Short Commons. CHAPTER VI. Unexpected Generosity--A False Alarm. CHAPTER VII. A Shoneen Magistrate Distributing Justice. CHAPTER VIII. An Unreformed Church CHAPTER IX. Sport in the Mountains. CHAPTER X. The Sport Continued. CHAPTER XI. The Sport Still Continued. CHAPTER XII. Out of the Frying-Pan into the Fire. CHAPTER XIII. Strange Faces--Dare-Devil O'Driscol Aroused CHAPTER XIV. State of the Country CHARTER XV. Scene in a Parsonage--Anti-Tithe Ringleader. CHAPTER XVI. Massacre of Carrickshock CHAPTER XVII. Midnight Court of Justice List of Illustrations Frontispiece Titlepage Page 374-- the Priest Interfered, and Prevented A Conflict Page 421-- Just Trust Yourself to Me Page 445-- Alarmed at the Appearance of a Lawless Whiteboy Destruction of the Castle The Emigrants Of Ahadarra CHAPTER I. A strong Farmer's Establishment and Family. CHAPTER II. Gerald Cavanagh and his Family CHAPTER III. Jemmy Burke Refuses to be, Made a Fool Of CHAPTER IV. A Poteen Still-House at Midnight--Its Inmates. CHAPTER V. Who Robbed Jemmy Burke? CHAPTEE VI. Nanny Peety looks mysterious CHAPTER VII. The Spinster's Kemp. CHAPTER VIII. Anonymous Letter with a Name to It CHAPTER IX. A Little Polities, Much Friendship, and Some Mystery CHAPTER X. More of the Hycy Correspondence CHAPTEE XI. Death of a Virtuous Mother. CHAPTER XII. Hycy Concerts a Plot and is urged to Marry. CHAPTER XIII. Mrs. M'Mahon's Funeral. CHAPTER XIV. Mysterious Letter CHAPTER XV. State of the Country CHAPTER XVI. A Spar Between Kate and Philip Hogan CHAPTER XVII. Interview between Hycy and Finigan CHAPTER XVIII. A Family Dialogue CHAPTER XIX. Bryan Bribed--is Rejected by Kathleen. CHAPTER XX. M'Mahon is Denounced from the Altar CHAPTER XXI. Thomas M'Mahon is forced to determine on Emigration. CHAPTER XII. Mystery Among the Hogans CHAPTER XXIII. Harry Clinton's Benevolence Defeated CHAPTER XXIV. Thoughts on Our Country and Our Countrymen CHAPTER XXV. The Old Places--Death of a Patriarch. CHAPTEE XXVI. Containing a Variety of Matters. CHAPTER XXVII. Conclusion. List of Illustrations Frontispiece Titlepage Page 403--Peety Dhu Turned Towards the House Page 603-- Country Where I'd Not See These Ould Hills Page 623-- I Must Leave You--I Must Go Page 635-- Hycy Received the Money, Set Spurs to his Horse Ned M'Keown INTRODUCTION. NED M'KEOWN. THE THREE TASKS. SHANE FADH'S WEDDING. LARRY M'FARLAND'S WAKE. THE BATTLE OF THE FACTIONS. List of Illustrations Frontispiece Titlepage Page 656-- Bringing Home "graceless Ned," Age 676-- Throw It over Your Left Shoulder Page 693-- How he Kept his Sate So Long Has Puzzled Me Page 713-- 'Why, Larry,' Says He, 'how Did You Get In' Page 725-- The Man Who Could Hit That Could Hit Anything The Station THE STATION. THE PARTY FIGHT AND FUNERAL. THE LOUGH DERG PILGRIM. List of Illustrations Frontispiece Titlepage Page 756-- They Set Off, Whip and Spur, at Full Speed Page 763-- Usually Stood, Shaking at Us his Rod Page 818-- In This Trim Did I Return to My Friends The Hedge School THE HEDGE SCHOOL. THE MIDNIGHT MASS. THE DONAGH; OR, THE HORSE STEALERS. List of Illustrations Frontispiece Titlepage Page 831-- The Findramore Boys Have Sacked You at Last Page 886-- Upon the Very Spot Where he Had Shot His Rival Page 899-- Have I Murdhered My Daughter? Phil Purcel, The Pig-Driver PHIL PURCEL, THE PIG-DRIVER. THE GEOGRAPHY OF AN IRISH OATH. THE LIANHAN SHEE. List of Illustrations Frontispiece Titlepage Page 911-- These Be Not Hirish Pigs at Oll Page 919-- A Rueful Blank Expression in his Visage Page 975-- Who's There?--What Are You?--Speak! Going To Maynooth List of Illustrations Frontispiece Titlepage Page 985-- You're a Fool, Misther O'Shaughnessy! The Poor Scholar List of Illustrations Frontispiece Titlepage Page 1099-- Received a Rather Vigorous Thwack on the Ear The Black Prophet CHAPTER I. -- Glendhu, or the Black Glen; Scene of Domestic Affection. CHAPTER II. -- The Black Prophet Prophesies. CHAPTER III. -- A Family on the Decline--Omens. CHAPTER IV. -- A Dance, and Double Discovery. CHAPTER V. -- The Black Prophet is Startled by a Black Prophecy. CHAPTER VI. -- A Rustic Miser and His Establishment CHAPTER VII. -- A Panorama of Misery. CHAPTER VIII. -- A Middle Man and Magistrate--Master and Man. CHAPTER IX. -- Meeting of Strangers--Mysterious Dialogue. CHAPTER X. -- The Black Prophet makes a Disclosure. CHAPTER XI. -- Pity and Remorse. CHAPTER XII. -- Famine, Death, and Sorrow. CHAPTER XIII. -- Sarah's Defence of a Murderer. CHAPTEE XIV. -- A Middleman Magistrate of the Old School, and his Clerk. CHAPTER XV. -- A Plot and a Prophecy. CHAPTER XVI. -- Mysterious Disappearance of the Tobacco-box. CHAPTER XVII. -- National Calamity--Sarah in Love and Sorrow. CHAPTER XVIII. -- Love Wins the Race from Profligacy. CHAPTER XIX. -- Hanlon Secures the Tobacco-box.--Strange Scene CHAPTER XX. -- Tumults--Confessions of Murder. CHAPTEE XXI. -- Condy Datton goes to Prison. CHAPTER XXII. -- Re-appearance of the Box--Friendly Dialogue CHAPTER XXIII. -- Darby in Danger--Nature Triumphs. CHAPTER XXIV. -- Rivalry. CHAPTEE XXV. -- Sarah Without Hope. CHAPTER XXVI. -- The Pedlar Runs a Close Risk of the Stocks. CHAPTER XXVII. -- Sarah Ill--Mave Again, Heroic. CHAPTER XXVIII. -- Double Treachery. CHAPTER XXIX. -- A Picture of the Present--Sarah Breaks her Word. CHAPTER XXX. -- Self-sacrifice--Villany CHAPTER XXXI. -- A Double Trial--Retributive Justice. CHAPTER XXXII. -- Conclusion. List of Illustrations Page 785-- "It's False," Replied the Young Fellow Page 807-- Tom's Clutches Were Again at his Throat Page 834-- The Prophet's Brow Darkened Page 847-- I'll Tell You Nothing About It Page 853-- His Eye, Like That of His Father, When Enraged Page 913-- I'll Have Nothing to Do With This Robbery Phelim Otoole's Courtship PHELIM O'TOOLE'S COURTSHIP. WILDGOOSE LODGE TUBBER DERG; Or, THE RED WELL. NEAL MALONE. ART MAGUIRE; OR, THE BROKEN PLEDGE List of Illustrations Page Wg939-- By This Sacred An' Holy Book of God Page Am994-- At Length Margaret Spoke Page Am1018-- They Immediately Expelled Him Page Am1019-- There's a Sleep That Nobody Wakens From End of Project Gutenberg's Stories And Tales Of The Irish, by William Carleton *** END OF THIS PROJECT GUTENBERG EBOOK STORIES AND TALES OF THE IRISH *** ***** This file should be named 28896.txt or 28896.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/8/8/9/28896/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.