The Project Gutenberg EBook of Mrs. Dot, by W. Somerset Maugham This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license Title: Mrs. Dot A Farce Author: W. Somerset Maugham Release Date: January 1, 2016 [EBook #50820] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK MRS. DOT *** Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) _MRS. DOT_ _BY THE SAME AUTHOR_ (_Uniform with this Volume_) _PLAYS_: _A MAN OF HONOUR_ _LADY FREDERICK_ _JACK STRAW_ _THE EXPLORER_ _PENELOPE_ (_In Preparation_) _SMITH_ _THE TENTH MAN_ _GRACE_ _LOAVES AND FISHES_ _LONDON: WILLIAM HEINEMANN_ _MRS. DOT_ _A FARCE_ _In Three Acts_ _By W. S. MAUGHAM_ _LONDON: WILLIAM HEINEMANN_ _MCMXII_ _All rights reserved_ This play, originally called _Worthley’s Entire_, was produced at the Comedy Theatre on April 26, 1908, with the following cast: JAMES BLENKINSOP FRED KERR GERALD HALSTANE W. GRAHAM BROWNE FREDDIE PERKINS KENNETH DOUGLAS CHARLES HERBERT ROSS MR. RIXON GEORGE BELLAMY MASON HORTON COOPER MR. WRIGHT BRIAN EGERTON GEORGE H. GERRISH LADY SELLENGER MARIE ILLINGTON NELLIE SELLENGER LYDIA BILLBROOKE MISS ELIZA MACGREGOR LENA HALLIDAY MRS. WORTHLEY MARIE TEMPEST _MRS. DOT_ _CHARACTERS_ MRS. WORTHLEY FREDDIE PERKINS, _her nephew and secretary_ MISS ELIZA MACGREGOR, _her aunt_ GERALD HALSTANE JAMES BLENKINSOP LADY SELLENGER NELLIE, _her daughter_ CHARLES, _Gerald’s servant_ MASON, _Mrs. Worthley’s Butler_ MR. WRIGHT, _a tailor_ MR. RIXON, _Gerald’s solicitor_ BLENKINSOP’S MAN TIME: _The present day_ ACT I--_Gerald’s rooms in Grafton Street_ ACTS II and III--_Mrs. Worthley’s house on the river_ _The Performing Rights of this play are fully protected, and permission to perform it, whether by Amateurs or Professionals, must be obtained in advance from the author’s Sole Agent, R. Golding Bright, 20 Green Street, Leicester Square, London, W.C., from whom all particulars can be obtained._ MRS. DOT THE FIRST ACT SCENE: GERALD’S _rooms in Grafton Street. A man’s room, pleasantly furnished, with very comfortable arm-chairs, and prints on the walls. Books are lying about, and smoking utensils._ CHARLES, GERALD HALSTANE’S _servant, opens the door_. MR. WRIGHT _comes in, a dapper young man, smartly dressed_. CHARLES. There, you can see for yourself that Mr. Halstane is not at home. MR. WRIGHT. Very well, I’ll wait for him. CHARLES. You’ll have to wait till midnight, because I don’t expect him in. MR. WRIGHT. Last time I came you said he’d be back in half an hour, and when I returned you said he’d just gone out. You don’t catch me napping a second time. CHARLES. The governor don’t take impertinence lying down, Mr. Wright, and he’ll look upon it as a great liberty your dunning him in this way. MR. WRIGHT. I don’t know about taking impertinence, but he’ll have to take a summons if my account is not settled at once. [_There is a ring at the bell._ CHARLES. [_Ironically._] Make yourself quite at home, won’t you? MR. WRIGHT. Thank you. I will. [CHARLES _goes out and leaves the door open so that the conversation with_ RIXON, _the solicitor, is heard_. RIXON. [_Outside._] Is Mr. Halstane in? CHARLES. No, sir. He’s gone to his club. RIXON. Well, I’ll ring him up. I must see him on a matter of the very greatest importance. You’re on the telephone, aren’t you? CHARLES. Yes, sir. But there’s a person waiting to see him. RIXON. [_Coming in._] Oh, never mind. [RIXON _is a short, rubicund man, with white whiskers and a hearty manner_. MR. WRIGHT. [_Going towards him._] Mr. Rixon. [RIXON _looks at him without recognising him_.] Don’t you remember me, sir? I’m the junior partner in Andrews and Wright. RIXON. Of course I do. I saw your father on business the other day. [_To_ CHARLES.] Where’s the telephone book? CHARLES. I’ll just go and fetch it, sir. Mr. Halstane lent it to the gentleman upstairs. RIXON. Be as quick as you can. [CHARLES _goes out_. RIXON. [_To_ MR. WRIGHT.] What are you doing here? MR. WRIGHT. Well, the fact is, we’ve got a very large account with Halstane, and I’m told he’s in queer street. I want to get the money before the crash comes. RIXON. Queer street? The man’s just come into seven thousand a year. MR. WRIGHT. What! RIXON. That’s why I’m running all over the place to find him. You know he’s a relation of the Hollingtons. I was at her ladyship’s not half an hour ago--the Dowager, you know--my firm has acted for the whole family for the last hundred years. Well, I’d hardly arrived before a message came from the War Office to say that her grandson, the present lord, had been killed in India. So as soon as I could, I bolted round here. Mr. Halstane is the next heir, and he comes into seven thousand a year and the title. MR. WRIGHT. My gracious, that’s a piece of luck. RIXON. I don’t mind telling you now that he’d pretty well come to the end of his tether. Your money was all right because he’d have paid everything up, but he wouldn’t have had much left. MR. WRIGHT. Of course he doesn’t know anything about this yet? RIXON. Not a word. For all he knows, he’s a ruined man, and here am I trying to get him on the telephone to tell him he’s come into a peerage and a very handsome income. [CHARLES _enters with the telephone book_. CHARLES. 7869 Gerrard, sir. RIXON. Thanks. [_He rings up and asks for the number._ RIXON. 7869 Gerrard, please, Miss.... What? Confound it, the line’s engaged.... I must go round to his club in a cab. I suppose you don’t want to wait here now, Wright? MR. WRIGHT. No, sir. I’ll get back to the shop. CHARLES. I ’ope you’ll suit your own convenience, sir. [CHARLES _shows them out and comes back_.] I don’t know what these tradespeople are coming to when they expect gentlemen to pay their bills. [_He seats himself in the most comfortable chair in the room and puts his feet on the table. His back is to the door. The newspaper is lying by his side. He shuts his eyes and dozes._ [GERALD _enters silently, followed immediately by_ BLENKINSOP _and_ FREDDIE PERKINS. [GERALD _is a handsome man of seven or eight and twenty, simple in his manners, carefully dressed but without exaggeration_. FREDDIE _is a vivacious boy of two and twenty_, BLENKINSOP _is an old bachelor of five and forty; he is well-preserved and takes a good deal of care of his appearance. He is dressed in the height of fashion._ [_For a moment they look silently at_ CHARLES, _who wakes with a start and jumps up in confusion_. CHARLES. I beg your pardon, sir; I didn’t hear you come in. GERALD. [_With an ironical politeness which he preserves during all his remarks to_ CHARLES.] Pray don’t let us disturb you. I shall never forgive myself if I think I’ve interrupted your nap. CHARLES. Shall I take your hat, sir? GERALD. It’s very kind of you. I shouldn’t like you to put yourself out. FREDDIE. [_Sitting down._] By Jove, what a ripping chair! No wonder that Charles went to sleep. CHARLES. Mr. Rixon has just been, sir. He’s gone on to the club. GERALD. [_With a laugh._] I’m not sorry to miss him. One’s solicitor seldom has any good news to bring one. CHARLES. Will you have the whiskey and soda, sir? GERALD. If it wouldn’t give you too much trouble. [CHARLES _goes out, and_ GERALD _hands the cigarette box to_ BLENKINSOP _and_ FREDDIE. GERALD. Sit down and make yourself comfortable, James. BLENKINSOP. To do that is one of the few principles I’ve adhered to in the course of an easy and unadventurous life. [CHARLES _enters with a tray on which are glasses, whiskey and sodas_. CHARLES. Is there anything else you want, sir? GERALD. If you can spare me two minutes of your valuable time, I should like to make a few observations to you. FREDDIE. Collect yourself, Charles, to receive the words of wisdom that fall from Mr. Halstane’s lips. CHARLES. Things is very bad on the Stock Exchange, sir. GERALD. Charles, I have no objection to your sitting in my arm-chair and putting your feet on my table. I am willing to ignore the fact that you smoke my cigars and drink my whiskey. BLENKINSOP. [_Sipping._] You show excellent judgment, Charles. The whiskey’s capital. CHARLES. [_Imperturbably._] Pot-still, sir. Fifteen years in bottle. GERALD. I can even bear with equanimity that you should read my letters. For the most part they’re excessively tedious, and they will only show you how deplorable is the education of the upper classes. But I must insist on your _not_ reading my paper till I’ve done with it. CHARLES. I’m very sorry, sir. I thought there was no objection. GERALD. A newspaper, a suit of clothes, and a bottle of wine are three things at which I prefer.... CHARLES. To ’ave the first cut in, sir. GERALD. I thank you, Charles; I couldn’t have expressed my meaning more idiomatically. FREDDIE. [_Laughing._] You’d better have a drink. CHARLES. Allow me, sir. [_He mixes a whiskey and soda._ GERALD. You need not pour out the whiskey with such a generous hand as when you help yourself. Thank you. CHARLES. Them mining shares of yours is very low, sir. GERALD. They are. CHARLES. If you’ll remember, sir, I was all against them at the time you bought. BLENKINSOP. You are a jewel, Charles, if besides administering to your master’s wants you advise him in his financial transactions. GERALD. Unless I’m mistaken, Charles strongly recommended me to invest my money in public-houses. CHARLES. Them being frequented in peace and war, and not subject to clandestine removals. In peace men drink to celebrate their ’appiness, and in war to drown their sorrow. GERALD. [_Smiling._] You are a philosopher, Charles, and it cuts me to the quick that I should be forced to deny myself the charm of your conversation. CHARLES. [_Astonished._] I beg your pardon, sir? GERALD. I am endeavouring to give you notice in such a manner as not to outrage your susceptibilities. CHARLES. Me, sir? I’m sorry if I don’t give satisfaction. GERALD. On the contrary, you give every satisfaction. It has never been my good fortune to run across a servant who had an equal talent for blacking boots and for repartee. I am grateful for the care with which you have kept my wardrobe, and the encouragement you have offered to my attempts at humour. I have never seen you perturbed by a rebuke, or discouraged by ill-temper. Your merits, in fact, are overwhelming, but I’m afraid I must ask you to find another place. BLENKINSOP. You really shouldn’t be so abrupt, Gerald. Look at him staggering under the blow. CHARLES. I’m very comfortable here, sir. Can you give me no reason for this decision? GERALD. You gave it yourself, Charles. As you justly observed, them mining shares is very low. You are sufficiently acquainted with my correspondence to be aware that my creditors have passed with singular unanimity from the stage of remonstrance to that of indignation. BLENKINSOP. I say, I’m sorry to hear this, old man. CHARLES. If it’s just a matter of wages, sir, I shall be ’appy to wait till it suits your convenience to pay me. GERALD. [_With a smile of thanks._] I’m grateful to you for that, Charles; but, honestly, do you think half-measures can be of any use to me? CHARLES. Well, sir, so far as I’m acquainted with your circumstances.... GERALD. Come, come, this modesty ill becomes you. Is there a bill in this room, or a solicitor’s letter, with which you are not intimately acquainted? CHARLES. Well, sir, if you ask me outright--things is pretty bad. FREDDIE. I say, don’t play the ass any more. What the deuce does it all mean? GERALD. I’m sorry the manner in which I’m imparting to you an interesting piece of information, doesn’t meet with your approval. Would you like me to tear my hair in handfuls? BLENKINSOP. It would be picturesque, but painful. FREDDIE. Are you really broke? GERALD. So much so that I’ve to-day sublet my rooms. In a week, Charles, I shall cast the dust of London off my feet, a victim to the British custom of primogeniture. CHARLES. Yes, sir. GERALD. Have you the least idea what I mean? CHARLES. No, sir. GERALD. Well, I feel certain that during some of the many leisure moments you have enjoyed in my service, you have cast an eye upon that page in Burke upon which my name figures--insignificantly. CHARLES. Begging your pardon, sir, I looked you up in the Peerage before I accepted the situation. GERALD. It rejoices me to learn that your investigations were satisfactory. CHARLES. Well, sir, always having lived before with titled gentlemen, I felt I owed it to myself to be careful. GERALD. I am overpowered by your condescension, Charles. It never occurred to me that you were taking my character while I was taking yours. CHARLES. If servants wanted as good characters from masters as masters want from servants, I ’ave an idea that many gentlemen would ’ave to clean their own boots. GERALD. You scintillate, Charles, but I deplore your tendency to digress. CHARLES. I beg pardon, sir. As you was the second son of an honourable and very well connected, I didn’t mind stretching a point. If I may say so, your father was almost a nobleman. GERALD. The consequence is, however, that I was brought up without in the least knowing how to earn my living. I belong to that vast army of younger sons whose sole means of livelihood is a connection with a peer of the realm and such mother-wit as Dame Nature has provided them with. [_A ring is heard._ CHARLES. There’s some one at the door, sir. Are you at home? GERALD. No, I expect two ladies to tea in half an hour, but you must admit no one else. These gentlemen will be forced to deprive me of their society in twenty-five minutes. BLENKINSOP. Not at all. Not at all. GERALD. I repeat with considerable firmness that these gentlemen will be compelled by a previous engagement to leave me in _twenty_ minutes. BLENKINSOP. It’ll be difficult after that to make our departure seem perfectly natural, won’t it? [_A second ring is heard._ GERALD. Nobody’s to come in. CHARLES. Very good, sir. [_He goes out._ BLENKINSOP. I say, old man, I’m awfully sorry to hear this bad news of yours. Can’t I do anything to help you? GERALD. No, thanks. [_The bell is rung continuously, with the greatest impatience._ FREDDIE. By Jove, whoever your visitor is, he doesn’t like being kept waiting. MRS. DOT. [_Outside._] Is Mr. Halstane at home? FREDDIE. [_Softly._] Why, it’s my aunt. BLENKINSOP. Mrs. Dot. GERALD. Ssh! CHARLES. Not at home, madam. MRS. DOT. [_Outside._] Nonsense. I want to see him very particularly. CHARLES. I’m very sorry, madam. Mr. Halstane went out not five minutes ago. I almost wonder you didn’t meet him on the stairs. MRS. DOT. Yes, I know all about that. [MRS. WORTHLEY _comes in. She is a pretty little woman, very wonderfully gowned. She is frank, open and full of spirits._ CHARLES _follows her into the room_. MRS. DOT. Oh! Three of you. Charles, how can you tell such stories? CHARLES. [_Very gravely._] Mr. Halstane is _not_ at home, madam. GERALD. [_Coming forward and taking her hand._] Charles is shocked at your lack of decorum. MRS. DOT. Run away, Charles. And don’t do it again.... I suppose you think this sort of thing isn’t done in the best families? CHARLES. [_Stiffly._] No, madam. MRS. DOT. I saw one of my drays outside, so I thought I’d just look in to see how you liked it. CHARLES. [_Icily._] I beg your pardon, madam? MRS. DOT. The beer, my good man, the beer! Don’t you know that I’m _Worthley’s Entire_? CHARLES. I never gave the subject a thought, madam. MRS. DOT. And very good our half-crown family ale is, although I say it as shouldn’t. GERALD. You may go, Charles. [_Without a word, much on his dignity_ CHARLES _departs_. GERALD. [_Gaily._] It’s fortunate I’ve just given him notice, because Charles would certainly never stay in a house where he’d been so grossly insulted. MRS. DOT. I love shocking Charles. He’s so genteel. Whenever I come here I see him obviously trying not to show that he’s perfectly well aware that I have anything to do with trade. BLENKINSOP. The world is so degenerate that it’s only among domestic servants that you find any respect for landed gentry and any contempt for commerce. MRS. DOT. [_To_ FREDDIE.] I’m glad to see that you’re not ruining your health by working too hard as my secretary. FREDDIE. I’ve been lunching with Blenkinsop. I answered about fifty begging letters before I came out this morning. MRS. DOT. [_To_ GERALD.] You’ve not said you’re glad to see me yet. GERALD. I’m not sure that I am, very. MRS. DOT. [_Not at all disconcerted._] Then say you like my frock. GERALD. Yes, it’s very nice. MRS. DOT. Very nice! I should think it was very nice. There’s no one in London who’d venture to wear anything half so outrageous. And as for the hat.... BLENKINSOP. The hat’s hideous. But I suppose it’s fashionable. MRS. DOT. My dear James, where were you educated? BLENKINSOP. At Eton. MRS. DOT. Well, they taught you nothing about clothes. BLENKINSOP. I wish sometimes that nice women wouldn’t get themselves up as if they were no better than they should be. MRS. DOT. Don’t be so absurd. The ideal of a woman who takes any pains about her frocks is to look as like an abandoned hussy as she possibly can. [MRS. DOT _chooses the most comfortable chair in the room_. GERALD. I’m afraid I can’t ask you to sit down. MRS. DOT. Oh, don’t trouble. I’m perfectly capable of doing that of my own accord.... If you think I’m going before you’ve answered a hundred and fifty questions you’re very much mistaken. First, I want to know why you’ve not been near me for the last week? Then why you try to keep me out of the place? And lastly, why you show every desire to get rid of me when I’m here? GERALD. I’ve not seen you because I’ve been uncommonly busy. I said I was not at home because I’m in the worst possible temper. And I want to get rid of you because I’m expecting somebody else. MRS. DOT. I suppose if I were a thoroughly tactful person I should now ring for my carriage? GERALD. I daresay you would ask me to ring for it. MRS. DOT. Well, I shall neither do the one nor the other. In the first place your answers are all nonsense and in the second I want to know who’s coming? If it’s some one I know, I shall stop and say, How d’you do, and if it isn’t I want to see what _it’s_ like. GERALD. I suppose you know I’m perfectly capable of turning you out by main force. MRS. DOT. If you touch me I shall scream. [_She looks quickly at_ FREDDIE _and_ BLENKINSOP, _then gives a smile_. MRS. DOT. Oh, Freddie, I quite forgot. I’ve got a pile of letters that I found on my way out this afternoon. There are three poor clergymen who can’t pay their bills, and there are five elderly spinsters who don’t know which way to turn for their quarter’s rent, and there are seven deserving ladies with a starving husband each and sixteen children. BLENKINSOP. How very immoral! MRS. DOT. It would be much more immoral if they had a starving child each and sixteen husbands. BLENKINSOP. I suppose it’s never occurred to you that you do a great deal more harm than good by your indiscriminate charity? MRS. DOT. Don’t be such an old frump. If it gives me a certain amount of pleasure to give money away, why on earth shouldn’t I? I daresay that nineteen out of every twenty people I help are thoroughly worthless, but it’s only by doing something for them all that I can be quite certain of not missing the twentieth. FREDDIE. D’you want me to write to them at once? MRS. DOT. This very minute. FREDDIE. [_With a smile._] But that’ll only get rid of me, you know. Blenkinsop will still be here. MRS. DOT. [_Coolly._] James, do go and see that Freddie writes his letters nicely. He’s only just come down from Oxford, and his spelling is rather shaky. BLENKINSOP. [_With a grunt._] You can give us a shout when you’ve had your talk. MRS. DOT. Now mind, Freddie. I before E except after C. [_They go out._ GERALD. [_Laughing._] You’re a very bold woman, Mrs. Dot. MRS. DOT. [_With a change of tone._] What’s the matter, Gerald? GERALD. [_Surprised._] With me? MRS. DOT. Won’t you tell an old friend? GERALD. [_After a very short pause._] Nothing that you can help me in, Mrs. Dot. MRS. DOT. Won’t you leave the Mrs. out? It makes me feel so five and thirtyish. GERALD. You’re a ripping good sort, and we’ve had some charming times together. I’m glad that you came to-day, because it’s given me an opportunity to thank you for all your kindness to me. MRS. DOT. My dear boy, what _are_ you talking about? GERALD. Well, the fact is, I’ve been spending a good deal of money lately, and I’m rather broke. MRS. DOT. How stupid of me! I’ve always had such lots myself it never occurs to me that any one else may be hard up. And I’ve let you pay all sorts of things for me, theatres and dinners and heaven knows what. I must owe you a perfect fortune. GERALD. Nonsense! You don’t owe me a penny. MRS. DOT. Well then, in future I insist on paying for everything. I’m not going to give up our little dinners at the Savoy and our suppers and all the rest of it. Don’t be so silly. You know I have ten times more money than I know what to do with. GERALD. Yes, I can see you furtively slipping your purse into my hand so that I should pay for a luncheon, and giving me a shilling over for the cab. No, thank you. MRS. DOT. Then we’ll economise together. It only means going to the pit of a theatre instead of taking a box. Well, I like the pit much better. You see all the women come in and you criticise their back hair. And you suck delicious oranges all the time. It makes my mouth water to think of it. And we’ll go on a bus instead of taking cabs. They’re much safer, and I like sitting on the front seat and talking to the driver. Bus-drivers are always such handsome men. GERALD. It’s not a question of driving in buses, but of walking on my flat feet. MRS. DOT. Very well. You shall walk on your flat feet, and I’ll trip along by your side on my arched instep. GERALD. Things have come to such a pass that I must either beg, steal, or work. MRS. DOT. Then tell me exactly how matters stand. GERALD. It would only bore you, and besides you wouldn’t understand. MRS. DOT. Now you’re talking through your hat, my friend. You’re simply talking through your hat. I flatter myself there are few men who have a better head for business than I have. Why, since my husband died I’ve almost doubled our profits. The brewery has never been so flourishing. I’ve told the British People on fifty thousand hoardings to drink Worthley’s Half-crown Family Ale, and by Jove, the British People do. GERALD. You funny little thing. MRS. DOT. Well, now tell me all about it, and let’s see if things can’t be put straight. GERALD. Oh, my dear, I’m afraid they’re in a most awful mess. I never had much money to start with, and I got into debt. Then I tried a flutter on the Stock Exchange, and the confounded shares went down steadily from the day I bought. MRS. DOT. It’s a way shares have when fools buy them. GERALD. But I daresay I could have weathered that, only a pal of mine got into a hole, and I backed a bill for him. MRS. DOT. You don’t mean to say you did that? GERALD. I was obliged to. I couldn’t let him go under without trying to do something. MRS. DOT. You donkey, you perfect donkey! GERALD. He swore he’d be able to pay the money. MRS. DOT. I never knew a man yet, or a woman either for that matter, who’d stick at a thundering lie when he wanted money. And what’s the result? GERALD. Well, the result is that after I’ve paid everything up, I shall have about five hundred pounds left. I’m proposing to go out to America and rough it a bit. MRS. DOT. Pardon my asking, but do you think a handsome face, a talent for small talk, and a certain charm of manner will enable you to earn your daily bread? GERALD. [_Laughing._] I don’t want to seem vain, but although I’ve done my best to conceal them, I fancy I have two or three other qualifications which will be of more service. MRS. DOT. Then the long and the short of it is that you’re ruined. GERALD. Absolutely. MRS. DOT. I’m delighted to hear it. GERALD. Dot! MRS. DOT. I am. I can’t help it. But I think your plan of going to the States is simply foolish. GERALD. What else _can_ I do? The Cape’s entirely played out. MRS. DOT. You stupid creature. GERALD. I beg your pardon! MRS. DOT. You belong to a class whose chief resource when it has squandered its money is a rich marriage. The custom is so well recognised that when a man of good family emigrates rather than have recourse to it, society is outraged and suspicious. GERALD. Thanks. I don’t think I can see myself marrying for money. MRS. DOT. Don’t be so absurd. I never heard that the course of true love ran any less smoothly because a charming widow had sixty thousand a year. GERALD. What _do_ you mean? MRS. DOT. My dear boy, I’m not a perfect fool. A man thinks a woman never sees anything unless she looks at it with both eyes at once wide open. Don’t you know that she can see things through the back of her head with a stone wall in between? GERALD. What have you seen, then? MRS. DOT. I’ve seen a thousand things. I’ve seen your eyes light up when I came into the room, I’ve seen you watch me when you thought I wasn’t looking. I’ve seen you scowl at any young fool who paid me an outrageous compliment. I’ve seen the pleasure it gave you to do me any trifling service. I’ve seen you watch for the opportunity of putting my cloak on my shoulders after the play. And--I’m sorry--but I’ve come to the conclusion that you’re in love with me. I dare say the fact has escaped your notice, but that’s only because men are so deplorably stupid. GERALD. [_Gravely._] D’you think it’s quite kind to laugh at me now? MRS. DOT. But I’m not laughing at you, my dear. I’m so pleased, and so flattered and so touched. At first I thought I was only a fool, and that I saw those things only because I wanted to. And when your hand trembled a little as it took mine, I was afraid it was only my hand that was trembling. And at last when I was certain that you were just as much in love with me as I was with you, I was so glad that I cried for two hours. And I had to use a whole box of powder before I could make myself presentable again. GERALD. [_Grimly._] I’m afraid you’ll think me an utter brute. I ought to have told you long ago that I’m engaged to be married. MRS. DOT. Gerald! GERALD. I’ve been engaged to Nellie Sellenger for the last three years. MRS. DOT. Why didn’t you tell me? GERALD. No one was supposed to know anything about it. And--I was afraid of losing you. Oh, Dot, Dot, I love you with all my heart. And I’m so glad to be forced to tell you at last. MRS. DOT. But I don’t understand in the least. GERALD. You know Nellie Sellenger is an old friend of mine. MRS. DOT. Yes, it was at the Sellengers’ I first met you. GERALD. Well, three years ago we were staying at the same place in the country, and I was a young fool. MRS. DOT. You mean that there was no other girl there, and so you flirted with her. But you need not have asked her to marry you. GERALD. [_Apologetically._] It was the merest accident. It came to pieces in my ’ands, so to speak. MRS. DOT. Really? GERALD. We were taking a walk in the garden after dinner, and a perfectly absurd moon was shining. It seemed the obvious thing to do. MRS. DOT. And of course she accepted. The girl of eighteen always does. GERALD. But Lady Sellenger refused to hear of it. She thought me most ineligible. MRS. DOT. Lady Sellenger’s a sensible woman. She was quite right. GERALD. I’m not so sure. If she’d given us her blessing and told us to do as we liked, we should probably have broken it off in three weeks. But she was really rather offensive about it. She refused to let Nellie see me, and the result was that we were always running across one another in Bond Street tea-shops. MRS. DOT. Monstrous! And so bad for the digestion. GERALD. Some time ago Lady Sellenger found out that we were writing to one another and so on, so she came to see me and said she’d made up her mind to take Nellie abroad for a year. She made me promise to hold no communication with her during that time, and agreed that if we were still of the same mind when they came back, she would withdraw the opposition and let us be properly engaged. MRS. DOT. An announcement in the _Morning Post_ and all that sort of thing? GERALD. I suppose so. MRS. DOT. And when are they coming back? GERALD. They came back last week. But I haven’t had a chance of speaking to Nellie yet. The year is up to-day, and this morning I had a note from Lady Sellenger asking if they might come to tea. MRS. DOT. And what are you going to say to her? GERALD. Good heavens! What can I say? I was poor enough a year ago, but now I’m penniless. I’m bound to ask for my release. MRS. DOT. Then why on earth have you been trying to make me utterly miserable? GERALD. You know, I don’t want to seem an awful prig, but I don’t think I should much like doing anything shabby. If Nellie wants me to keep my promise I shan’t draw back. MRS. DOT. Oh, but she won’t. She’ll be only too glad to get rid of you. GERALD. I’m afraid there’s something else I must tell you. MRS. DOT. More? Don’t say you’ve got a horrible past, because I shan’t turn a hair. GERALD. No, it’s not that. You know that Lord Hollington is a relation of mine. MRS. DOT. Only a fifteenth cousin, isn’t he? Far too distant to brag about. GERALD. A year ago three lives stood between me and the peerage. It seemed impossible that I could ever come into anything. MRS. DOT. Well? GERALD. But last winter my cousin George unfortunately broke his neck in the hunting-field, and his poor old father died of the shock. If anything happened to my cousin Charles everything would come to me. MRS. DOT. And Lady Sellenger would doubtless withdraw her opposition to your marriage. GERALD. She’s a very nice woman, but she has rather a keen eye for the main chance. MRS. DOT. Even her best friend would hesitate to call her disinterested. But why should anything happen to Lord Hollington? He’s quite young, isn’t he? I saw his engagement announced in the _Morning Post_ a little while ago. GERALD. He’s out in India at this moment. He’s a soldier, you know. It appears there’s some trouble on the North-West Frontier, and he’s in command of the expedition. MRS. DOT. Oh, but nothing is going to happen to him. He’ll live till he’s eighty. GERALD. I’m sure I hope he will. MRS. DOT. Say again that you love me, Gerald. GERALD. [_Smiling._] I oughtn’t to yet. MRS. DOT. You know, you’ve got to marry me. I insist upon it. After all, you’ve been trifling with my affections shamefully. Oh, we shall be so happy, Gerald. And we’ll never grow any older than we are now. You know, I’m an awfully good sort, really. I talk a lot of nonsense, but I don’t mean it. I very seldom listen to it myself. I’m sick of society. I want to settle down and be domesticated. I’ll sit at home and darn your socks. And I shall hate it, and I shall be so happy. And if you want to be independent you can have a job at the brewery. We want a smart energetic man to keep us up to the times. And we’ll have a lovely box at the opera, and you can always get away for the shooting. [_A ring is heard._ GERALD. There they are. MRS. DOT. Good heavens! I quite forgot about those wretched people in there. [_She opens the door of the dining-room._ MRS. DOT. I don’t want to disturb you, but if you’ve quite finished your conversation perhaps you’d like to come and have tea. [BLENKINSOP _and_ FREDDIE _come in and go to the fire_. BLENKINSOP. I observe with interest that your remark is facetious. FREDDIE. I’m simply freezing. MRS. DOT. You didn’t mind being shut up in there, did you? BLENKINSOP. Not at all. I rather like sitting in an arctic room without a fire, with a window looking on a blank wall, and the society of your nephew and the _Sporting Times_ of the week before last as my only means of entertainment. [CHARLES _enters to announce the_ SELLENGERS. _He goes out and brings in the tea._ CHARLES. Lady and Miss Sellenger. [_Enter_ LADY SELLENGER _and_ NELLIE. LADY SELLENGER _is a pompous woman of fifty, stout, alert and clever_. NELLIE _is very pretty and graceful, and fashionably gowned. She appears to be much under her mother’s influence._ LADY SELLENGER. How d’you do? Ah, Mrs. Worthley! Delightful! GERALD. [_Shaking hands._] How d’you do? I think you know Mr. Blenkinsop? LADY SELLENGER. Of course. But I don’t approve of him. BLENKINSOP. Why not? LADY SELLENGER. Because you’re a cynic, a millionaire, and a bachelor. And no man has the right to be all three. MRS. DOT. And how did you like Italy? LADY SELLENGER. A grossly over-rated place. So many marriageable daughters and so few eligible men. GERALD. [_Introducing._] Mr. Perkins, Lady Sellenger--Miss Sellenger. MRS. DOT. My nephew and my secretary. LADY SELLENGER. Really. How very interesting! Almost romantic. FREDDIE. How d’you do? LADY SELLENGER. Dear Mrs. Worthley, what a charming gown! You always wear such--striking things. MRS. DOT. It advertises the beer, don’t you know. LADY SELLENGER. I wish I could drink it, Mrs. Worthley, but it’s so fattening. I understand you always have it on your table. MRS. DOT. I think that’s the least I can do, as it’s only on account of the beer that I can have a table at all. NELLIE. [_To_ MRS. DOT.] May I give you some tea? MRS. DOT. [_Going to the tea-table._] Thanks so much. [GERALD _comes over to_ LADY SELLENGER _with a cup. She takes it. The others are gathered round the tea-table, which is right at the back, and talk among themselves._ LADY SELLENGER. Come and sit by me, Gerald. I’ve not had a word with you since we came back from Italy. GERALD. [_Lightly._] What are you going to say to me? LADY SELLENGER. You can guess why I wrote to ask if we might come and see you to-day? GERALD. [_Rising._] Yes. LADY SELLENGER. Now do sit down. And look as if you were talking of the weather. GERALD. It’s a little difficult to discuss the matter quite indifferently. LADY SELLENGER. My dear boy, it’s the little difficulties of life which prevent it from being dull. We should be no better than the beasts of the field if we had no anxieties about our soul and our position in society. GERALD. I see. LADY SELLENGER. [_Rather impatiently._] My dear Gerald, why don’t you help me? What I have to say is so very unpleasant. You know I have always had a most sincere affection for you. Under other circumstances I would have wanted no better son-in-law. GERALD. It’s very kind of you to say so. LADY SELLENGER. I’ve assured you for the last three years that a marriage was absurd, and now I want to tell you that it’s impossible. Love is all very well in its way, but it doesn’t make up for a shabby house in the suburbs. GERALD. You’re not romantic, Lady Sellenger. LADY SELLENGER. My dear, when you reach my age you’ll agree with me that it’s only the matter of fact which really signifies. Love in a cottage is a delusion of youth. It’s difficult enough after ten years of solid matrimony in Grosvenor Square. GERALD. You married for love, Lady Sellenger. LADY SELLENGER. I’m anxious that my daughter shouldn’t make the same mistake. Now let us be quite frank with one another.... Are you sure they’re not listening? GERALD. [_Glancing at the others._] They seem very much occupied with their own affairs. What is your ultimatum? LADY SELLENGER. Well, Gerald, I’m not in the least mercenary. I know that money can’t give happiness. But I do feel that unless you have at least two thousand a year you can’t make my daughter even comfortable. GERALD. I’m sure that’s very modest. LADY SELLENGER. It’s not love in a cottage. It’s not love in a palace. It’s just--matrimony in Onslow Gardens. GERALD. I may as well tell you at once that I’ve had very bad luck. I wanted to make money, and I’ve come an absolute cropper. LADY SELLENGER. My dear Gerald, I’m very sorry. Is it as bad as all that? GERALD. It couldn’t be much worse. LADY SELLENGER. Dear me, that’s very sad. But, of course, it simplifies matters, doesn’t it? GERALD. Enormously. It puts marriage entirely out of the question and leaves only one course open to me. I’ll take the earliest opportunity to ask Nellie for my release. LADY SELLENGER. What a pity it is you’re so poor! Your principles are really excellent. GERALD. But what about Nellie? How will she take it? LADY SELLENGER. She’s so reserved, poor dear! She never speaks of her feelings. But after three London seasons most girls have learnt to bow to the inevitable. And how is Lord Hollington? GERALD. He’s to be married as soon as he comes back from India. LADY SELLENGER. It was dreadfully sad that his uncle and his cousin should die within a year. If anything happened to him you’d be in very different circumstances. But, of course, it would be wicked to wish it. I hope you never do. GERALD. Never. I trust he’ll live to a hundred. LADY SELLENGER. And I daresay he’ll have fifteen children. Those delicate men often do.... Why don’t you speak to Nellie now and get it over? GERALD. This very minute? With others in the room? LADY SELLENGER. That’s just it, I want to give neither of you any opportunity for sentiment. GERALD. You’re certainly very practical. LADY SELLENGER. No woman can afford to be sentimental when she has a marriageable daughter.... For heaven’s sake don’t make Nellie cry, we’re dining out to-night. GERALD. I’ll do my best to be very matter of fact. LADY SELLENGER. [_Raising her voice._] Mr. Blenkinsop, I want to quarrel with you! BLENKINSOP. [_Coming forward._] You fill me with consternation. LADY SELLENGER. You passed us in Pall Mall this afternoon and you cut us dead. BLENKINSOP. I’m so sorry, I didn’t see you. I’d just been to the War Office to inquire if there was any news of those fellows out in India. By the way, Halstane, isn’t Hollington a relation of yours? GERALD. Yes, why? BLENKINSOP. Haven’t you seen anything in the paper? GERALD. No. BLENKINSOP. Oh, but surely. There’s sure to be something about it in the _Westminster_. [_He takes up the paper._ GERALD. That’s an early one. [_Faintly are heard the cries of “Special.”_ FREDDIE. Listen, there’s the last edition coming along. LADY SELLENGER. But what is it, Mr. Blenkinsop? BLENKINSOP. A small force was sent out to punish some local people up in the hills, who’d been making themselves troublesome, and it hasn’t been heard of since. The idea is that there may have been some trouble and they’ve all got cut up. MRS. DOT. But how does it concern Lord Hollington? BLENKINSOP. He was in command of it. GERALD. Good God! BLENKINSOP. When I was there a couple of hours ago the War Office had no news at all. GERALD. But why didn’t you tell me about it? BLENKINSOP. I thought you knew. I’d forgotten for the moment that Hollington had anything to do with you. He’s a very distant relation, isn’t he? GERALD. Yes, I hardly know him. LADY SELLENGER. But if anything has happened to him.... [_Cries outside of “Special, Special.”_ MRS. DOT. Why don’t you get a paper? Freddie, run and get one, will you? GERALD. No, Charles can go. [_He rings, and_ CHARLES _immediately comes in_. GERALD. Oh, Charles, get a paper at once. Hurry up! CHARLES. Very good, sir. [_He goes out. Outside, cries of “Terrible catastrophe in India.”_ GERALD. By Jove, did you hear that? [_Cries of “Special, Special.”_ LADY SELLENGER. Why doesn’t he make haste? GERALD. Nonsense. It can’t have anything to do with Hollington. MRS. DOT. [_With her hand on his arm, anxiously._] Gerald. [FREDDIE PERKINS _is looking out of the window_. FREDDIE. Here’s Charles. By Jove, he isn’t hurrying himself much. GERALD. Has he got a newsboy? FREDDIE. Yes. What the deuce is he doing? GERALD. [_At the window._] Good lord, he’s reading the paper. LADY SELLENGER. The suspense is too awful. FREDDIE. There’s another newsboy running down the street. [_Cries of “Special, Special.”_ GERALD. Thank God, he’s coming upstairs at last. I should like to kick him. [_Cries of “Terrible catastrophe in India. ’Eroic death of Lord ’Ollington.”_ Good God! [_They all remain in silence, full of consternation._ CHARLES _enters with the paper_. Hurry up, man! What the deuce have you been doing? [_He snatches the paper from him._ CHARLES. [_With dignity._] I made all the ’aste I could, my lord. [GERALD _stops for a moment from looking up and down the paper, and stares at him_. GERALD. What the dickens d’you mean? [_He looks at the paper, reads, and drops it._ MRS. DOT. Is it true, Gerald? [_He looks at her and nods._ GERALD. Poor chap. And just as he was going to be married. CHARLES. Shall I bring your hat and coat, my lord? GERALD. What on earth are you talking about? CHARLES. I thought your lordship would like to go round to the War Office. GERALD. Shut up! [_Exit_ CHARLES. LADY SELLENGER. My dear boy, I congratulate you with all my heart. GERALD. Oh, don’t remind me of that already. LADY SELLENGER. I can quite understand you’re a little upset, but after all he was only a very distant relation of yours. BLENKINSOP. I don’t understand what all this means. GERALD. Didn’t you hear that fool of a servant? It was the first thing he thought of. MRS. DOT. Gerald succeeds to the peerage! GERALD. Yes. MRS. DOT. Wouldn’t you like us to leave you alone? I’m sure you want to think things out a bit? LADY SELLENGER. Come, Nellie! GERALD. I’m sorry to turn you out. Good-bye. I had something to say to you, Nellie. NELLIE. We’ve not had a chance of speaking to one another. LADY SELLENGER. [_Unctuously._] It’s very fortunate. Now you’ll have much pleasanter things to talk about. [_He stares at her without understanding._ LADY SELLENGER. Things are very different now, Gerald. It just came in time, didn’t it? NELLIE. Good-bye. [LADY SELLENGER _and_ NELLIE _go out_. BLENKINSOP. Good-bye, old man, I’m sorry your cousin has had such an awful death. But after all, we none of us knew him and we do know you. I can’t tell you how glad I am that all your difficulties are at an end. GERALD. I would give my right hand to bring Hollington back to life again. BLENKINSOP. Good-bye. [_He goes out._ MRS. DOT. Go away, Freddie. I want to talk to Gerald. FREDDIE. Good-bye, old man. I say, what a nice girl Miss Sellenger is! GERALD. Good-bye. [FREDDIE _goes out_. MRS. DOT. Well? GERALD. The news has come just an hour too soon. It’s bound me hand and foot. MRS. DOT. What d’you mean by that? GERALD. Nellie accepted me when I was poor and of no account. Now that I’m well off I can’t go to her and say: I’ve changed my mind and don’t want to marry you. MRS. DOT. What d’you mean by being well off? GERALD. I believe I shall have six or seven thousand a year. MRS. DOT. But you can’t live on that. It’s absurd. GERALD. [_With a smile._] There are people who live on much less, you know. MRS. DOT. Besides, she doesn’t care for you in the least. I could see that at a glance. GERALD. How? MRS. DOT. A girl who loved you wouldn’t have a skirt cut like that. GERALD. I can’t draw back now, Dot. You must see that I can’t. MRS. DOT. If you cared for me, you’d easily find some way out of the difficulty. GERALD. I must be honest, Dot.... I don’t want to seem a snob, but I’ve got an ancient name, and it’s rather honourable. I’m by way of being the head of the family now. I don’t want to begin by acting like a cad. MRS. DOT. You know, I’m much nicer than Nellie. I’m more amusing, and I’m better dressed, and I’ve got five motor cars. It’s true she’s younger than I am, but I don’t feel a day more than seventeen. [_With a little look at him._] And if you had any sense of decency at all you’d say I looked it. You said you loved me just now. Say it again, Gerald. It’s so good to hear. GERALD. I don’t see how we can help ourselves. MRS. DOT. [_Beginning to lose her temper._] I suppose you just want to finish an awkward scene? I don’t want to harrow you. Why don’t you go to the War Office? GERALD. You must see it’s not my fault. If we must part, let us part friends. MRS. DOT. Now, I declare he wants to sentimentalise. Isn’t it enough that you’ve made me frightfully unhappy? D’you want me to say it doesn’t matter at all, as if you’d spilt a cup of tea on me? D’you think I like being utterly wretched? GERALD. For heaven’s sake, don’t talk like that. You’re tearing my heart to pieces. MRS. DOT. _Your_ heart? I should like to bang it on the floor and stamp on it. You must expect to suffer a little. You can’t put it all on me. GERALD. I don’t want you to suffer. MRS. DOT. [_In a temper._] You were willing enough to marry me when you hadn’t got sixpence to bless yourself with. How fortunate your cousin didn’t die a week later! GERALD. Do you think I was proposing to marry you for your money? MRS. DOT. Yes. GERALD. Really? MRS. DOT. No, of course not. GERALD. Thanks. MRS. DOT. Oh, you needn’t take it as a compliment. I’d much sooner have to deal with a clever knave than an honest fool. GERALD. Won’t you say that you bear me no ill-will? MRS. DOT. No. GERALD. I really must go to the War Office. MRS. DOT. Very well, you can go. GERALD. Won’t you come with me? MRS. DOT. No. GERALD. I’m afraid you’ll get rather bored here. [_He rings the bell, and_ CHARLES _comes in_. CHARLES. Yes, my lord. GERALD. I want my hat and coat. [CHARLES _goes out_. MRS. DOT. Do you care for Nellie Sellenger? GERALD. If you don’t mind, I won’t answer that question. Unless she asks for her freedom, I propose to marry her. [CHARLES _brings in the hat and coat_. MRS. DOT _watches him while he puts them on_. GERALD. Good-bye. [_He goes out._ MRS. DOT _turns round and faces_ CHARLES. MRS. DOT. Charles, have you ever been married? CHARLES. Twice, madam. MRS. DOT. And has experience taught you that when a woman wants a thing she generally gets it? CHARLES. [_With a sigh._] It has, madam. MRS. DOT. That is my opinion, too, Charles. [_She goes out._ CHARLES _begins to clear the tea things away_. END OF THE FIRST ACT THE SECOND ACT _The terrace of_ MRS. DOT’S _house on the River. There are masses of rose trees in full flower. At the back is the house, covered with creepers._ _A table is set out for luncheon, with four chairs._ MISS MACGREGOR _is sitting in a garden chair, sewing. She is an elderly, quiet woman, thin, somewhat angular, good-humoured and amiable._ MRS. DOT _is walking up and down impatiently_. AUNT ELIZA. My dear, why don’t you sit down and rest yourself? I’m sure you’ve walked at least ten miles up and down this terrace. MRS. DOT. I’m in a temper. AUNT ELIZA. That must be obvious to the meanest intelligence. MRS. DOT. Have you read the paper to-day? AUNT ELIZA. I’ve tried to, but as you’ve spent most of the morning in stamping on it, I haven’t had much success. MRS. DOT. Then I beg you to listen to this: [_Taking up a “Morning Post” and reading it._] A marriage has been arranged between Lord Hollington and Eleanor, only daughter of the late General Sir Robert Sellenger. [_She crumples up the paper and stamps on it._ AUNT ELIZA. That’s the twenty-third time you’ve read this announcement to me. I assure you that it’s beginning to lose its novelty. MRS. DOT. You can’t deny that it’s rather annoying to take up your paper in the morning and discover an official announcement that the man you’ve made up your mind to marry is taking serious steps to marry somebody else. AUNT ELIZA. But would you tell me why you want to marry him? MRS. DOT. Why does anybody ever want to marry anybody? AUNT ELIZA. That is a question to which during the fifty-five years of my life I’ve been totally unable to discover an answer. MRS. DOT. Well, because he’s clever, and handsome, and amusing. AUNT ELIZA. He’s not really very clever, you know. MRS. DOT. Of course he isn’t. He’s as stupid as an owl. I’ve told him so till I’m blue in the face. AUNT ELIZA. And he’s not really very good-looking, is he? MRS. DOT. On the contrary, I think he’s rather plain. AUNT ELIZA. I suppose you find him amusing? MRS. DOT. Not at all. I find him dull. AUNT ELIZA. Then, perhaps, you can find me some other explanation. MRS. DOT. Well, I’m head over ears in love with him. AUNT ELIZA. But why, my dear? Why? MRS. DOT. Because I am. That’s the most conclusive reason possible. And I’ve set my heart on marrying him. And the more obstacles there are the more I mean to marry him. AUNT ELIZA. I can’t imagine why you hadn’t the sense to fall in love with one of the various eligible persons who want to marry you. MRS. DOT. But he _does_ want to marry me. He’s desperately in love with me. AUNT ELIZA. I should have thought he could find a better way of showing it than by getting engaged to somebody else. MRS. DOT. He’s a sentimentalist, like all his sex. Good heavens, what a mess the world would get into if it weren’t for the practical common sense of the average women. AUNT ELIZA. And what do you propose to do? MRS. DOT. That’s just it. I don’t in the least know. They’ll all be here in half an hour, and I haven’t the shadow of a scheme. I lie awake all night racking my brains, and I can’t think of anything. AUNT ELIZA. Why did you ask them to come here? MRS. DOT. I thought I might hit upon something if they were under my eyes. Gerald had promised to spend Whitsun with me and, so that he shouldn’t put me off, I asked the Sellengers, too. Lady Sellenger was only too glad to get a week’s board and lodging for nothing. [_The sound is heard of a motor stopping._] There’s Jimmie Blenkinsop. I told you he was going to motor down in time for luncheon, didn’t I? [BLENKINSOP _comes in with_ FREDDIE. FREDDIE _has on a gay tweed suit_.] Jimmie! BLENKINSOP. How d’you do? [_He shakes hands with_ MRS. DOT _and_ AUNT ELIZA. MRS. DOT. Now we’ll have luncheon. You must be starving with hunger. BLENKINSOP. You must let me wash first. MRS. DOT. No, we’re all far too hungry. Freddie will go and wash his hands for you. [_She rings half a dozen times quickly on a little bell on the table._ FREDDIE. I shall be back in one minute. [_He goes out._ MRS. DOT. Now sit down. I’m perfectly ravenous. [THE BUTLER _and the_ FOOTMAN _bring in luncheon, which is eaten during the next scene_. AUNT ELIZA. I perceive that the tender passion hasn’t in the least interfered with your appetite. MRS. DOT. Oh, my dear James, I’m so unhappy. BLENKINSOP. You look it. MRS. DOT. By the way, how do I look? BLENKINSOP. All right. You’ve changed your cook. MRS. DOT. Hang my cook. BLENKINSOP. I wouldn’t if I were you. She’s very good. MRS. DOT. Of course you’ll drink the family ale? BLENKINSOP. Of course I’ll do nothing of the kind. MRS. DOT. You know it’s one of my principles to have it on the table. BLENKINSOP. Yes, but it’s one of my principles not to drink it. I seem to remember that you have some particularly fine hock. MRS. DOT. Jimmie, have you never been in love? BLENKINSOP. Never, thank God. MRS. DOT. I don’t believe it. Every one’s in love. I’m in love. BLENKINSOP. Not with me, I trust. MRS. DOT. You perfect idiot. BLENKINSOP. Not at all. I should think it very natural. MRS. DOT. I wonder why you never married, James. BLENKINSOP. Because I have a considerable gift for repartee. I discovered in my early youth that men propose not because they want to marry, but because on certain occasions they are entirely at a loss for topics of conversation. AUNT ELIZA. [_Smiling._] It was a momentous discovery. BLENKINSOP. No sooner had I made it than I began to cultivate my power of small talk. I felt that my only chance was to be ready with appropriate subjects at the shortest notice, and I spent a considerable part of my last year at Oxford in studying the best masters. MRS. DOT. I never noticed that you were particularly brilliant. BLENKINSOP. I never played for brilliancy. I played for safety. I flatter myself that when prattle was needed I have never been found wanting. I have met the ingenuity of sweet seventeen with a few observations on Free Trade, while the haggard efforts of thirty have struggled in vain against a brief exposition of the higher philosophy. The skittish widow of uncertain age has retired in disorder before a complete acquaintance with the restoration dramatists, and I have routed the serious spinster with religious leanings by my remarkable knowledge of the results of missionary endeavour in Central Africa. Once a dowager sought to ask me my intentions, but I flung at her astonished head an entire article from the “Encyclopædia Britannica.” These are only my serious efforts. I need not tell you how often I have evaded a flash of the eyes by an epigram or ignored a sigh by an apt quotation from the poets. MRS. DOT. I don’t believe a word you say. I believe you never married for the simple reason that nobody would have you. BLENKINSOP. Do me the justice to acknowledge that I’m the only man who’s known you ten days without being tempted by your preposterous income to offer you his hand and heart. MRS. DOT. I don’t believe my income has anything to do with it. I put it down entirely to my very considerable personal attractions. AUNT ELIZA. Here is Freddie, at last. What has he been doing? [FREDDIE _comes in, having changed into flannels_. MRS. DOT. Why on earth have you changed your clothes? FREDDIE. [_Sitting down at table._] I regard it as part of my duties as your secretary to look nice. MRS. DOT. I don’t know that I think it essential for you to put on seven different suits a day. FREDDIE. I thought Miss Sellenger would probably like to go on the river before tea. AUNT ELIZA. If she does, it’s more likely to be with Lord Hollington than with you. FREDDIE. Oh, that’s rot. Gerald’s an awfully good sort, but he’s not the sort of chap a girl’s desperately fond of. MRS. DOT. You think that, do you? FREDDIE. Well, you can’t see yourself falling in love with him can you? MRS. DOT. No. No. AUNT ELIZA. And what is the sort of man a girl’s desperately fond of? FREDDIE. Oh, I don’t know. [_Taking up a spoon and looking at himself, twisting an infinitesimal moustache._] I should think some one a bit younger than Gerald. MRS. DOT. [_With a little shriek._] You! FREDDIE. You needn’t be so surprised. One might do worse, you know. MRS. DOT. [_To_ AUNT ELIZA _pointing with a scornful finger at_ FREDDIE.] Do you think any one could possibly fall in love with that? AUNT ELIZA. Of course not. FREDDIE. I say, come now. That’s a bit thick. MRS. DOT. [_To_ BLENKINSOP.] If you were a young and lovely maiden would you fall in love with Freddie? BLENKINSOP. [_Looking at him doubtfully._] Well, if you ask me point blank I don’t think I should. FREDDIE. You’re all of you jolly supercilious. MRS. DOT. He’s not positively plain, is he? BLENKINSOP. Not positively. FREDDIE. Look here, you shut up. I bet I could cut you out with any girl you like to mention. BLENKINSOP. Rubbish! MRS. DOT. I daresay he can whisper nonsense in a woman’s ear as well as any one else. AUNT ELIZA. It’s born in them, the brutes. BLENKINSOP. Pooh! I wouldn’t waste my time on whispering nonsense. I’d just send my pass-book round by a messenger boy. FREDDIE. Well, I flatter myself Miss Sellenger will be much more pleased to see _me_ than to see anybody else down here. BLENKINSOP. You’ve only seen her once. FREDDIE. She’s a jolly nice girl, I can tell you that. BLENKINSOP. [_Ironically._] I suppose she squeezed your hand when you went away? FREDDIE. Well, it so happens, she did. BLENKINSOP. You needn’t be set up about it, because she squeezed mine, too. It’s evidently a habit. FREDDIE. Yours! What rot! [MRS. DOT _has been staring at him, with both elbows on the table. A servant is standing at her side with a tray on which is the coffee._ AUNT ELIZA. Thompson is offering you some coffee, my dear. MRS. DOT. [_Absently._] Take it away. FREDDIE. What on earth are you staring at? Isn’t my tie all right? MRS. DOT. You certainly are rather good-looking. I’ve never noticed it before. FREDDIE. It’s no good, you know. You’re my aunt, and the prayer book wouldn’t let you marry me. MRS. DOT. Now I come to think of it, I daresay you’re quite grown up to any one who didn’t know you in Etons. FREDDIE. I don’t know what on earth you’re talking about. MRS. DOT. I suppose a girl might quite easily fall in love with you. It had never occurred to me. BLENKINSOP. Which means that you’ve found him a wife, and you’re going to marry him to some one whether he likes it or not. MRS. DOT. [_Suddenly._] Freddie. FREDDIE. Hulloa! MRS. DOT. Go away and play. FREDDIE. Hang it all, I want to drink my coffee. MRS. DOT. Go and make a mud pie in the garden. There’s a dear. [_A bell is heard ringing loudly._ AUNT ELIZA. There they are! MRS. DOT. Come on! [_They all get up._ MRS. DOT _and_ AUNT ELIZA _go out_. FREDDIE _and_ BLENKINSOP _light cigarettes_. FREDDIE. What’s the matter with my virtuous aunt? BLENKINSOP. How old are you, dear boy? FREDDIE. Twenty-two. Why? BLENKINSOP. The delightful age when it’s still possible to feel desperately wicked. But you are old enough to have learnt that the moods of women are inscrutable. FREDDIE. Oh, rot! I never met a woman whom I couldn’t read at a glance. BLENKINSOP. [_Ironically._] Really? FREDDIE. You know, they talk about the incomprehensibility of women, but it’s all humbug. BLENKINSOP. When you see a blank wall, does it _ever_ occur to you that there’s anything on the other side? [MRS. DOT _and_ AUNT ELIZA _come in with_ LADY SELLENGER, NELLIE _and_ HOLLINGTON. _They are all talking._ LADY SELLENGER. We had a delightful journey. Oh, how beautiful your garden is! So romantic. I love romance. BLENKINSOP. When it’s backed by an adequate income. LADY SELLENGER. How d’you do? You cynic. BLENKINSOP. I’m nothing of the sort. But I occasionally tell the truth. LADY SELLENGER. You’re the most cynical man in London, and I’m frightened to death of you. BLENKINSOP. There’s nothing the world loves more than a ready-made description which they can hang on to a man, and so save themselves all trouble in future. When I was quite young it occurred to some one that I was a cynic, and since then I’ve never been able to remark that it was a fine day without being accused of odious cynicism. LADY SELLENGER. My dear Mr. Blenkinsop, what every one says is always true. That is one of the foundations of society. BLENKINSOP. I gained my reputation by remarking once that it was possible for a penniless young man who married a very rich woman old enough to be his mother to be genuinely in love with her. LADY SELLENGER. I think it was a very cynical observation. MRS. DOT. [_To_ LADY SELLENGER.] You know my nephew, don’t you? LADY SELLENGER. How d’you do? I think we met at dear Gerald’s a week or two ago. FREDDIE. [_Shaking hands._] How d’you do? [_To_ NELLIE.] Have you quite forgotten me? NELLIE. Not quite! FREDDIE. Jolly day, isn’t it? NELLIE. Awfully jolly. [MRS. DOT _watches them as they shake hands_. AUNT ELIZA. [_To_ LADY SELLENGER.] Would you like me to show you your rooms? LADY SELLENGER. Thanks, so much. MRS. DOT. Freddie, is Gerald’s room ready? FREDDIE. Yes, I think so. I’ll just go and find out. [_He goes out._ MRS. DOT. I was so delighted to see the announcement in the morning’s paper. I offer my very warmest congratulations. NELLIE. Thanks, so much. MRS. DOT. I’ve known Gerald for ages. I’m delighted to see him on the way to such a happy marriage. I couldn’t have wished him to get engaged to any one nicer than you. LADY SELLENGER. It’s all so romantic, isn’t it? It ought to be an answer to a cynical creature like you to see the course of true love run so smoothly. MRS. DOT. [_To_ GERALD.] I offer you also my best congratulations. I think you’re very lucky. GERALD. [_Stiffly._] Thank you, very much. I suppose I have my usual room? MRS. DOT. Yes. [_He goes into the house._ LADY SELLENGER _and_ NELLIE _accompany_ AUNT ELIZA. MRS. DOT _is left alone with_ BLENKINSOP. James! BLENKINSOP. Hulloa! MRS. DOT. Do you love me? BLENKINSOP. Passionately. MRS. DOT. [_Stamping her foot._] Don’t be so silly. BLENKINSOP. You can’t expect me to be so uncivil as to say no. MRS. DOT. But I’m perfectly serious. BLENKINSOP. Are you, by Jove? That alters the matter. In that case the answer is in the negative. MRS. DOT. And is there the least chance of your falling in love with me? BLENKINSOP. Not so long as I remain in full possession of my senses. MRS. DOT. Do you want to marry me? BLENKINSOP. Really you embarrass me very much. MRS. DOT. Don’t hedge. BLENKINSOP. It’s a little disconcerting to have a pistol put to your head in the form of a proposal of marriage. MRS. DOT. I’m not making you a proposal of marriage, idiot. BLENKINSOP. Then I should very much like to know what you are doing. MRS. DOT. I’m asking you a very simple and ordinary question. BLENKINSOP. Thank God, it’s not one that women ask often. MRS. DOT. I never saw any one out of whom it’s harder to get a straight answer. BLENKINSOP. You must make allowances for a pardonable agitation. MRS. DOT. James, do you want to marry me? BLENKINSOP. No, bless you! MRS. DOT. Are you quite sure? BLENKINSOP. Positive. MRS. DOT. Would nothing induce you to marry me? BLENKINSOP. Nothing. MRS. DOT. [_With a sigh of relief._] Then you may kiss my hand. BLENKINSOP. [_Doing so._] You’re not hurt? MRS. DOT. I’m infinitely relieved. BLENKINSOP. And Freddie, the dear boy, says he can read a woman at a glance. MRS. DOT. Now listen to me quite seriously. I want you to do something for me. BLENKINSOP. [_Nervously._] We’ve put marriage out of the question, haven’t we? MRS. DOT. Certainly. BLENKINSOP. [_Generously._] You may ask anything else of me. MRS. DOT. I want you to let me make love to you. BLENKINSOP. My dear friend, this is very surprising. MRS. DOT. There are people who’d welcome the proposal with alacrity. BLENKINSOP. For how long? MRS. DOT. Only for a week. BLENKINSOP. You’re sure it’s not in earnest? MRS. DOT. Quite sure. BLENKINSOP. And what have I got to do? MRS. DOT. Well, you’ve got to look as if you liked it. BLENKINSOP. [_Sombrely._] Of course, it sounds very delightful. MRS. DOT. You must show a coming-on disposition, you know, or I can do nothing. BLENKINSOP. Do you want me to make love to _you_? MRS. DOT. I’m afraid it’s asking a great deal of you. BLENKINSOP. Not at all. Not at all. But I wish you’d tell me what your little game is. MRS. DOT. Ah, here’s Aunt Eliza. The very person I wanted. [AUNT ELIZA _comes on the terrace from the house. Impulsively._] Aunt Eliza, will you be a perfect brick? Will you do something for me, that’s an awful nuisance? AUNT ELIZA. My dear, why on earth are you so excited? Of course I’ll do anything in reason for you. MRS. DOT. But it’s not in reason. AUNT ELIZA. Well, I’ll do it all the same. MRS. DOT. I want you to take a motor and bolt up to London and get a special licence. AUNT ELIZA. A special licence! BLENKINSOP. A special licence! MRS. DOT. [_Catching sight of his face._] Get two special licences. They’re always useful things to have in a house. AUNT ELIZA. But they must be made out to certain names. MRS. DOT. Must they? How stupid! Well, have one made out for Frederick Perkins and Eleanor Sellenger. AUNT ELIZA. My dear child, you must be crazy. MRS. DOT. Now don’t argue, but do as I tell you. If two young things are thrown together with a certain amount of skill they always marry. AUNT ELIZA. But they hardly know one another. MRS. DOT. If people waited to know one another before they married, the world wouldn’t be so grossly over-populated as it is now. AUNT ELIZA. You’re certainly quite crazy. MRS. DOT. No, I’m not. I shall never get Gerald to break his word. My only chance is with Nellie. BLENKINSOP. [_Uneasily._] But you’ve told her to get two licences. MRS. DOT. Make the second one out in the names of James Blenkinsop and Frances Annandale Worthley. BLENKINSOP. I absolutely refuse. MRS. DOT. But you must let me. You can’t leave an old friend in the lurch. BLENKINSOP. It’s all very fine to invoke the claims of friendship, but it’s carrying it rather far when you pay three guineas for a special licence. MRS. DOT. My dear man, I can’t drag you to the altar. BLENKINSOP. I’m beginning to think you’re capable of anything. MRS. DOT. But don’t you see, you idiot, that I want to marry Gerald Hollington? And I’m eating my heart out. BLENKINSOP. [_Crossly._] It’s evidently a diet that agrees with you. You’re growing fat on it. MRS. DOT. Don’t be spiteful. I’ve not gained half a pound in the last five years. AUNT ELIZA. And how on earth are you going to get Freddie and Nellie Sellenger to use this licence? MRS. DOT. Never mind, leave everything to me. And make haste to get up to London. AUNT ELIZA. Very well, I’ll go at once. [_Just as_ AUNT ELIZA _is going into the house_ LADY SELLENGER _comes out, followed by_ NELLIE; AUNT ELIZA _stops and listens to the conversation from the doorway_. MRS. DOT. I hope you’ve found everything you wanted. LADY SELLENGER. Oh, yes, thanks. I’m quite delighted with the view from my room. MRS. DOT. Come and sit down. I have something very serious I want to talk to you about. LADY SELLENGER. Dear Mr. Blenkinsop, do take Nellie for a little stroll in the garden. MRS. DOT. Oh, but it concerns Nellie, and I want her to hear. BLENKINSOP. I perceive you are inclined to think that the serious cannot fail to be improper, Lady Sellenger. LADY SELLENGER. Be quiet, you horrible cynic. MRS. DOT. Well, a most ridiculous thing has happened, and I want Nellie to help me. NELLIE. Me? MRS. DOT. My dear, it’s so unfortunate, but my nephew has fallen head over ears in love with you. NELLIE. Nonsense! MRS. DOT. I can’t understand it. After all, he’s only seen you once, and you can’t have exchanged more than a dozen words. LADY SELLENGER. How very annoying! MRS. DOT. And it’s so unexpected, because he’s not at all the sort of boy who falls in and out of love with every pretty girl he meets. I think you’re his first passion, and he’s inclined to take it very seriously. LADY SELLENGER. Poor boy, I can afford to sympathise with him now that Nellie is safely engaged to Gerald Hollington. NELLIE. It’s really rather flattering, isn’t it? But how on earth d’you know? MRS. DOT. He tells me everything. You see I’ve always tried to be his friend as well as his aunt. He has no secrets from me. BLENKINSOP. You’ll tell us next that a boy who’s been to Eton and Oxford has a pure and innocent mind. MRS. DOT. My dear child, he simply raves about you. He’s been talking of nothing else ever since you met. LADY SELLENGER. But doesn’t he know that Nellie is going to be married at the end of the season? MRS. DOT. Of course, he does. I’ve dinned it into his ears, but it seems to have no effect on him. He’s the sort of lover that will hear of no obstacles. It’s really quite pathetic to hear the passionate harangues that he pours into my ears. NELLIE. What sort of things does he say? MRS. DOT. My dear, I suppose very much the same as Gerald. NELLIE. No one could accuse Gerald of being a passionate lover. MRS. DOT. Really? LADY SELLENGER. I’m very glad he’s not. He’s going to be your husband, and that’s more satisfactory than any amount of pretty speeches. NELLIE. I could wish that he talked to me of something besides the weather and the Royal Academy. LADY SELLENGER. My dear child, what are you saying? Gerald has a charming nature and the very highest principles. BLENKINSOP. [_Imitating her pompous manner._] To say nothing of a peerage and a considerable income. MRS. DOT. He certainly has every advantage over poor Freddie, who is nobody in particular and hasn’t a penny to bless himself with. NELLIE. I think he’s awfully nice. MRS. DOT. Well, that’s just what I don’t want you to think. I shouldn’t have said anything to you about his--mad infatuation, only I want you to be very careful. LADY SELLENGER. Of course. It’s quite natural. NELLIE. What do you want me to do? MRS. DOT. Well, I want you to be very good and sweet and help me to cure him. I’d send him away, only it would have no effect. I thought if he saw you again he might find out that you have at least one or two faults. At present he thinks you too perfect for words. NELLIE. I’m not that, really. MRS. DOT. I didn’t think you were. I want you to promise that you’ll do nothing that he can in the least take as encouragement. I want you to be very distant and very cold. NELLIE. Of course, I’ll be only too glad to do anything I can. MRS. DOT. You’d be doing him a real kindness if you could snub him at every opportunity. Then you must avoid him as much as you can. Of course, you’ll be very much with Gerald while you’re down here. LADY SELLENGER. Of course. The dears, they’ve not seen one another for a year, and they have an infinity of things to discuss. MRS. DOT. It’ll be quite easy for you to show my poor Freddie that he’s only making a prodigious fool of himself. NELLIE. I feel so sorry for him. MRS. DOT. You will do what you can, won’t you? NELLIE. I’ll make it quite plain to him at once that he mustn’t care for me. MRS. DOT. Treat it as an impertinence that you resent. NELLIE. I’ll do that on the first opportunity. MRS. DOT. I know you have the sweetest nature in the world, but if you could be really brutal to him at once, it would cure him instantly. NELLIE. I can be horrid when I like. MRS. DOT. I’m sure you can. I put infinite reliance in your tact. LADY SELLENGER. And now I think we really might take a little turn in the garden before tea. [_Seeing that_ NELLIE, _instead of accompanying her, strolls towards the house_.] Where are you going, Nellie? NELLIE. [_Stopping._] I’ve just remembered I must write a letter. I’ll join you in five minutes. LADY SELLENGER. [_To_ BLENKINSOP _and_ MRS. DOT _who are getting up_.] Oh, don’t let me disturb you, I shall enjoy wandering about and looking at the flowers by myself. [_She goes away. Just as_ NELLIE _is entering the house_ FREDDIE _comes out. She gives him a glance and as she passes, drops a rose._ FREDDIE _picks it up and comes forward_. MRS. DOT. You monster! FREDDIE. What’s the matter? MRS. DOT. Give me that flower! FREDDIE. I shall do nothing of the sort. I shall put it in my button-hole. MRS. DOT. Freddie, I’ve come to the conclusion that you want a holiday. I wish you to pack up your things at once and go to Brighton for a week. You’re looking pale and tired. I’m sure you’ve been working too hard. FREDDIE. Oh, rot! I’m as fit as a fiddle. MRS. DOT. Don’t you agree with me, James? BLENKINSOP. Certainly. I think a change of air is distinctly indicated. FREDDIE. But I can’t go away when you’ve got people in the house. Besides, who’s to look after your correspondence? MRS. DOT. My dear boy, your health is the chief thing. I should never forgive myself if you came to any harm while you were my secretary. I’ll write my letters myself. BLENKINSOP. Besides, I shall be here, and I’ll do all I can to help you. FREDDIE. I don’t believe I’m pale. MRS. DOT. You only have to look at yourself. [_She takes out a little pocket mirror and hands it to him._ BLENKINSOP. Let’s look at your tongue. [_He puts it out._] Tut, tut, tut. FREDDIE. Look here, there’s something behind this. BLENKINSOP. You’re too clever, my boy. FREDDIE. I see through your little game. Aunt Dot, you want to get rid of me. MRS. DOT. How can you be so absurd? FREDDIE. Now, I wonder what your reason is. MRS. DOT. Shall we tell him the truth? BLENKINSOP. Yes, perhaps you’d better. He’s a very bright boy. MRS. DOT. Well, the fact is, Freddie, a dreadful thing has happened. Poor Nellie Sellenger is desperately in love with you. FREDDIE. I don’t see why you should want me to go away on that account. BLENKINSOP. Good lord, man, don’t be so self-satisfied. Aren’t you surprised, aren’t you dumfounded that a pretty girl should fall in love with you? FREDDIE. I thought it meant something when she dropped that rose. BLENKINSOP. Bless my stars, the dolt takes it as a matter of course. FREDDIE. I’m awfully flattered and all that sort of thing. MRS. DOT. But not exactly surprised? FREDDIE. It’s not fair to ask a fellow a question like that. BLENKINSOP. At all events, you see now the necessity for depriving us for a time of your charming society. FREDDIE. Nothing will induce me to desert a post of danger. I’m going to face the music. BLENKINSOP. Don’t be such an ass. It’s not you we’re thinking of, it’s that unfortunate girl. FREDDIE. I don’t know why you think she’s unfortunate. MRS. DOT. But, my dear boy, she’s engaged to Gerald Hollington. Don’t you see how serious the whole thing is? The only chance is for you to go away. We must try and make her forget you. FREDDIE. I don’t want to do anybody a bad turn. I wouldn’t do anything to queer Gerald’s pitch for worlds. BLENKINSOP. You must combine with us in order to save her from herself. MRS. DOT. There’s no use in her eating her heart out for you, when she must inevitably marry Gerald. FREDDIE. Poor old Gerald, I told you he wasn’t the sort of chap a girl would be desperately in love with. BLENKINSOP. The acumen you have shown does credit to your years. FREDDIE. Still, you know, I don’t think it’s wise for me to go away. Don’t you think it would be rather marked? And they always say that absence makes the heart grow fonder. BLENKINSOP. It was a woman who invented that proverb. There’s no truth in it. MRS. DOT. What else can you suggest? The fact remains that Nellie must be cured of this--of this passion. FREDDIE. My own idea is that the best thing is for me to hang on here as if I knew nothing about it. I’ll take care to be very distant. I’ll ignore her as much as I can. MRS. DOT. Will you promise to do that? FREDDIE. Yes, rather. I’ll let her see that I’m really a deuced dissipated dog. BLENKINSOP. Don’t let her think you’re too great a devil with the ladies, or that’ll be the last straw. If there’s one thing a woman likes it’s a really bad man. She’ll start reforming you, and then there’ll be no holding her back. MRS. DOT. No, you must seem rather dull and stupid. Let her think you’re a bit of a milksop. [FREDDIE _looks at them suspiciously_. FREDDIE. Look here, you’re not pulling my leg all the time, are you? MRS. DOT. My dear, I should never take such a liberty. FREDDIE. I don’t believe a word of what you’ve told me. Why should she care for me? You’ve simply been humbugging me right and left. [_For a moment_ MRS. DOT _is taken aback, but she sees_ LADY SELLENGER _coming through the garden with_ GERALD. MRS. DOT. Here’s Lady Sellenger. You won’t accuse her of trying to make a fool of you. [LADY SELLENGER _and_ GERALD _appear_.] I’ve just been talking to Freddie about--about your girl. LADY SELLENGER. Oh yes. [_To_ FREDDIE.] My poor boy, you’re in a very difficult position. FREDDIE. Then you know all about it, too? LADY SELLENGER. I really feel for you very much. You’ll want a great deal of tact and a great deal of courage. But you must do your duty. [_She turns aside to_ BLENKINSOP. MRS. DOT. [_In an undertone to_ FREDDIE.] Now have I been pulling your leg? FREDDIE. Poor girl! [_He goes into the house._ LADY SELLENGER. [_Looking at him as he goes._] What a beautiful and touching thing love is. BLENKINSOP. You must take care, Lady Sellenger. You’re growing sentimental. LADY SELLENGER. But I’ve always been as sentimental as a schoolgirl in my heart. Only, so long as Nellie’s future was unarranged, I was obliged to keep a tight hand on myself. MRS. DOT. Of course, Jimmie laughs; he doesn’t know what love is. LADY SELLENGER. Have you never been loved for yourself, Mr. Blenkinsop? BLENKINSOP. I have, but I have always found it deuced expensive. GERALD. I’m afraid Blenkinsop doesn’t set much store on the gentle sex. BLENKINSOP. Don’t call them gentle. They’re very much rougher than men. MRS. DOT. Stop him, or he’ll utter a whole string of horrors. BLENKINSOP. Have you never watched the gentle sex fight and push and scramble as it gets into the Hammersmith bus? I assure you, the unlucky man who finds himself in that seething feminine crowd is fortunate if he escapes without losing an eye or half his teeth. And have you seen the fury of the gentle sex at a sale as they seize some worthless fragment, and the bitterness with which they haggle? The other day I was in the Army and Navy Stores, and two women were standing on the stairs, discussing their servants, so that no one could pass up and down. I took off my hat and said: Excuse me, would you allow me to pass. They moved barely two inches, and one of them said in a loud voice to the other: What an impertinent man. The gentle sex! Yesterday I was hanging on a strap in a crowded train coming from the city, and I saw a pale-faced weary clerk give up his seat to a strong and bouncing girl. She took it without saying thank you, because she was a lady and he wasn’t a gentleman. Then a tired old woman came in and stood, but the bouncing girl never thought of giving up the seat to her. The gentle sex! They have such tender hearts they couldn’t bear to hurt a fly. Have you ever seen a woman get out of a bus ten yards before her destination in order to save the wretched horses another start? Not much. Have you ever known a woman of fashion who sends her maid to bed when she knows she won’t be in till four in the morning? Not much. And is there anything like the insolence with which a woman treats her social inferiors of the same sex? Is it men who put on their backs the sealskins that are torn off the living bodies of helpless brutes? Is it men who put on their hats the beautiful birds of the forest? It’s the gentle sex. Boys are taught manners. They are taught to take off their hats and hold open the door for their sisters. They are taught to fetch and carry for women, and to give up the front seat in life to women. But what are girls taught? Girls are taught etiquette, and that, I suppose, makes them in due course the gentle sex. LADY SELLENGER. Every one knows you’re a horrible cynic, so there can’t be a word of truth in anything you say. BLENKINSOP. Q.E.D. GERALD. Here comes Nellie. [NELLIE _comes in, having changed her dress. She now wears a very pretty white frock, all flounces and furbelows, and a large white hat. At the same moment from the other side_ FREDDIE _enters. He also has changed, and is now in spotless white._ MRS. DOT. [_With a laugh, whispering to_ BLENKINSOP.] They’ve both changed their clothes. GERALD. Would you like to come for a row, Nellie? NELLIE. I’m too tired. Won’t you go with Mrs. Dot? I’ll rest here till tea-time. [NELLIE _sits down, and the others go_. LADY SELLENGER. Personally, I must walk. I sacrifice all my inclinations to my fear of growing too stout. I often wonder if we shall get our good dinners in heaven that we’ve done without on earth. BLENKINSOP. It’s generally understood that we shall only get our deserts. [NELLIE _watches them go from over her shoulder. She sees that_ FREDDIE _is hanging back. She smiles and elaborately disregards him. He comes forward and leans over her chair._ NELLIE. Aren’t you going with the others? FREDDIE. Do you mind if I stay with you? NELLIE. I like it. FREDDIE. Jolly here, isn’t it? NELLIE. Awfully jolly. FREDDIE. I’ve not congratulated you on your engagement yet. NELLIE. I didn’t expect you would. FREDDIE. Why? NELLIE. Oh, I don’t know. FREDDIE. It seems a long time since we first met, doesn’t it? NELLIE. Why? FREDDIE. Because I seem to know you so well. NELLIE. You’re very easy to get to know, aren’t you? FREDDIE. I say, you look just like another rose in this garden. NELLIE. I suppose you say that to every girl who sits here? FREDDIE. I’ve never said it to any one but you. NELLIE. They tell me you’re very impressionable. FREDDIE. They lie. NELLIE. I think I shall take off my hat. FREDDIE. Yes, do. [_She proceeds to do so. She pretends that she cannot._ NELLIE. Oh, how stupid of me! Something has caught. FREDDIE. May I help you? NELLIE. I’m afraid I’m giving you a lot of trouble. [_He helps her, and she gives a little scream._ FREDDIE. Oh, I’m so sorry. Did I hurt you? NELLIE. No, but it tickled. [_She takes off the hat. One hand of hers remains in his. Their eyes meet for the first time, and they smile._ FREDDIE. I say, what a pretty hand you have! It looks so white on mine, doesn’t it? [MRS. DOT _creeps back and stands behind a bush, so that she cannot be seen_. NELLIE. I rather like your hand. It’s so strong and brown. FREDDIE. You know, you’re awfully easy to get on with. Sometimes I feel dreadfully shy and nervous with women, but I can think of all sorts of things I want to say to you. NELLIE. _I_ seem to have known you all my life. FREDDIE. [_Impulsively._] Isn’t it jolly here? NELLIE. Awfully jolly. [_He looks at her for a moment._ FREDDIE. I want to ask you something. You won’t be angry, will you? NELLIE. No. FREDDIE. May I kiss you? NELLIE. No. FREDDIE. It’s awfully unkind of you. NELLIE. You shouldn’t have asked. FREDDIE. Shouldn’t I? I wanted to, badly. NELLIE. There are some things one should do without asking. FREDDIE. You are a brick. [_He kisses her. As he does so_, HOLLINGTON _comes in and sees them. He stops for a moment in astonishment, then withdraws._ FREDDIE. Let’s go on the river, shall we? NELLIE. I told Gerald I was too tired. FREDDIE. Oh, hang Gerald! NELLIE. We might go and play the piano in the drawing-room. FREDDIE. I’m awfully fond of music. Cake-walks, and things like that, you know. [_They get up._ MRS. DOT _comes forward_. MRS. DOT. Are you going? I thought you were tired. NELLIE. We’re just going to look at the kitchen garden. FREDDIE. I’ve told Miss Sellenger that you’ve got some most awfully good carrots. MRS. DOT. [_As they go to the house._] That’s not the way, you know. NELLIE. [_Coolly._] I’m only just going to get a handkerchief. MRS. DOT. Oh, I see. I beg your pardon. [_They go._ GERALD _comes forward. He is rather grave and solemn._ MRS. DOT. What a picture they make, don’t they? I can’t tell you how much I like Nellie. GERALD. You’ve come to the conclusion that the cut of her skirt’s all right. MRS. DOT. Ah, you mustn’t recall what I said when I was in a temper. You know, I’m rather touched by her obvious affection for you. GERALD. It’s very good of you to say so. MRS. DOT. It’s so nice to see two people head over ears in love with one another. GERALD. I wouldn’t be so presumptuous as to think Nellie was so much in love with me as all that. MRS. DOT. My dear boy, I’ve just had proof of it. GERALD. Have you? That’s more than I have. MRS. DOT. And is dear Lady Sellenger going to live with you when you’re married? GERALD. Look here, Dot, what’s the meaning of all this? MRS. DOT. [_Much surprised._] Of what? GERALD. Why did you ask us all down? MRS. DOT. Because I’m of a hospitable turn of mind. Didn’t you want to come? I’m so sorry. GERALD. You’ve utterly ignored me since I arrived. MRS. DOT. [_Ironically._] Much as I should have liked to devote myself exclusively to your entertainment, I’ve been really obliged to remember that my other guests had equal claims upon me. GERALD. I should very much like to take you by the shoulders and give you a good shaking. MRS. DOT. I don’t think you’re in a very good temper to-day. GERALD. [_Crossly._] Pardon me, I’m in the best possible temper. MRS. DOT. You certainly ought to be with the prospect of spending a week in almost uninterrupted _tête-à-tête_ with the object of your affections. GERALD. I can’t make you out. You’re so changed since last we met. MRS. DOT. You see, last time I thought I was in love with you. Now I know I’m not. GERALD. [_Bitterly._] I’m glad you’ve got over it so quickly. MRS. DOT. Really, you couldn’t wish me to continue eating my heart out for a young man, however charming, who is going to marry somebody else. GERALD. Of course not. MRS. DOT. [_Mockingly._] Well? GERALD. I was a fool to think you ever cared at all. MRS. DOT. But why should you think it when you took the greatest pains to assure me that you didn’t care two straws for me? GERALD. [_Quickly._] I didn’t! MRS. DOT. You did! GERALD. I didn’t! MRS. DOT. Then you did care for me? GERALD. I never said that. MRS. DOT. Anyhow, whatever your sentiments were, it would gratify your self-esteem to think that I was languishing with a hopeless passion. GERALD. It’s cruel of you to laugh at me. MRS. DOT. By the way, are you by any chance in love with me now? GERALD. You have no right to ask me that question. MRS. DOT. My dear boy, I’m not keeping you from spending an idyllic afternoon with Nellie. You’ve forced this conversation upon me. I assure you it’s most distasteful. GERALD. If I had married you, I should certainly have beaten you with a big stick. MRS. DOT. What do you think is my chief characteristic? GERALD. That’s a question I _can_ answer. The most confounded and aggravating unreasonableness that I ever saw. MRS. DOT. Nonsense. It’s obvious that my chief characteristic is a sweet and yielding nature. But as there’s no likelihood of our agreeing on that, what do you think is the second? GERALD. Obstinacy. MRS. DOT. Well, I prefer to call it strength of mind. Now, I’ll acknowledge that I was in love with you--a month ago. That’s a feather in your cap. GERALD. Oh, I wish we were back again. I’ve had such rotten luck. MRS. DOT. But when I saw that my sweetness was likely to be wasted on the desert air, I made up my mind to cure myself. First I cried for two days. GERALD. Dot. MRS. DOT. No, don’t sympathise. I have rather a high colour, and when I’ve had a good cry it always improves my complexion. After that, I ordered some new frocks, and I bought a diamond necklace that I’d been hankering after for some time. GERALD. And that thoroughly consoled you, I suppose? MRS. DOT. It helped. Then I came to the conclusion that there were as good fish in the sea as ever came out of it. I thought you over. After all, you’re not really very good-looking, are you? GERALD. I’m not aware that I ever made any pretence of being so. MRS. DOT. And I’m sure no one could accuse you of being extremely amusing. GERALD. I have no doubt I’m excessively dull. MRS. DOT. I couldn’t help seeing that you’d suit Nellie much better than you would have suited me. She has that comfortable stupidity which the average Englishman looks upon as the highest recommendation for a wife. GERALD. It’s charming of you to say so. MRS. DOT. She _is_ a little dull, isn’t she? GERALD. I don’t think her so. MRS. DOT. Doesn’t time hang rather heavily on your hands now and then? Isn’t it difficult to find topics of conversation? GERALD. I don’t find it so. MRS. DOT. Ah--she does. GERALD. And the long and short of it is that the emotion which you dignify with the name of love, had entirely disappeared after a week. MRS. DOT. Make it ten days to be on the safe side. GERALD. I congratulate you. MRS. DOT. You wouldn’t have it otherwise, surely? GERALD. Of course not. MRS. DOT. Then all is for the best in the best of all possible worlds. GERALD. [_Furiously._] I think you must be quite heartless. MRS. DOT. [_Delighted._] Ah, that’s what I said to you a month ago, Philippine. GERALD. Now, perhaps, you’d like to know what my feeling is towards you? MRS. DOT. No, I’m quite indifferent, thanks! GERALD. Well, I shall tell you for all that. It’s a joke to you, and you can afford to laugh at it. [_He goes up to her and then stops suddenly._ MRS. DOT. Well? GERALD. Nothing. MRS. DOT. Oh! My poor heart went pit-a-pat. I thought you were going to kiss me. GERALD. I hate you. And I wish I’d never set eyes on you. [_He turns on his heel and walks out quickly. As soon as he is gone_ MRS. DOT _begins to dance a break-down. She cocks a snook after him._ MRS. DOT. I’ll marry you yet, you beast, I’ll marry you yet. [BLENKINSOP _comes in_. BLENKINSOP. What on earth is the matter with you now? [_From inside is heard the sound of a cake-walk._ MRS. DOT. Come on. [_She seizes him and begins to dance._ BLENKINSOP. Unhand me, woman! MRS. DOT. Oh, you dear, you dear, you dear. [_She flings both arms round his neck and kisses him soundly. At this moment_ GERALD _returns_. GERALD. I beg your pardon. I forgot my hat. [_He takes it and goes out stiffly._ MRS. DOT _bursts into a shriek of laughter_. BLENKINSOP. That’s all very fine. But what about my character? END OF THE SECOND ACT THE THIRD ACT _A hall in_ MRS. WORTHLEY’S _house on the River_. GERALD _and_ NELLIE _are seated in arm-chairs. She stifles a yawn. Then he yawns._ GERALD. I beg your pardon. NELLIE. [_Yawning._] I never saw any one who yawned so much as you. GERALD. [_Ironically._] I suppose you’ve never looked at yourself in the glass? NELLIE. Is your family very long-lived, Gerald? GERALD. [_Rather surprised._] Are you already asking yourself how you’ll look in widow’s weeds? NELLIE. You may very well live for forty years, mayn’t you? GERALD. My maternal grandfather survived to plague his descendants to the ripe age of ninety-seven. NELLIE. How many days are there in forty years? GERALD. I should think about fifteen thousand. NELLIE. Has it occurred to you that we may eat fifteen thousand breakfasts sitting opposite one another, and fifteen thousand luncheons, and fifteen thousand dinners? GERALD. [_Gloomily._] Yes, it had occurred to me. NELLIE. And how do you look upon the prospect? GERALD. [_Grimly._] It fills me with satisfaction, naturally. NELLIE. [_Abruptly._] I suppose you’re very much in love with me? GERALD. What an extraordinary question! NELLIE. I don’t think any one but a lunatic would describe you as an ardent lover. GERALD. [_Coldly._] I regret that my behaviour doesn’t meet with your satisfaction. NELLIE. Do you know that since we became definitely engaged you’ve never told me that you cared for me? GERALD. [_Apologetically._] Yes, I ought to have done that, oughtn’t I? I suppose I thought you’d take it for granted. NELLIE. Every girl likes a suspicion of romance thrown over her love-affairs. GERALD. Your mother will tell you that the certainty of marriage is much more satisfactory. NELLIE. [_Dryly._] You would have made an excellent husband--for mother. GERALD. Have you noticed that when we _do_ think of something to talk about, we get perilously near a squabble? NELLIE. I sometimes think it would be better to quarrel outright now and then than be always so desperately polite to one another. GERALD. I’m afraid I have an admirable temper. NELLIE. Mother always says you have all the virtues. GERALD. Shall we look at the _Sketch_ together? NELLIE. We’ve looked at the _Sketch_ together three times. [_Following his eye, which goes to other illustrated papers on the table._] And the _Illustrated_, and the _Sphere_, and the _Graphic_. GERALD. Then what would you like to do? NELLIE. I should like to SCREAM. GERALD. Would you, by George? So would I. NELLIE. Oh, Gerald, let’s have a good scream together. _Enter_ LADY SELLENGER _and_ MRS. DOT. LADY SELLENGER. [_With a bland smile._] What a picture they make! MRS. DOT. [_Acidly._] It’s quite charming to see two young things so engrossed in one another’s society. LADY SELLENGER. Now, you really mustn’t waste this beautiful afternoon. You must go and have a nice long walk together. NELLIE. We had a nice long walk this morning. MRS. DOT. [_Sweetly._] Then why don’t you go on the river? You can take your tea with you and spend the whole afternoon there. GERALD. We spent the whole afternoon on the river yesterday, and you kindly gave us our tea to take with us. LADY SELLENGER. It reminds me of the happy days when I was engaged to your poor father, Nellie. We were just like you and Gerald. We couldn’t bear to be out of one another’s sight. Now, run and get your hat, darling. NELLIE. Oh, mamma, I’ve got the most dreadful headache that I’ve ever had in my life, and I must really go and lie down. LADY SELLENGER. Nonsense. An afternoon in the fresh air with Gerald is just the thing to put you right. GERALD. I’m so sorry, but I have some very important letters to write. I _must_ catch the post. MRS. DOT. [_Sweetly._] You’ll have lots of time when you come in. The post doesn’t go till after dinner. LADY SELLENGER. If you make excuses like that, poor Nellie will think she bores you already. GERALD. In that case I shall be only too glad to go on the river. MRS. DOT. Take my sunshade, darling. You won’t want a hat. NELLIE. [_Savagely._] Thank you, dear. [NELLIE _and_ GERALD _go out gloomily_. LADY SELLENGER. Just like humming-birds, aren’t they? MRS. DOT. Do you mean turtle-doves by any chance? LADY SELLENGER. I was never very good at natural history.... Dear Mrs. Worthley, I must really thank you for the tact with which you’ve thrown Gerald and Nellie in one another’s society every moment of the day. MRS. DOT. I can flatter myself that _they’ve_ thoroughly enjoyed their week here. [AUNT ELIZA, _comes in with_ BLENKINSOP. LADY SELLENGER. [_With a look of intelligence._] Dear Mr. Blenkinsop, you wicked, wicked cynic. [_Meaningly._] I shall go and lie down. Are you coming upstairs, Miss MacGregor? AUNT ELIZA. In one minute. LADY SELLENGER. I want to have a little talk with you. [_As_ BLENKINSOP _holds open the door for her, in a whisper_.] Aren’t I tactful? [LADY SELLENGER _goes out_. BLENKINSOP. What villainy is that old woman up to now? MRS. DOT. You idiot! Don’t you see that she’s discovered the passion that devours our hearts--your manly bosom and my timid, fluttering heart--and she wants to leave us alone. BLENKINSOP. I’m beginning to feel very unwell. MRS. DOT. [_Archly._] Wouldn’t you be rather flattered if I really were in love with you? BLENKINSOP. [_Alarmed._] Dot, don’t make these horrible suggestions. You make my flesh creep. MRS. DOT. But you’ve been so cold, you haven’t given me a chance. BLENKINSOP. Cold! Heaven knows what would have happened if I’d given you any encouragement. I’ve never been able to take my eyes off the ground without finding yours fixed on me with the languishing expression of a dying duck in a thunderstorm. I’ve never been able to go near you without your stroking me as if I were a velvet cushion or a Persian cat. I’ve not eaten a single meal in peace in case you suddenly took it into your head to press my foot under the table. MRS. DOT. What would you have done if I had? BLENKINSOP. [_With outraged dignity._] I should have screamed! And the thought of that special licence has cast a chill in my heart. I don’t know what it’s all coming to. You are my witness, Miss MacGregor, that I won’t marry her, however deeply she compromises me. AUNT ELIZA. [_Smiling._] I am your witness. BLENKINSOP. She shan’t make an honest man of me. [MRS. DOT _takes from a drawer of the escritoire one of the licences_. MRS. DOT. [_Smiling._] Frances Annandale Worthley--James Blenkinsop. BLENKINSOP. I feel as though some one were walking over my grave. AUNT ELIZA. But how on earth are you going to get Nellie Sellenger and Freddie to use the other licence? MRS. DOT. When the right moment comes I shall leave it under their noses, and allow them to draw what consequences they choose.... If any woman ever earned a husband, I have. I’ve taken every opportunity to snub Gerald till he can hardly contain himself with rage. I’ve thrown him in Nellie’s company till they’re both so bored they could almost cry. I’ve been constantly on the watch to prevent Nellie and Freddie from having two minutes by themselves till they can hardly bear the sight of me. And I’ve made love to you with a persistence that would have melted the heart of a fish. If I fail, it will be your fault. BLENKINSOP. But what on earth do you want me to do? MRS. DOT. Good heavens, throw a little passion into your behaviour. Look at me as though you’d never seen any one so ravishing in your life. When you take my hand, hold it as if you would never let it go. [_She takes his hand._ BLENKINSOP. Remember, there’s no one but Miss MacGregor present. MRS. DOT. [_With a yearning glance._] Look into my eyes like this. BLENKINSOP. Don’t. You make me feel very uncomfortable. MRS. DOT. [_Impatiently._] Oh, you’re too stupid. You’re a stock and a stone. You’re an owl. You’re a ridiculous idiot. BLENKINSOP. Temper, temper. MRS. DOT. You’ll ruin my whole life, because you’re such a perfect fool that you can’t make love to a woman. [_She breaks away from him and begins to cry. He walks up and down, then looks at her with a smile. He makes a sign to_ MISS MACGREGOR _that_ MRS. DOT _cannot see_. BLENKINSOP. [_In a different voice._] Dot, this little game of ours has lasted long enough. MRS. DOT. [_Sobbing in her handkerchief._] Yes, it has. I’m sick to death of the whole thing. BLENKINSOP. You asked me to play a part, and you didn’t know that it might be deadly earnest. MRS. DOT. Fiddlesticks! BLENKINSOP. I have a secret that I can no longer keep from you. MRS. DOT. Well, tell it to the horse-marines. BLENKINSOP. Dot, I love you! MRS. DOT. Oh, don’t be so silly. BLENKINSOP. But I tell you I’m not joking. MRS. DOT. Thank heaven for that. I’m weary of your bad jokes. BLENKINSOP. The thing started as a bad joke, but it has ended in something very different. A change has come over me, and I’m ashamed. MRS. DOT. [_Looking up._] Eh? BLENKINSOP. Don’t you see that I’m a different man? Dot, it’s you who’ve changed me. MRS. DOT. I really believe he’s waking up. BLENKINSOP. If I was shy and awkward, it’s because I wouldn’t give in to myself. I was overwhelmed. I couldn’t understand. MRS. DOT. That’s much better. There really is a ring of emotion in your voice. BLENKINSOP. How shouldn’t there be, when I’m saying at last what has trembled on the tip of my tongue for ten days? MRS. DOT. [_Delighted._] There! That’s just the tone I want. Talk with that quiver in your voice when you ask me to pass you the mustard at dinner. BLENKINSOP. I lie awake at night thinking of you, and when I fall asleep I seem to hold you in my arms. MRS. DOT. That’s splendid. Why couldn’t you say all this before? BLENKINSOP. Dot, Dot, don’t torture me. Don’t you see I mean it. MRS. DOT. What! BLENKINSOP. I’m not jesting now. I wish to heaven I were. MRS. DOT. [_Forcing a laugh._] My dear James, you’re really piling it on too much. BLENKINSOP. You must be mad or blind. Can’t you feel that I love you? MRS. DOT. Don’t be so absurd. You know you’re only--you’re only pulling my leg. BLENKINSOP. Oh, I’ve been a perfect ass. I should never have consented to play this ghastly trick. If you only knew what tortures I’ve suffered! MRS. DOT. He isn’t really serious, Aunt Eliza? AUNT ELIZA. [_Smiling._] Upon my soul, it looks very much like it. BLENKINSOP. What did you expect? You’ve played on my heart-strings as though they were an instrument that had no feeling. You’ve put a caress into every tone of your voice. MRS. DOT. [_Ruefully._] Of course, I am fascinating. I can’t deny that. BLENKINSOP. When you touched my hand, every nerve of my body thrilled. MRS. DOT. You’re not really in love with me? BLENKINSOP. Passionately. MRS. DOT. You’re ridiculous, James Blenkinsop. BLENKINSOP. I was a fool. I played with fire, and I never dreamed I’d burn myself. MRS. DOT. But you mustn’t be in love with me. I won’t hear of it. BLENKINSOP. It’s too late to say that now. I adore you. MRS. DOT. But what on earth’s to be done? BLENKINSOP. You must marry me. MRS. DOT. Nothing will induce me to do anything of the sort. BLENKINSOP. [_Going up to her with outstretched arms._] You can’t realise the wealth of tenderness and affection which I’ll lavish upon you. MRS. DOT. Go away! Don’t come near me. BLENKINSOP. Why should you care for Gerald? Do you think if he loved you, he would let a trifling engagement with somebody else stand in the way? MRS. DOT. The fact is that men are never to be trusted. BLENKINSOP. I can’t live without you now. I’ll give up my whole life to make you happy. MRS. DOT. But I’m in love with Gerald. I’m not in love with you. I shall never be in love with you. BLENKINSOP. You owe me something for all the agony you’ve made me endure. Dot, remember that licence. It was bought in jest, but the Archbishop of Canterbury was in earnest. MRS. DOT. But my dear James, for heaven’s sake be reasonable. You know just as well as I do that you’re not a marrying man. BLENKINSOP. Give me the chance, and you’ll see. MRS. DOT. I’m sure you wouldn’t like me. I’m horrid really. BLENKINSOP. I know that you’re full of faults, but, bless you, I love them all. MRS. DOT. I’ve got a beastly temper. BLENKINSOP. I dote upon you when I see your eyes flash with anger. MRS. DOT. I’m awfully extravagant, and if the Government brings in temperance legislation I shall be ruined. BLENKINSOP. I’m rich. I should look upon it as the greatest happiness to spend my last penny to gratify your smallest wish. MRS. DOT. I won’t marry you. I won’t marry you. I won’t! BLENKINSOP. Dot, Dot! [_He catches her in his arms and kisses her. At this moment_ GERALD _comes in_, MRS. DOT _breaks away from_ BLENKINSOP. _There is an awkward pause._ MRS. DOT. [_To_ GERALD.] I thought you were on the river. GERALD. Hang the river! [_She goes to the door, which_ BLENKINSOP _opens for her. She goes out. As_ AUNT ELIZA _follows, he speaks to her in a low tone_. BLENKINSOP. There’s passion for you. AUNT ELIZA. You brutes, you can all do it. You positively made my heart beat. [_She goes out._ GERALD. What did Miss MacGregor say? BLENKINSOP. A vague suggestion of bigamy if I understood correctly. GERALD. [_Frigidly._] I’m afraid I came at an inopportune moment. BLENKINSOP. It appears to be one of your happy little ways. GERALD. Every one seems to kiss every one else in this house. BLENKINSOP. [_With effrontery._] You have only to envelop Lady Sellenger in your arms, and the picture will be complete. GERALD. Would you kindly explain this incident? BLENKINSOP. If you’ll allow me to say so, I really can’t see that it’s any business of yours. GERALD. [_Hotly._] Look here, Blenkinsop, you’ve got no right to play your fool-tricks with Mrs. Dot. She’s a very excitable and thoughtless woman. She’s.... BLENKINSOP. Well? GERALD. Oh, damn you! BLENKINSOP. Not at all, not at all. GERALD. [_Angrily._] What the deuce is the meaning of all this tomfoolery? BLENKINSOP. [_Blandly._] I suppose you couldn’t be a little more civil, could you? GERALD. Look here, Blenkinsop, the best thing you can do is to receive a telegram that requires your immediate presence in town. BLENKINSOP. Thanks very much, but I’m extremely comfortable down here. GERALD. You’d be rather surprised if I threw you out of the window, wouldn’t you? BLENKINSOP. I should not only be surprised, but I should look upon it as an odious familiarity. GERALD. Would you like to know my private opinion of you? BLENKINSOP. Spare me my blushes, dear boy. It always embarrasses me to be flattered to my face. GERALD. You silly old fool. BLENKINSOP. I believe you’re considerably annoyed. GERALD. Not in the least. What the dickens is there about you that should annoy me? BLENKINSOP. Now that I come to think of it, you are certainly in a passion. Your face is red, your attire is disordered, and you have a slight squint in your eye. GERALD. My dear fellow, if I hadn’t the best temper in the world, I should kick you. BLENKINSOP. You’d far better go and lie down. You’ll only say something which you’ll regret. GERALD. I suppose you’re not for a moment under the impression that Mrs. Dot cares twopence about you. BLENKINSOP. May I ask how that can in the least concern you? GERALD. Mrs. Dot is an old friend of mine. I’m not going to see her made ridiculous by a conceited nincompoop. BLENKINSOP. By the way, has it slipped your memory that you’re engaged to Miss Sellenger? GERALD. Good Lord, no! BLENKINSOP. I daresay you wish it had. GERALD. That’s a confounded impertinent thing to say. BLENKINSOP. My dear fellow, I never saw any one with less common sense in my life. Surely it’s not very extraordinary that the same tender passion which inflames the chaste breasts of yourself and Miss Sellenger, should attack the equally chaste breasts of myself and Mrs. Worthley. GERALD. Don’t talk such twaddle. BLENKINSOP. I suppose you’d be considerably astonished if I told you that I’d just asked Mrs. Dot to be my wife. GERALD. She must have screamed with laughter. BLENKINSOP. You noticed her unconcealed hilarity when you came in. GERALD. [_Going up to him quickly._] You don’t mean it! BLENKINSOP. No man is quite safe from the toils of women till he’s safely in his grave. And even then a feminine worm probably makes a dead set at him. GERALD. And does Mrs. Dot--reciprocate your affection? BLENKINSOP. Really you ask me a very delicate question. GERALD. By the great Harry, the man thinks she’s in love with him. BLENKINSOP. [_Rather indignant._] And pray, why shouldn’t she be just as much in love with me as with you? GERALD. [_With a burst of laughter._] Ha, ha, ha. BLENKINSOP. What the blazes are you laughing at? GERALD. Ha! ha! ha! BLENKINSOP. Shut up, you blithering idiot! GERALD. [_Still laughing._] She _has_ made a fool of you. Ha! ha! ha! [_Seriously._] And did you really think any woman would care for you? My poor Blenkinsop! My poor, poor Blenkinsop! BLENKINSOP. You’re a jackanapes, sir, you’re an impudent jackanapes. And why not, pray? GERALD. [_Furiously._] Because you’re revolting to look upon, and your conversation is inexpressibly tedious. BLENKINSOP. It’s charming of you to say so. GERALD. If you want to marry any one, marry Lady Sellenger. BLENKINSOP. You are evidently under the impression that if a woman can’t be so fortunate as to marry you, she had far better retire into a nunnery. GERALD. You’re a cantankerous cynic and a fatuous donkey. BLENKINSOP. I like the delicacy with which you express your appreciation of my merits. GERALD. Listen to me, Blenkinsop! Clear out of the house before you make a greater mess of things than you have already. Mrs. Dot would as soon marry her groom as marry you. BLENKINSOP. You think it’s quite impossible that she should ever have dreamt of such a thing? GERALD. Not only impossible, but grotesque. [BLENKINSOP _goes to the drawer in which is the licence and takes it out_. BLENKINSOP. Perhaps, then, it would interest you to inspect this document. [GERALD _takes it and looks at it, dumfounded_. GERALD. It’s a special licence. BLENKINSOP. So much less bother than banns, you know. GERALD. James Blenkinsop. BLENKINSOP. And Frances Annandale Worthley. GERALD. It’s a mistake! It’s all a preposterous mistake. BLENKINSOP. You see, the Archbishop of Canterbury calls me his right well-beloved brother. Friendly, isn’t it? [GERALD _violently tears it in pieces and flings them on the ground_. BLENKINSOP _gives a sigh of relief_. GERALD _stalks out of the room into the garden_. BLENKINSOP _goes to the door and waves his hand at him_. MRS. DOT _comes in. She has discovered that_ BLENKINSOP _has been making a fool of her_. BLENKINSOP. He’s torn up your precious licence. MRS. DOT. [_Quickly._] Which one? BLENKINSOP. Ours, of course. Three guineas gone bang, my dear. MRS. DOT. [_Counting on her fingers._] I’m reckoning how many bottles of beer the British public will have to drink for us to buy another. BLENKINSOP. But your refusal of my hand will happily prevent you from going to that expense. Thereby considerably forwarding the cause of temperance. MRS. DOT. [_With an assumption of overwhelming gravity._] James, I have been thinking over all you said, and I am willing to marry you. BLENKINSOP. [_A chill going down his spine._] I thank you from the bottom of my heart, but I cannot accept this sacrifice. MRS. DOT. It is no sacrifice when I think that I can make you happy. BLENKINSOP. But you mustn’t think of me. It’s your happiness that we have to consider. Don’t let a momentary impulse ruin your whole life. MRS. DOT. I’ve thought it over very carefully. I cannot resist your passionate pleading. BLENKINSOP. I will not be outdone in generosity. You have refused me. I accept your refusal as final. MRS. DOT. I never realised that your nature was so great and tender. Every word you say makes me more determined to devote my life to your happiness. BLENKINSOP. My dear Dot, much as I appreciate the beauty of your sentiments, I must confess that I could never marry a woman who did not love me. MRS. DOT. [_As though she were struggling with her modesty._] I see that you want to force from me the avowal that is so hard to make. Oh, you men! BLENKINSOP. Good God, you don’t mean to say you’re in love with me? MRS. DOT. [_Languishing._] James. Is it so very wonderful? BLENKINSOP. Half an hour ago you said you couldn’t stand me at any price. MRS. DOT. It’s a woman’s privilege to change her mind. The passion which you threw into your proposal has completely changed me. I am touched by the vehemence with which you flung your heart at my feet. I have struggled, but I cannot resist. Take me in your arms, James, and never let me go. BLENKINSOP. Dot, I have a confession to make to you. I didn’t mean a word I said. MRS. DOT. Ah, James, do not jest. BLENKINSOP. I assure you I’m perfectly serious. You taunted me that I couldn’t make love, so I just let myself go to show you I could. I daresay it was a silly joke, but it certainly was a joke. MRS. DOT. [_Unmoved._] James, every word you say increases my admiration for you. I can’t think now how I was ever blind to your great affection. BLENKINSOP. But don’t you hear what I say? MRS. DOT. Do you think you can take me in so easily? BLENKINSOP. You don’t believe me? MRS. DOT. Not a word. BLENKINSOP. [_Thoroughly alarmed._] Now, look here. I don’t love you, I’ve never loved you, and I never shall love you. I can’t put it any clearer than that. MRS. DOT. [_With rapture._] God, how he adores me! BLENKINSOP. I say, look here, this is a bit too thick. MRS. DOT. I know you only say these cruel things because you think I should be throwing myself away on you. BLENKINSOP. [_Huffily._] I don’t know about that. MRS. DOT. You cannot bear to think that I should accept you from pity. But it isn’t that, James. You are handsome and noble and chivalrous. How shouldn’t a woman love you? BLENKINSOP. I repeat that I do not reciprocate your passion. MRS. DOT. You can’t deceive me so easily as that, James. I _know_ you love me. We women have such quick intuitions. BLENKINSOP. So you always say. MRS. DOT. I see you simply quivering with restrained emotion. Oh, James, James, you’ve made me so happy. [_She flings herself on his bosom and pretends to burst into tears._ BLENKINSOP. I say, take care. Supposing somebody saw us. MRS. DOT. I should like all the world to see us. BLENKINSOP. But it’s devilish compromising. MRS. DOT. I want to compromise myself. Only thus can I make you certain of my love. Oh, think of the many happy years we shall spend in one another’s arms, James. BLENKINSOP. [_Extricating himself from her embrace._] Is there nothing I can say to undeceive you? MRS. DOT. Nothing! I am yours till death. BLENKINSOP. I will never give way to my sense of humour again. MRS. DOT. [_Archly._] Do you mind if I leave you just for one minute? After so much agitation I must really go and powder my nose. BLENKINSOP. [_Ironically._] Pray don’t let me detain you. MRS. DOT. Remember I am yours till death. BLENKINSOP. It is very good of you to say so. [_She goes out. He rings the bell impatiently._ THE BUTLER _comes in_. BLENKINSOP. Tell my servant I want him. [THE BUTLER _goes out_. BLENKINSOP _walks up and down, wringing his hands_. THE SERVANT _enters_. George, pack up my things at once and get the motor. There’s not a moment to lose. GEORGE. Are you going away, sir? BLENKINSOP. [_Flying into a passion._] You blithering fool, do you suppose I should want my things packed if I were staying? I’m going abroad to-night. GEORGE. Very well, sir. BLENKINSOP. You must take the train and go to Cook’s at once and get some tickets. GEORGE. Very well, sir. Where to, sir? BLENKINSOP. Don’t argue, sir, but do as I tell you. GEORGE. I must know where to get the tickets for, sir. BLENKINSOP. Oh, what it is to have a fool for a servant! Take a month’s notice. I dismiss you. Where to, sir? Anywhere, sir? Somewhere that’s a damned long way off. South Africa! I’ll go and shoot lions in Uganda. And if there isn’t a boat sailing at once, I’ll go to America and shoot grizzlies in the Rocky Mountains. GEORGE. Very dangerous climate, sir. BLENKINSOP. Dangerous climate, sir? I would have you know it’s not half such a dangerous climate as the valley of the Thames. GEORGE. Very good, sir. [_He goes out._ MRS. DOT _comes in_. _At the sight of her_ BLENKINSOP _at once cools down_. MRS. DOT. James, dear, did I hear you give orders for your things to be packed up? BLENKINSOP. [_Calmly._] No, my love. What could have put such an idea in your head? MRS. DOT. You wouldn’t leave me--darling? BLENKINSOP. My angel, nothing now shall tear me from your side. MRS. DOT. Dearest! BLENKINSOP. [_Trying to restrain himself._] Pet! [_He goes into the garden._ MRS. DOT _begins to laugh_. FREDDIE _comes in, with letters in his hand_. FREDDIE. I say, I wish you’d just have a look at these letters. MRS. DOT. Oh, yes. I want to have a little talk with you, Freddie. [_She takes one of the letters and reads._] “I am directed by Mrs. Worthley to congratulate you on the recent addition to your family, but to express her regret that she cannot accede to your request.” How brutal you are, Freddie! Surely Mrs. Murphy is an old friend. FREDDIE. I looked her out in my note-book. Six months ago we sent her fifteen pounds because she had nine children. Now she has eleven. MRS. DOT. And yet they complain that the birth-rate is falling. I think we’d better send her five pounds. FREDDIE. You really can’t encourage a woman who has twins twice a year, when her husband is not only bed-ridden but a hopeless lunatic. MRS. DOT. Perhaps she _is_ a little prolific. FREDDIE. Here is my answer to Mrs. MacTavish, who wants help to bury a husband. MRS. DOT. Poor thing! You’d better send her ten pounds. FREDDIE. I’ve answered: “Madam, I regret to see that this is the third time you have lost your husband within two years. The mortality among the unhappy gentlemen on whom you bestow your hand is so great that I can only recommend you in future to remain a widow. Yours faithfully, Frederick Perkins.” MRS. DOT. [_Reading a letter which he hands to her._] “I am pleased to hear that the wooden leg for which Mrs. Worthley paid for last year has proved satisfactory, but I cannot recommend her to provide you with another. To lose one leg in a railway accident is a misfortune, but to lose a second in a colliery explosion points to carelessness.” That’s not original, Freddie. FREDDIE. I’m so hard up, I can only afford to make other people’s jokes. MRS. DOT. [_With a shrewd look at him._] Freddie, I’ve been exceedingly pleased with your behaviour during the last week. I’ve watched you carefully, and I’m glad to see that you’ve done all that was possible to destroy poor Nellie’s affection for you. FREDDIE. [_Gravely._] I’ve tried to do my duty. MRS. DOT. I know. And in recognition of this I want you to accept a little present. Where is my cheque-book? FREDDIE. [_Producing it promptly._] Oh, no, really, I shouldn’t like you to do anything of the sort. [_Putting it in front of her, and giving her a pen._] I feel that I’m amply paid for all that I do for you. I simply can’t accept anything more. MRS. DOT. I was afraid you would object. [_She writes, and he watches her carefully._ FREDDIE. Five hundred pounds. Oh, you are a ripper! But why on earth do you give me that? MRS. DOT. It may be useful to you. Suppose you had an idea of getting married, for instance, it would be very convenient to have a sum like that in your pocket. FREDDIE. But I’m not thinking of getting married. MRS. DOT. Aren’t you? I suppose you know that when you do, I’m proposing to give you two thousand a year. FREDDIE. I say, that’s awfully good of you. [_He takes the cheque and gloats over it._ MRS. DOT _quickly takes a special licence out of the drawer and puts it on the table_. MRS. DOT. Now I’m going for a turn in the garden. FREDDIE. You are a brick. [_She goes out. As soon as he sees the coast is clear, he gives a peculiar whistle._ NELLIE _comes in_. NELLIE. I thought your whistle was never coming. They wanted me to go on the river. I had to invent all sorts of excuses. FREDDIE. I don’t know how it is, but somehow we never manage to get a minute by ourselves. NELLIE. It’s perfectly maddening. What a good idea it was of yours to meet in the garden after they’d all gone to bed. FREDDIE. Was it my idea? I always thought it was yours! NELLIE. [_With wounded dignity._] It’s not likely I should have proposed a thing like that. FREDDIE. No, it isn’t likely. NELLIE. I’m perfectly distracted. If you only knew how that man bores me! FREDDIE. I can’t think what you ever saw in him. NELLIE. I was never really fond of him, you know. I only accepted him because he was so desperately in love with me, and mamma wouldn’t hear of it. FREDDIE. When did you first know that you cared for me? NELLIE. Oh, I don’t know. I think as soon as ever I found out you were in love with me. FREDDIE. [_Rather taken aback._] Oh! NELLIE. When did you begin to love me? FREDDIE. Well, you know, I was awfully flattered by your caring for me. NELLIE. Oh!... [_There is a pause._] I don’t think I quite understand. FREDDIE. [_Opening his arms._] Darling! NELLIE. [_Cuddling in them._] Oh, it makes me feel so delightfully wicked. I know I oughtn’t to let you kiss me. I know it’s treachery to poor Gerald. FREDDIE. He isn’t worthy of you. NELLIE. He simply worships the ground I tread on. I am a perfect beast. FREDDIE. We’re treating him shamefully. NELLIE. I shall never forgive myself. FREDDIE. Poor Gerald.... He is an ass, isn’t he? NELLIE. Oh, awful. [_They both go into shrieks of laughter._ NELLIE. Take care! [MRS. DOT _comes in with flowers in her hands_. MRS. DOT. Did I leave my scissors here? Just see if you can find them, Freddie. Perhaps they’re in the next room. [_He goes out._] I wonder if I left them on the writing-table. [NELLIE _looks, sees the licence, starts, and turns round to hide it_. NELLIE.] [_Agitated._] No, there’s nothing here at all. [FREDDIE _comes in with the scissors_. FREDDIE. Here they are! MRS. DOT. Thanks so much. [_She goes out._ NELLIE. Freddie, how could you be so incautious? It was only by the greatest presence of mind that I was able to hide it. FREDDIE. What _do_ you mean? NELLIE. You ought to have told me. I don’t think it was nice of you to get a licence without saying a word to me about it. I think it was a great liberty. FREDDIE. A licence? NELLIE. You must know that I can’t marry you. Nothing will induce me to break my promise to Gerald. I’m very angry with you. FREDDIE. I haven’t the least idea what you’re talking about. NELLIE. How can you tell such stories? [_She hands him the licence. He stares at it, utterly astonished._ FREDDIE. Where did you find this? NELLIE. It was lying on the writing-table. I suppose you’re not going to deny all knowledge of it. [_He stares at it still._] Freddie, how bold of you! But you really couldn’t imagine for a moment that I’d consent to run away with you. Oh, Freddie, I’m so flattered. How you must love me! FREDDIE. [_To himself._] Two thousand a year! [_He takes the cheque from his pocket and looks at it. Suddenly light dawns on him. He puts cheque and licence back into his pocket._] It’s fairly clear that a licence couldn’t have got there by itself. NELLIE. What on earth made you think of sending for it? FREDDIE. [_Brazenly._] I thought it was the only way to win you. NELLIE. Have you had it long? FREDDIE. It only arrived this morning. Look here, why shouldn’t we bolt? You don’t care a straw for Gerald, and you do care for me. NELLIE. It would break his heart. I couldn’t, I couldn’t! Besides, where are we to bolt to? I daren’t. Mamma would never forgive me. FREDDIE. You see, with this we can be married anywhere. Let’s jump into the motor and go down to my father near Oxford. We shall arrive by dinner-time, and he’ll marry us to-morrow morning. NELLIE. You don’t mean to say your father’s in the Church? FREDDIE. Of course he’s in the Church. I was most careful in my choice of a parent. NELLIE. Oh, how clever of you to have a father who’s a clergyman! You think of everything, Freddie. FREDDIE. Look here, there’s not a minute to waste. Will you risk it? NELLIE. No, no, no! Freddie, how can you ask me such a thing.... I’ll just go and put on my hat. FREDDIE. You brick. [_She runs out. He walks up and down excitedly. The servants bring in the tea._ NELLIE _comes back with her hat on_.] FREDDIE. Hurry up! NELLIE. This _is_ romance, isn’t it? [_They go to the door that leads into the garden, hand in hand. They are confronted by_ LADY SELLENGER _and_ GERALD, BLENKINSOP _and_ MISS MACGREGOR. LADY SELLENGER. Where are you going in such a hurry? NELLIE. [_Promptly._] We were just going to call you all in to tea. [MRS. DOT _comes in_. MRS. DOT. I’ve just had the motor brought round in case any one would like to go out. [_She goes to the writing-table to see if the licence has been removed. They all sit down and have tea._ LADY SELLENGER. Nellie, my love, I’ve been discussing a very important matter with Gerald. MRS. DOT. I know. You asked him to name the day. LADY SELLENGER. I feel that I have no right to restrain any longer the very natural impatience of these young things. NELLIE. [_Aghast._] And what did Gerald say? LADY SELLENGER. He wishes to leave it entirely to you. NELLIE. I’m sure that’s very obliging of him. GERALD. Not at all. MRS. DOT. Of course, he’s all eagerness. GERALD. [_Grimly._] Yes. NELLIE. I would much sooner--let Gerald fix it at his own convenience. LADY SELLENGER. I think it’s delightful, the way they give in to one another. GERALD. We shall only bore Mrs. Dot if we discuss the matter now. LADY SELLENGER. We’re all old friends here. I’m sure Mrs. Dot will help us with her advice. MRS. DOT. My own opinion is, that in these matters the sooner the better. BLENKINSOP. When you have to take a pill the best thing is to swallow it down without thinking. LADY SELLENGER. Cynic! What do you say to six weeks from to-day? NELLIE. That would suit me beautifully. GERALD. Then there’s no more to be said. LADY SELLENGER. What a beautiful thing love is! [NELLIE _gets up_. NELLIE. [_To_ FREDDIE.] Are you coming? FREDDIE. Certainly. LADY SELLENGER. [_Surprised._] Where are you going, Nellie? NELLIE. Mr. Perkins has promised to take me for a little drive in the motor. I feel it’s the only thing to send away my headache. LADY SELLENGER. [_In an undertone._] My darling, is this wise? Remember the feelings of this poor young man. NELLIE. [_Also in an undertone._] I thought you’d like an opportunity of talking privately to Gerald. LADY SELLENGER. Why, darling? NELLIE. Dear mamma, the settlements. LADY SELLENGER. [_Smiling affectionately._] You sweet, practical child! You’ll be your own mother again at my age. NELLIE. May I go then? LADY SELLENGER. Do. But don’t be away very long. NELLIE. [_Kissing her._] Good-bye, mamma. [_She goes out with_ FREDDIE. _Almost immediately the sound of a motor-horn is heard, as they drive away._ LADY SELLENGER. The dear child, she has such a sweet, trusting nature. You must kiss me, too, Gerald! GERALD. I shall be delighted, I’m sure. [_She puts up her cheek, which he kisses. A_ SERVANT _comes in with a note_. SERVANT. Miss Sellenger told me to give you this at once, Madam. MRS. DOT. Oh. [_She opens it and gives a cry._] Good heavens! Oh, the deceitful wretch! Lady Sellenger, how shall I tell you? It’s from Nellie. LADY SELLENGER. From Nellie! MRS. DOT. [_Reading._] “Dear Mrs. Dot, I’m just off to marry Freddie. Break it to Mamma gently.” LADY SELLENGER. [_Starting up._] Impossible! Stop them! Stop them! Where are they? MRS. DOT. [_Reading._] “I couldn’t marry Gerald. He’s too great a”--there’s a word in big letters. I never could read capitals. [_She hands the note to_ GERALD. GERALD. The word is “B. O. R. E.” MRS. DOT. [_Pretending to be much surprised._] Bore! BLENKINSOP. [_With immense satisfaction._] Bore! AUNT ELIZA. [_Meditatively._] Bore! LADY SELLENGER. Oh, how monstrous! My poor Gerald, what shall I do? [GERALD _goes into a roar of laughter. He laughs louder and louder._ LADY SELLENGER. Gerald! Gerald! Don’t! Pull yourself together. The poor boy, he’s perfectly hysterical. Where are my salts? Mrs. Dot, for heaven’s sake calm him down. Oh, my dear! You mustn’t upset yourself yet. BLENKINSOP. He looks cut up, doesn’t he? LADY SELLENGER. We’ll pursue them. There’s no harm done yet. We’ll catch them. I promise you we’ll catch them. You shall marry her, Gerald, if I have to drag her to church by the hair of her head. [_At this he stops suddenly and stares at her in dismay._ GERALD. What are you going to do? LADY SELLENGER. We must chase them. Where’s your motor, Mr. Blenkinsop? Didn’t you tell me it was the fastest machine in England? BLENKINSOP. I did say something of the sort. LADY SELLENGER. We shall catch them up. Gerald, you must drive me. I can’t trust any one else to go fast enough. MRS. DOT. But you don’t know which way they’ve gone. LADY SELLENGER. Don’t be so silly. Of course they’ve gone to Brighton. When people elope they always go to Brighton. [MRS. DOT _slips out of the room_. GERALD. And what’ll you do if we come up to them? You can’t force them to come back. LADY SELLENGER. If a woman can’t force her daughter to marry any man she chooses, I don’t know what the English nation is coming to. GERALD. I won’t marry the girl against her will. LADY SELLENGER. Fiddlededee! Of course you’ll marry her. Who is this creature she’s run away with? Perkins! Perkins with a P. I never heard anything so ridiculous. Do you suppose my daughter is going to be Mrs. Perkins--Perkins with a P? BLENKINSOP. You couldn’t very well spell it with a W could you? LADY SELLENGER. Hold your impudent tongue, sir! GERALD. Now, let’s have this out and be done with it. I’m no more in love with Nellie than she is with me, I was going to marry her because I’d promised to, and it seemed a low down trick to draw back.... LADY SELLENGER. The man’s mad. The shock has turned his brain. GERALD. When I heard she’d bolted, I could have jumped for joy. I seem to have awaked out of a ghastly nightmare. Nothing will induce me to try and catch her up. LADY SELLENGER. You monster! How dare you trifle with the affections of my daughter! You don’t mean to stand by and see her marry a man called Perkins! GERALD. I wouldn’t even mind if she married a man called Vere de Vere. LADY SELLENGER. Very well, then, the chauffeur shall drive me. You’re a heartless brute. Perkins with a P. And penniless to boot. [_She flounces out of the room and bangs the door._ GERALD. Where’s Mrs. Dot? [_He goes into the garden._ BLENKINSOP. What a charming mother-in-law that woman will make! [MRS. DOT _comes in with a large kitchen knife in one hand and a poker in the other_. MRS. DOT. I’ve done it! BLENKINSOP. Done what? MRS. DOT. Lady Sellenger thinks she’s going in your motor, but she isn’t. BLENKINSOP. [_Starting up._] What have you done to my motor? MRS. DOT. As soon as she talked of it, I ran to the kitchen and seized this knife and I seized this poker. BLENKINSOP. Woman! MRS. DOT. I’ve ripped up all the tyres, they’re simply in ribands, James. BLENKINSOP. Good Lord! MRS. DOT. I don’t know what I’ve done to the steering gear, but I know it’ll never work again. Oh, it’s in an awful state. BLENKINSOP. But that’s a bran-new motor. I’ve just paid eighteen hundred pounds for it. MRS. DOT. And so that there shouldn’t be any risk I opened the place where the works are, and I rummaged around with the poker. I _think_ I’ve smashed everything. BLENKINSOP. Oh! Oh! [_He buries his head in his hands._ MRS. DOT. The thing’s a wreck and a ruin. You should have seen the tyres go flop, flop, flop. BLENKINSOP. But I’m going to race next week. MRS. DOT. It’ll be impossible to move it for a month. It _is_ in a state. BLENKINSOP. Eighteen hundred pounds! MRS. DOT. I don’t know how much it’ll cost to put right. You don’t mind, James, do you? BLENKINSOP. Mind! MRS. DOT. I shouldn’t like you to be cross with me. BLENKINSOP. [_Furiously._] Oh! MRS. DOT. You won’t let this disturb your affection for me? Remember that you’re going to marry me. BLENKINSOP. Marry you. I’d rather marry my cook. [_He flings out of the room._ MRS. DOT. [_Looking after him, innocently._] He _is_ in a temper, isn’t he? It’s very hard to please everybody in this life. AUNT ELIZA. You’re quite incorrigible. MRS. DOT. Would you mind taking these implements away? I’m really very tired. AUNT ELIZA. I suppose breaking motors is rather hard work. MRS. DOT. And you get very little thanks for it. [AUNT ELIZA _goes out_. MRS. DOT _sinks into a chair, with a sigh of relief_. GERALD _comes in. She realises that he is behind her, but pretends not to notice him. He comes up softly._ GERALD. Dot! MRS. DOT. [_Pretending to start._] Oh, how you frightened me! You might remember that my nerves are in a very agitated state. GERALD. You asked me a question a little while ago. I can answer it now. MRS. DOT. I’m so sorry, I’ve quite forgotten what it was. It can’t have been of the smallest importance. GERALD. You asked me if I loved you. MRS. DOT. How absurd! And do you? GERALD. With all my heart, and I’ve loved you passionately from the first moment I saw you. MRS. DOT. With never a day off? GERALD. With never a day off. I wanted to tell you every minute, and yet I couldn’t be such a cad. MRS. DOT. [_Sarcastically._] It’s awfully nice of you to say all this, and I can’t tell you how flattered I am. GERALD. Dot! MRS. DOT. Only it’s rather late in the day. I’ve promised my hand and heart to James Blenkinsop. GERALD. Fiddle! MRS. DOT. [_Raising her eyebrows._] I beg your pardon? GERALD. [_Firmly._] Fiddle! MRS. DOT. Are you under the delusion that because a happy chance has freed you from a previous engagement, I’m going to seize the opportunity and leap into your arms? GERALD. You know, women are brutes. One tries to do the straight thing and behave more or less like a white man, and they make you feel as if you’d been an utter beast. MRS. DOT. Do you know why Nellie jilted you? Because you’re a bore. GERALD. [_Smiling._] I daresay I’m very stupid. I suppose that’s why I love you so much. MRS. DOT. My dear Gerald, you were cured of your passion for Nellie in a month. I have no doubt that a week in Paris will make your heart whole once more. GERALD. [_Calmly._] Are you packing me off by any chance? MRS. DOT. Marked--damaged. GERALD. [_With his tongue in his cheek._] Then Good-bye! MRS. DOT. _Bon voyage._ [_He turns to go and walks slowly to the door. She seizes a cushion and throws it at him, then turns her back on him. He stops, picks up the cushion and gravely brings it to her._ GERALD. I think you dropped something. MRS. DOT. [_Gravely._] Thank you. [_He looks at her, with a smile. She begins to laugh. Suddenly he takes her in his arms._ GERALD. You silly little fool. THE END End of the Project Gutenberg EBook of Mrs. Dot, by W. Somerset Maugham *** END OF THIS PROJECT GUTENBERG EBOOK MRS. DOT *** ***** This file should be named 50820-0.txt or 50820-0.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/5/0/8/2/50820/ Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.