Project Gutenberg's Abbotsford and Newstead Abbey, by Washington Irving
#7 in our series by Washington Irving

Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.

This header should be the first thing seen when viewing this Project
Gutenberg file.  Please do not remove it.  Do not change or edit the
header without written permission.

Please read the "legal small print," and other information about the
eBook and Project Gutenberg at the bottom of this file.  Included is
important information about your specific rights and restrictions in
how the file may be used.  You can also find out about how to make a
donation to Project Gutenberg, and how to get involved.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**eBooks Readable By Both Humans and By Computers, Since 1971**

*****These eBooks Were Prepared By Thousands of Volunteers!*****


Title: Abbotsford and Newstead Abbey

Author: Washington Irving

Release Date: April, 2005 [EBook #7948]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on June 4, 2003]

Edition: 10

Language: English

Character set encoding: ASCII

*** START OF THE PROJECT GUTENBERG EBOOK ABBOTSFORD AND NEWSTEAD ABBEY ***




Produced by Joshua Hutchinson, Tiffany Vergon, Charles Franks,
and the Online Distributed Proofreaders Team




ABBOTSFORD AND NEWSTEAD ABBEY

BY

WASHINGTON IRVING




CONTENTS

  ABBOTSFORD
  NEWSTEAD ABBEY
  ARRIVAL AT THE ABBEY
  ABBEY GARDEN
  PLOUGH MONDAY
  OLD SERVANTS
  SUPERSTITIONS OF THE ABBEY
  ANNESLEY HALL
  THE LAKE
  ROBIN HOOD AND SHERWOOD FOREST
  ROOK CELL
  LITTLE WHITE LADY




ABBOTSFORD.


By WASHINGTON IRVING.


I sit down to perform my promise of giving you an account of a visit
made many years since to Abbotsford. I hope, however, that you do not
expect much from me, for the travelling notes taken at the time are so
scanty and vague, and my memory so extremely fallacious, that I fear I
shall disappoint you with the meagreness and crudeness of my details.

Late in the evening of August 29, 1817, I arrived at the ancient little
border town of Selkirk, where I put up for the night. I had come down
from Edinburgh, partly to visit Melrose Abbey and its vicinity, but
chiefly to get sight of the "mighty minstrel of the north." I had a
letter of introduction to him from Thomas Campbell, the poet, and had
reason to think, from the interest he had taken in some of my earlier
scribblings, that a visit from me would not be deemed an intrusion.

On the following morning, after an early breakfast, I set off in a
postchaise for the Abbey. On the way thither I stopped at the gate of
Abbotsford, and sent the postilion to the house with the letter of
introduction and my card, on which I had written that I was on my way
to the ruins of Melrose Abbey, and wished to know whether it would be
agreeable to Mr. Scott (he had not yet been made a Baronet) to receive
a visit from me in the course of the morning.

While the postilion was on his errand, I had time to survey the
mansion. It stood some short distance below the road, on the side of a
hill sweeping down to the Tweed; and was as yet but a snug gentleman's
cottage, with something rural and picturesque in its appearance. The
whole front was overrun with evergreens, and immediately above the
portal was a great pair of elk horns, branching out from beneath the
foliage, and giving the cottage the look of a hunting lodge. The huge
baronial pile, to which this modest mansion in a manner gave birth was
just emerging into existence; part of the walls, surrounded by
scaffolding, already had risen to the height of the cottage, and the
courtyard in front was encumbered by masses of hewn stone.

The noise of the chaise had disturbed the quiet of the establishment.
Out sallied the warder of the castle, a black greyhound, and, leaping
on one of the blocks of stone, began a furious barking. His alarum
brought out the whole garrison of dogs:

  "Both mongrel, puppy, whelp, and hound,
  And curs of low degree;"

all open-mouthed and vociferous.--I should correct my quotation;--not a
cur was to be seen on the premises: Scott was too true a sportsman, and
had too high a veneration for pure blood, to tolerate a mongrel.

In a little while the "lord of the castle" himself made his appearance.
I knew him at once by the descriptions I had read and heard, and the
likenesses that had been published of him. He was tall, and of a large
and powerful frame. His dress was simple, and almost rustic. An old
green shooting-coat, with a dog-whistle at the buttonhole, brown linen
pantaloons, stout shoes that tied at the ankles, and a white hat that
had evidently seen service. He came limping up the gravel walk, aiding
himself by a stout walking-staff, but moving rapidly and with vigor. By
his side jogged along a large iron-gray stag-hound of most grave
demeanor, who took no part in the clamor of the canine rabble, but
seemed to consider himself bound, for the dignity of the house, to give
me a courteous reception.

Before Scott had reached the gate he called out in a hearty tone,
welcoming me to Abbotsford, and asking news of Campbell. Arrived at the
door of the chaise, he grasped me warmly by the hand: "Come, drive
down, drive down to the house," said he, "ye're just in time for
breakfast, and afterward ye shall see all the wonders of the Abbey."

I would have excused myself, on the plea of having already made my
breakfast. "Hout, man," cried he, "a ride in the morning in the keen
air of the Scotch hills is warrant enough for a second breakfast."

I was accordingly whirled to the portal of the cottage, and in a few
moments found myself seated at the breakfast-table. There was no one
present but the family, which consisted of Mrs. Scott, her eldest
daughter Sophia, then a fine girl about seventeen, Miss Ann Scott, two
or three years younger, Walter, a well-grown stripling, and Charles, a
lively boy, eleven or twelve years of age. I soon felt myself quite at
home, and my heart in a glow with the cordial welcome I experienced. I
had thought to make a mere morning visit, but found I was not to be let
off so lightly. "You must not think our neighborhood is to be read in a
morning, like a newspaper," said Scott. "It takes several days of study
for an observant traveller that has a relish for auld world trumpery.
After breakfast you shall make your visit to Melrose Abbey; I shall not
be able to accompany you, as I have some household affairs to attend
to, but I will put you in charge of my son Charles, who is very learned
in all things touching the old ruin and the neighborhood it stands in,
and he and my friend Johnny Bower will tell you the whole truth about
it, with a good deal more that you are not called upon to believe--
unless you be a true and nothing-doubting antiquary. When you come
back, I'll take you out on a ramble about the neighborhood. To-morrow
we will take a look at the Yarrow, and the next day we will drive over
to Dryburgh Abbey, which is a fine old ruin well worth your seeing"--in
a word, before Scott had got through his plan, I found myself committed
for a visit of several days, and it seemed as if a little realm of
romance was suddenly opened before me.

       *       *       *       *       *

After breakfast I accordingly set oft for the Abbey with my little
friend Charles, whom I found a most sprightly and entertaining
companion. He had an ample stock of anecdote about the neighborhood,
which he had learned from his father, and many quaint remarks and sly
jokes, evidently derived from the same source, all which were uttered
with a Scottish accent and a mixture of Scottish phraseology, that gave
them additional flavor.

On our way to the Abbey he gave me some anecdotes of Johnny Bower to
whom his father had alluded; he was sexton of the parish and custodian
of the ruin, employed to keep it in order and show it to strangers;--a
worthy little man, not without ambition in his humble sphere. The death
of his predecessor had been mentioned in the newspapers, so that his
name had appeared in print throughout the land. When Johnny succeeded
to the guardianship of the ruin, he stipulated that, on his death, his
name should receive like honorable blazon; with this addition, that it
should be from, the pen of Scott. The latter gravely pledged himself to
pay this tribute to his memory, and Johnny now lived in the proud
anticipation of a poetic immortality.

I found Johnny Bower a decent-looking little old man, in blue coat and
red waistcoat. He received us with much greeting, and seemed delighted
to see my young companion, who was full of merriment and waggery,
drawing out his peculiarities for my amusement. The old man was one of
the most authentic and particular of cicerones; he pointed out
everything in the Abbey that had been described by Scott in his "Lay of
the Last Minstrel:" and would repeat, with broad Scottish accent, the
passage which celebrated it.

Thus, in passing through the cloisters, he made me remark the beautiful
carvings of leaves and flowers wrought in stone with the most exquisite
delicacy, and, notwithstanding the lapse of centuries, retaining their
sharpness as if fresh from the chisel; rivalling, as Scott has said,
the real objects of which they were imitations:

  "Nor herb nor flowret glistened there
  But was carved in the cloister arches as fair."

He pointed out, also, among the carved work a nun's head of much
beauty, which he said Scott always stopped to admire--"for the shirra
had a wonderful eye for all sic matters."

I would observe that Scott seemed to derive more consequence in the
neighborhood from being sheriff of the county than from being poet.

In the interior of the Abbey Johnny Bower conducted me to the identical
stone on which Stout "William of Deloraine" and the monk took their seat
on that memorable night when the wizard's book was to be rescued from
the grave. Nay, Johnny had even gone beyond Scott in the minuteness of
his antiquarian research, for he had discovered the very tomb of the
wizard, the position of which had been left in doubt by the poet. This
he boasted to have ascertained by the position of the oriel window, and
the direction in which the moonbeams fell at night, through the stained
glass, casting the shadow to the red cross on the spot; as had all been
specified in the poem. "I pointed out the whole to the shirra," said
he, "and he could na' gainsay but it was varra clear." I found
afterward that Scott used to amuse himself with the simplicity of the
old man, and his zeal in verifying every passage of the poem, as though
it had authentic history, and that he always acquiesced in his
deductions. I subjoin the description of the wizard's grave, which
called forth the antiquarian research of Johnny Bower.

  "Lo warrior! now the cross of red,
  Points to the grave of the mighty dead;
  Slow moved the monk to the broad flag-stone,
  Which the bloody cross was traced upon:
  He pointed to a sacred nook:
  An iron bar the warrior took;
  And the monk made a sign with his withered hand,
  The grave's huge portal to expand.

  "It was by dint of passing strength,
  That he moved the massy stone at length.
  I would you had been there to see,
  How the light broke forth so gloriously,
  Streamed upward to the chancel roof,
  And through the galleries far aloof!
    And, issuing from the tomb,
  Showed the monk's cowl and visage pale,
  Danced on the dark brown warrior's mail,
    And kissed his waving plume.

  "Before their eyes the wizard lay,
  As if he had not been dead a day:
  His hoary beard in silver rolled,
  He seemed some seventy winters old;
  A palmer's amice wrapped him round;
  With a wrought Spanish baldrie bound,
    Like a pilgrim from beyond the sea;
  His left hand held his book of might;
  A silver cross was in his right:
    The lamp was placed beside his knee."

The fictions of Scott had become facts with honest Johnny Bower. From
constantly living among the ruins of Melrose Abbey, and pointing out
the scenes of the poem, the "Lay of the Last Minstrel" had, in a
manner, become interwoven with his whole existence, and I doubt whether
he did not now and then mix up his own identity with the personages of
some of its cantos.

He could not bear that any other production of the poet should be
preferred to the "Lay of the Last Minstrel." "Faith," said he to me,
"it's just e'en as gude a thing as Mr. Scott has written--an' if he
were stannin' there I'd tell him so--an' then he'd lauff."

He was loud in his praises of the affability of Scott. "He'll come here
sometimes," said he, "with great folks in his company, an' the first I
know of it is his voice, calling out 'Johnny!--Johnny Bower!'--and
when I go out, I am sure to be greeted with a joke or a pleasant word.
Hell stand and crack and lauff wi' me, just like an auld wife--and to
think that of a man who has such an awfu' knowledge o' history!"

One of the ingenious devices on which the worthy little man prided
himself, was to place a visitor opposite to the Abbey, with his back to
it, and bid him bend down and look at it between his legs. This, he
said, gave an entire different aspect to the ruin. Folks admired the
plan amazingly, but as to the "leddies," they were dainty on the
matter, and contented themselves with looking from under their arms. As
Johnny Bower piqued himself upon showing everything laid down in the
poem, there was one passage that perplexed him sadly. It was the
opening of one of the cantos:

  "If thou would'st view fair Melrose aright,
  Go visit it by the pale moonlight:
  For the gay beams of lightsome day,
  Gild but to flout the ruins gray." etc.

In consequence of this admonition, many of the most devout pilgrims to
the ruin could not be contented with a daylight inspection, and
insisted it could be nothing unless seen by the light of the moon. Now,
unfortunately, the moon shines but for a part of the month; and, what
is still more unfortunate, is very apt in Scotland to be obscured by
clouds and mists. Johnny was sorely puzzled, therefore, how to
accommodate his poetry-struck visitors with this indispensable
moonshine. At length, in a lucky moment, he devised a substitute. This
was a great double tallow candle stuck upon the end of a pole, with
which he could conduct his visitors about the ruins on dark nights, so
much to their satisfaction that, at length, he began to think it even
preferable to the moon itself. "It does na light up a' the Abbey at
since, to be sure," he would say, "but then you can shift it about and
show the auld ruin bit by bit, whiles the moon only shines on one
side."

Honest Johnny Bower! so many years have elapsed since the time I treat
of, that it is more than probable his simple head lies beneath the
walls of his favorite Abbey. It is to be hoped his humble ambition has
been gratified, and his name recorded by the pen of the man he so loved
and honored.

       *       *       *       *       *

After my return from Melrose Abbey, Scott proposed a ramble to show me
something of the surrounding country. As we sallied forth, every dog in
the establishment turned out to attend us. There was the old stag-hound
Maida, that I have already mentioned, a noble animal, and a great
favorite of Scott's, and Hamlet, the black greyhound, a wild,
thoughtless youngster, not yet arrived to the years of discretion; and
Finette, a beautiful setter, with soft, silken hair, long pendent ears,
and a mild eye, the parlor favorite. When in front of the house, we
were joined by a superannuated greyhound, who came from the kitchen
wagging his tail, and was cheered by Scott as an old friend and
comrade.

In our walks, Scott would frequently pause in conversation to notice
his dogs and speak to them, as if rational companions; and indeed there
appears to be a vast deal of rationality in these faithful attendants
on man, derived from their close intimacy with him. Maida deported
himself with a gravity becoming his age and size, and seemed to
consider himself called upon to preserve a great degree of dignity and
decorum in our society. As he jogged along a little distance ahead of
us, the young dogs would gambol about him, leap on his neck, worry at
his ears, and endeavor to tease him into a frolic. The old dog would
keep on for a long time with imperturbable solemnity, now and then
seeming to rebuke the wantonness of his young companions. At length he
would make a sudden turn, seize one of them, and tumble him in the
dust; then giving a glance at us, as much as to say, "You see,
gentlemen, I can't help giving way to this nonsense," would resume his
gravity and jog on as before.

Scott amused himself with these peculiarities. "I make no doubt," said
he, "when Maida is alone with these young dogs, he throw's gravity
aside, and plays the boy as much as any of them; but he is ashamed to
do so in our company, and seems to say, 'Ha' done with your nonsense,
youngsters: what will the laird and that other gentleman think of me if
I give way to such foolery?'"

Maida reminded him, he said, of a scene on board an armed yacht in
which he made an excursion with his friend Adam Ferguson. They had
taken much notice of the boatswain, who was a fine sturdy seaman, and
evidently felt flattered by their attention. On one occasion the crew
were "piped to fun," and the sailors were dancing and cutting all kinds
of capers to the music of the ship's band. The boatswain looked on with
a wistful eye, as if he would like to join in; but a glance at Scott
and Ferguson showed that there was a struggle with his dignity, fearing
to lessen himself in their eyes. At length one at his messmates came
up, and seizing him by the arm, challenged him to a jig. The boatswain,
continued Scott, after a little hesitation complied, made an awkward
gambol or two, like our friend Maida, but soon gave it up. "It's of no
use," said he, jerking up his waistband and giving a side glance at us,
"one can't dance always nouther."

Scott amused himself with the peculiarities of another of his dogs, a
little shamefaced terrier, with large glassy eyes, one of the most
sensitive little bodies to insult and indignity in the world. If ever
he whipped him, he said, the little fellow would sneak off and hide
himself from the light of day, in a lumber garret, whence there was no
drawing him forth but by the sound of the chopping-knife, as if
chopping up his victuals, when he would steal forth with humble and
downcast look, but would skulk away again if any one regarded him.

While we were discussing the humors and peculiarities of our canine
companions, some object provoked their spleen, and produced a sharp and
petulant barking from the smaller fry, but it was some time before
Maida was sufficiently aroused to ramp forward two or three bounds and
join in the chorus, with a deep-mouthed bow-wow!

It was but a transient outbreak, and he returned instantly, wagging his
tail, and looking up dubiously in his master's face; uncertain whether
he would censure or applaud.

"Aye, aye, old boy!" cried Scott, "you have done wonders. You have
shaken the Eildon hills with your roaring; you may now lay by your
artillery for the rest of the day. Maida is like the great gun at
Constantinople," continued he; "it takes so long to get it ready, that
the small guns can fire off a dozen times first, but when it does go
off it plays the very d----l."

These simple anecdotes may serve to show the delightful play of Scott's
humors and feelings in private life. His domestic animals were his
friends; everything about him seemed to rejoice in the light of his
countenance; the face of the humblest dependent brightened at his
approach, as if he anticipated a cordial and cheering word. I had
occasion to observe this particularly in a visit which we paid to a
quarry, whence several men were cutting stone for the new edifice; who
all paused from their labor to have a pleasant "crack wi' the laird."
One of them was a burgess of Selkirk, with whom Scott had some joke
about-the old song:

  "Up with the Souters o' Selkirk,
  And down with the Earl of Horne."

Another was precentor at the Kirk, and, besides leading the psalmody on
Sunday, taught the lads and lasses of the neighborhood dancing on week
days, in the winter time, when out-of-door labor was scarce.

Among the rest was a tall, straight old fellow, with a healthful
complexion and silver hair, and a small round-crowned white hat. He had
been about to shoulder a nod, but paused, and stood looking at Scott,
with a slight sparkling of his blue eye, as if waiting his turn; for
the old fellow knew himself to be a favorite.

Scott accosted him in an affable tone, and asked for a pinch of snuff.
The old man drew forth a horn snuff-box. "Hoot, man," said Scott, "not
that old mull: where's the bonnie French one that I brought you from
Paris?" "Troth, your honor," replied the old fellow, "sic a mull as
that is nae for week-days."

On leaving the quarry, Scott informed me that when absent at Paris, he
had purchased several trifling articles as presents for his dependents,
and among others the gay snuff-box in question, which was so carefully
reserved for Sundays, by the veteran. "It was not so much the value of
the gifts," said he, "that pleased them, as the idea that the laird
should think of them when so far away."

The old man in question, I found, was a great favorite with Scott. If I
recollect right, he had been a soldier in early life, and his straight,
erect person, his ruddy yet rugged countenance, his gray hair, and an
arch gleam in his blue eye, reminded me of the description of Edie
Ochiltree. I find that the old fellow has since been introduced by
Wilkie, in his picture of the Scott family.

       *       *       *       *       *

We rambled on among scenes which had been familiar in Scottish song,
and rendered classic by pastoral muse, long before Scott had thrown the
rich mantle of his poetry over them. What a thrill of pleasure did I
feel when first I saw the broom-covered tops of the Cowden Knowes,
peeping above the gray hills of the Tweed: and what touching
associations were called up by the sight of Ettrick Vale, Galla Water,
and the Braes of Yarrow! Every turn brought to mind some household air
--some almost forgotten song of the nursery, by which I had been lulled
to sleep in my childhood; and with them the looks and voices of those
who had sung them, and who were now no more. It is these melodies,
chanted in our ears in the days of infancy, and connected with the
memory of those we have loved, and who have passed away, that clothe
Scottish landscape with such tender associations. The Scottish songs,
in general, have something intrinsically melancholy in them; owing, in
all probability, to the pastoral and lonely life of those who composed
them: who were often mere shepherds, tending their flocks in the
solitary glens, or folding them among the naked hills. Many of these
rustic bards have passed away, without leaving a name behind them;
nothing remains of them but their sweet and touching songs, which live,
like echoes, about the places they once inhabited. Most of these simple
effusions of pastoral poets are linked with some favorite haunt of the
poet; and in this way, not a mountain or valley, a town or tower, green
shaw or running stream, in Scotland, but has some popular air connected
with it, that makes its very name a key-note to a whole train of
delicious fancies and feelings.

Let me step forward in time, and mention how sensible I was to the
power of these simple airs, in a visit which I made to Ayr, the
birthplace of Robert Burns. I passed a whole morning about "the banks
and braes of bonnie Doon," with his tender little love verses running
in my head. I found a poor Scotch carpenter at work among the ruins of
Kirk Alloway, which was to be converted into a school-house. Finding
the purpose of my visit, he left his work, sat down with me on a grassy
grave, close by where Burns' father was buried, and talked of the poet,
whom he had known personally. He said his songs were familiar to the
poorest and most illiterate of the country folk, "_and it seemed to
him as if the country had grown more beautiful, since Burns had written
his bonnie little songs about it._"

I found Scott was quite an enthusiast on the subject of the popular
songs of his country, and he seemed gratified to find me so alive to
them. Their effect in calling up in my mind the recollections of early
times and scenes in which I had first heard them, reminded him, he
said, of the lines of his poor Mend, Leyden, to the Scottish muse:

  "In youth's first morn, alert and gay,
  Ere rolling years had passed away,
    Remembered like a morning dream,
  I heard the dulcet measures float,
  In many a liquid winding note,
    Along the bank of Teviot's stream.

  "Sweet sounds! that oft have soothed to rest
  The sorrows of my guileless breast,
    And charmed away mine infant tears;
  Fond memory shall your strains repeat,
  Like distant echoes, doubly sweet,
    That on the wild the traveller hears."

Scott went on to expatiate on the popular songs of Scotland. "They are
a part of our national inheritance," said he, "and something that we
may truly call our own. They have no foreign taint; they have the pure
breath of the heather and the mountain breeze. All genuine legitimate
races that have descended from the ancient Britons; such as the Scotch,
the Welsh, and the Irish, have national airs. The English have none,
because they are not natives of the soil, or, at least, are mongrels.
Their music is all made up of foreign scraps, like a harlequin jacket,
or a piece of mosaic. Even in Scotland, we have comparatively few
national songs in the eastern part, where we have had most influx of
strangers. A real old Scottish song is a cairngorm--a gem of our own
mountains; or rather, it is a precious relic of old times, that bears
the national character stamped upon it--like a cameo, that shows what
the national visage was in former days, before the breed was crossed."

While Scott was thus discoursing, we were passing up a narrow glen,
with the dogs beating about, to right and left, when suddenly a
blackcock burst upon the wing.

"Aha!" cried Scott, "there will be a good shot for Master Walter; we
must send him this way with his gun, when we go home. Walter's the
family sportsman now, and keeps us in game. I have pretty nigh resigned
my gun to him; for I find I cannot trudge about as briskly as
formerly."

Our ramble took us on the hills commanding an extensive prospect.
"Now," said Scott, "I have brought you, like the pilgrim in the
Pilgrim's Progress, to the top of the Delectable Mountains, that I may
show you all the goodly regions hereabouts. Yonder is Lammermuir, and
Smalholme; and there you have Gallashiels, and Torwoodlie, and
Gallawater; and in that direction you see Teviotdale, and the Braes of
Yarrow; and Ettrick stream, winding along, like a silver thread, to
throw itself into the Tweed."

He went on thus to call over names celebrated in Scottish song, and
most of which had recently received a romantic interest from his own
pen. In fact, I saw a great part of the border country spread out
before me, and could trace the scenes of those poems and romances which
had, in a manner, bewitched the world. I gazed about me for a time with
mute surprise, I may almost say with disappointment. I beheld a mere
succession of gray waving hills, line beyond line, as far as my eye
could reach; monotonous in their aspect, and so destitute of trees,
that one could almost see a stout fly walking along their profile; and
the far-famed Tweed appeared a naked stream, flowing between bare
hills, without a tree or thicket on its banks; and yet, such had been
the magic web of poetry and romance thrown over the whole, that it had
a greater charm for me than the richest scenery I beheld in England.

I could not help giving utterance to my thoughts. Scott hummed for a
moment to himself, and looked grave; he had no idea of having his muse
complimented at the expense of his native hills. "It may be
partiality," said he, at length; "but to my eye, these gray bills and
all this wild border country have beauties peculiar to themselves. I
like the very nakedness of the land; it has something bold, and stern,
and solitary about it. When I have been for some time in the rich
scenery about Edinburgh, which is like ornamented garden land, I begin
to wish myself back again among my own honest gray hills; and if I did
not see the heather at least once a year, _I think I should die!_"

The last words were said with an honest warmth, accompanied with a
thump on the ground with his staff, by way of emphasis, that showed his
heart was in his speech. He vindicated the Tweed, too, as a beautiful
stream in itself, and observed that he did not dislike it for being
bare of trees, probably from having been much of an angler in his time,
and an angler does not like to have a stream overhung by trees, which
embarrass him in the exercise of his rod and line.

I took occasion to plead, in like manner, the associations of early
life, for my disappointment in respect to the surrounding scenery. I
had been so accustomed to hills crowned with forests, and streams
breaking their way through a wilderness of trees, that all my ideas of
romantic landscape were apt to be well wooded.

"Aye, and that's the great charm of your country," cried Scott. "You
love the forest as I do the heather--but I would not have you think I
do not feel the glory of a great woodland prospect. There is nothing I
should like more than to be in the midst of one of your grand, wild,
original forests with the idea of hundreds of miles of untrodden forest
around me. I once saw, at Leith, an immense stick of timber, just
landed from America. It must have been an enormous tree when it stood
on its native soil, at its full height, and with all its branches. I
gazed at it with admiration; it seemed like one of the gigantic
obelisks which are now and then brought from Egypt, to shame the pigmy
monuments of Europe; and, in fact, these vast aboriginal trees, that
have sheltered the Indians before the intrusion of the white men, are
the monuments and antiquities of your country."

The conversation here turned upon Campbell's poem of "Gertrude of
Wyoming," as illustrative of the poetic materials furnished by American
scenery. Scott spoke of it in that liberal style in which I always
found him to speak of the writings of his contemporaries. He cited
several passages of it with great delight. "What a pity it is," said
he, "that Campbell does not write more and oftener, and give full sweep
to his genius. He has wings that would bear him to the skies; and he
does now and then spread them grandly, but folds them up again and
resumes his perch, as if he was afraid to launch away. He don't know or
won't trust his own strength. Even when he has done a thing well, he
has often misgivings about it. He left out several fine passages of his
Lochiel, but I got him to restore some of them." Here Scott repeated
several passages in a magnificent style. "What a grand idea is that,"
said he, "about prophetic boding, or, in common parlance, second sight--

  'Coming events cast their shadows before.'

"It is a noble thought, and nobly expressed, And there's that glorious
little poem, too, of 'Hohenlinden;' after he had written it, he did not
seem to think much of it, but considered some of it'd--d drum and
trumpet lines.' I got him to recite it to me, and I believe that the
delight I felt and expressed had an effect in inducing him to print it.
The fact is," added he, "Campbell is, in a manner, a bugbear to
himself. The brightness of his early success is a detriment to all his
further efforts. _He is afraid of the shadow that his own fame casts
before him_."

While we were thus chatting, we heard the report of a gun among the
hills. "That's Walter, I think," said Scott; "he has finished his
morning's studies, and is out with his gun. I should not be surprised
if he had met with the blackcock; if so, we shall have an addition to
our larder, for Walter is a pretty sure shot." I inquired into the
nature of Walter's studies. "Faith," said Scott, "I can't say much on
that head. I am not over bent upon making prodigies of any of my
children. As to Walter, I taught him, while a boy, to ride, and shoot,
and speak the truth; as to the other parts of his education, I leave
them to a very worthy young man, the son of one of our clergymen, who
instructs all my children."

I afterward became acquainted with the young man in question, George
Thomson, son of the minister of Melrose, and found him possessed of
much learning, intelligence, and modest worth. He used to come every
day from his father's residence at Melrose to superintend the studies
of the young folks, and occasionally took his meals at Abbotsford,
where he was highly esteemed. Nature had cut him out, Scott used to
say, for a stalwart soldier, for he was tall, vigorous, active, and
fond of athletic exercises, but accident had marred her work, the loss
of a limb in boyhood having reduced him to a wooden leg. He was brought
up, therefore, for the Church, whence he was occasionally called the
Dominie, and is supposed, by his mixture of learning, simplicity, and
amiable eccentricity, to have furnished many traits for the character
of Dominie Sampson. I believe he often acted as Scott's amanuensis,
when composing his novels. With him the young people were occupied in
general during the early part of the day, after which they took all
kinds of healthful recreations in the open air; for Scott was as
solicitous to strengthen their bodies as their minds.

We had not walked much further before we saw the two Miss Scotts
advancing along the hillside to meet us. The morning studies being
over, they had set off to take a ramble on the hills, and gather
heather blossoms, with which to decorate their hair for dinner. As they
came bounding lightly like young fawns, and their dresses fluttering in
the pure summer breeze, I was reminded of Scott's own description of
his children in his introduction to one of the cantos of Marmion--

  "My imps, though hardy, bold, and wild,
  As best befits the mountain child,
  Their summer gambols tell and mourn,
  And anxious ask will spring return,
  And birds and lambs again be gay,
  And blossoms clothe the hawthorn spray?

  "Yes, prattlers, yes, the daisy's flower
  Again shall paint your summer bower;
  Again the hawthorn shall supply
  The garlands you delight to tie;
  The lambs upon the lea shall bound.
  The wild birds carol to the round,
  And while you frolic light as they,
  Too short shall seem the summer day."

As they approached, the dogs all sprang forward and gambolled around
them. They played with them for a time, and then joined us with
countenances full of health and glee. Sophia, the eldest, was the most
lively and joyous, having much of her father's varied spirit in
conversation, and seeming to catch excitement from his words and looks.
Ann was of quieter mood, rather silent, owing, in some measure, no
doubt, to her being some years younger.

       *       *       *       *       *

At dinner Scott had laid by his half-rustic dress, and appeared clad in
black. The girls, too, in completing their toilet, had twisted in their
hair the sprigs of purple heather which they had gathered on the
hillside, and looked all fresh and blooming from their breezy walk.

There was no guest at dinner but myself. Around the table were two or
three dogs in attendance. Maida, the old stag-hound, took his seat at
Scott's elbow, looking up wistfully in his master's eye, while Finette,
the pet spaniel, placed herself near Mrs. Scott, by whom, I soon
perceived, she was completely spoiled.

The conversation happening to turn on the merits of his dogs, Scott
spoke with great feeling and affection of his favorite, Camp, who is
depicted by his side in the earlier engravings of him. He talked of him
as of a real friend whom he had lost, and Sophia Scott, looking up
archly in his face, observed that Papa shed a few tears when poor Camp
died. I may here mention another testimonial of Scott's fondness for
his dogs, and his humorous mode of showing it, which I subsequently met
with. Rambling with him one morning about the grounds adjacent to the
house, I observed a small antique monument, on which was inscribed, in
Gothic characters--

  "Cy git le preux Percy." (Here lies the brave Percy.)

I paused, supposing it to be the tomb of some stark warrior of the
olden time, but Scott drew me on. "Pooh!" cried he, "it's nothing but
one of the monuments of my nonsense, of which you'll find enough
hereabouts." I learnt afterward that it was the grave of a favorite
greyhound. Among the other important and privileged members of the
household who figured in attendance at the dinner, was a large gray
cat, who, I observed, was regaled from time to time with tit-bits from
the table. This sage grimalkin was a favorite of both master and
mistress, and slept at night in their room; and Scott laughingly
observed, that one of the least wise parts of their establishment was,
that the window was left open at night for puss to go in and out. The
cat assumed a kind of ascendancy among the quadrupeds--sitting in state
in Scott's arm-chair, and occasionally stationing himself on a chair
beside the door, as if to review his subjects as they passed, giving
each dog a cuff beside the ears as he went by. This clapper-clawing was
always taken in good part; it appeared to be, in fact, a mere act of
sovereignty on the part of grimalkin, to remind the others of their
vassalage; which they acknowledged by the most perfect acquiescence. A
general harmony prevailed between sovereign and subjects, and they
would all sleep together in the sunshine.

Scott was full of anecdote and conversation during dinner. He made some
admirable remarks upon the Scottish character, and spoke strongly in
praise of the quiet, orderly, honest conduct of his neighbors, which
one would hardly expect, said he, from the descendants of moss
troopers, and borderers, in a neighborhood famed in old times for brawl
and feud, and violence of all kinds. He said he had, in his official
capacity of sheriff, administered the laws for a number of years,
during which there had been very few trials. The old feuds and local
interests, and rivalries, and animosities of the Scotch, however, still
slept, he said, in their ashes, and might easily be roused. Their
hereditary feeling for names was still great. It was not always safe to
have even the game of foot-ball between villages, the old clannish
spirit was too apt to break out. The Scotch, he said, were more
revengeful than the English; they carried their resentments longer, and
would sometimes lay them by for years, but would be sure to gratify
them in the end.

The ancient jealousy between the Highlanders and the Lowlanders still
continued to a certain degree, the former looking upon the latter as an
inferior race, less brave and hardy, but at the same time, suspecting
them of a disposition to take airs upon themselves under the idea of
superior refinement. This made them techy and ticklish company for a
stranger on his first coming among them; ruffling up and putting
themselves upon their mettle on the slightest occasion, so that he had
in a manner to quarrel and fight his way into their good graces.

He instanced a case in point in a brother of Mungo Park, who went to
take up his residence in a wild neighborhood of the Highlands. He soon
found himself considered as an intruder, and that there was a
disposition among these cocks of the hills, to fix a quarrel on him,
trusting that, being a Lowlander, he would show the white feather.

For a time he bore their flings and taunts with great coolness, until
one, presuming on his forbearance, drew forth a dirk, and holding it
before him, asked him if he had ever seen a weapon like that in his
part of the country. Park, who was a Hercules in frame, seized the
dirk, and, with one blow, drove it through an oaken table:--"Yes,"
replied he, "and tell your friends that a man from the Lowlands drove
it where the devil himself cannot draw it out again." All persons were
delighted with the feat, and the words that accompanied it. They drank
with Park to a better acquaintance, and were staunch friends ever
afterwards.

After dinner we adjourned to the drawing-room, which served also for
study and library. Against the wall on one side was a long writing-
table, with drawers; surmounted by a small cabinet of polished wood,
with folding doors richly studded with brass ornaments, within which
Scott kept his most valuable papers. Above the cabinet, in a kind of
niche, was a complete corslet of glittering steel, with a closed
helmet, and flanked by gauntlets and battle-axes. Around were hung
trophies and relics of various kinds: a cimeter of Tippoo Saib; a
Highland broadsword from Flodden Field; a pair of Rippon spurs from
Bannockburn; and above all, a gun which had belonged to Rob Roy, and
bore his initials, R.M.G., an object of peculiar interest to me at the
time, as it was understood Scott was actually engaged in printing a
novel founded on the story of that famous outlaw.

On each side of the cabinet were book-cases, well stored with works of
romantic fiction in various languages, many of them rare and
antiquated. This, however, was merely his cottage library, the
principal part of his books being at Edinburgh.

From this little cabinet of curiosities Scott drew forth a manuscript
picked up on the field of Waterloo, containing copies of several songs
popular at the time in France. The paper was dabbled with blood--"the
very life-blood, very possibly," said Scott, "of some gay young
officer, who had cherished these songs as a keepsake from some lady-
love in Paris."

He adverted, in a mellow and delightful manner, to the little half-gay,
half-melancholy, campaigning song, said to have been composed by
General Wolfe, and sung by him at the mess table, on the eve of the
storming of Quebec, in which he fell so gloriously:

  "Why, soldiers, why,
  Should we be melancholy, boys?
  Why, soldiers, why,
  Whose business 'tis to die!
  For should next campaign
  Send us to him who made us, boys
  We're free from pain:
  But should we remain,
  A bottle and kind landlady
  Makes all well again."

"So," added he, "the poor lad who fell at Waterloo, in all probability,
had been singing these songs in his tent the night before the battle,
and thinking of the fair dame who had taught him them, and promising
himself, should he outlive the campaign, to return to her all glorious
from the wars."

I find since that Scott published translations of these songs among
some of his smaller poems.

The evening passed away delightfully in this quaint-looking apartment,
half study, half drawing-room. Scott read several passages from the old
romance of "Arthur," with a fine, deep sonorous voice, and a gravity of
tone that seemed to suit the antiquated, black-letter volume. It was a
rich treat to hear such a work, read by such a person, and in such a
place; and his appearance as he sat reading, in a large armed chair,
with his favorite hound Maida at his feet, and surrounded by books and
relics, and border trophies, would have formed an admirable and most
characteristic picture.

While Scott was reading, the sage grimalkin, already mentioned, had
taken his seat in a chair beside the fire, and remained with fixed eye
and grave demeanor, as if listening to the reader. I observed to Scott
that his cat seemed to have a black-letter taste in literature.

"Ah," said he, "these cats are a very mysterious kind of folk. There is
always more passing in their minds than we are aware of. It comes no
doubt from their being so familiar with witches and warlocks." He went
on to tell a little story about a gude man who was returning to his
cottage one night, when, in a lonely out-of-the-way place, he met with
a funeral procession of cats all in mourning, bearing one of their race
to the grave in a coffin covered with a black velvet pall. The worthy
man, astonished and half-frightened at so strange a pageant, hastened
home and told what he had seen to his wife and children. Scarce had he
finished, when a great black cat that sat beside the fire raised
himself up, exclaimed "Then I am king of the cats!" and vanished up the
chimney. The funeral seen by the gude man, was one of the cat dynasty.

"Our grimalkin here," added Scott, "sometimes reminds me of the story,
by the airs of sovereignty which he assumes; and I am apt to treat him
with respect from the idea that he may be a great prince incog., and
may some time or other come to the throne."

In this way Scott would make the habits and peculiarities of even the
dumb animals about him subjects for humorous remark or whimsical story.

Our evening was enlivened also by an occasional song from Sophia Scott,
at the request of her father. She never wanted to be asked twice, but
complied frankly and cheerfully. Her songs were all Scotch, sung
without any accompaniment, in a simple manner, but with great spirit
and expression, and in their native dialects, which gave them an
additional charm. It was delightful to hear her carol off in sprightly
style, and with an animated air, some of those generous-spirited old
Jacobite songs, once current among the adherents of the Pretender in
Scotland, in which he is designated by the appellation of "The Young
Chevalier."

These songs were much relished by Scott, notwithstanding his loyalty;
for the unfortunate "Chevalier" has always been a hero of romance with
him, as he has with many other staunch adherents to the House of
Hanover, now that the Stuart line has lost all its terrors. In speaking
on the subject, Scott mentioned as a curious fact, that, among the
papers of the "Chevalier," which had been submitted by government to
his inspection, he had found a memorial to Charles from some adherents
in America, dated 1778, proposing to set up his standard in the back
settlements. I regret that, at the time, I did not make more particular
inquiries of Scott on the subject; the document in question, however,
in all probability, still exists among the Pretender's papers, which
are in the possession of the British Government. In the course of the
evening, Scott related the story of a whimsical picture hanging in the
room, which had been drawn for him by a lady of his acquaintance. It
represented the doleful perplexity of a wealthy and handsome young
English knight of the olden time, who, in the course of a border foray,
had been captured and carried off to the castle of a hard-headed and
high-handed old baron. The unfortunate youth was thrown into a dungeon,
and a tall gallows erected before the castle gate for his execution.
When all was ready, he was brought into the castle hall where the grim
baron was seated in state, with his warriors armed to the teeth around
him, and was given his choice, either to swing on the gibbet or to
marry the baron's daughter. The last may be thought an easy
alternative, but unfortunately, the baron's young lady was hideously
ugly, with a mouth from ear to ear, so that not a suitor was to be had
for her, either for love or money, and she was known throughout the
border country by the name of Muckle-mouthed Mag!

The picture in question represented the unhappy dilemma of the handsome
youth. Before him sat the grim baron, with a face worthy of the father
of such a daughter, and looking daggers and ratsbane. On one side of
him was Muckle-mouthed Mag, with an amorous smile across the whole
breadth of her countenance, and a leer enough to turn a man to stone;
on the other side was the father confessor, a sleek friar, jogging the
youth's elbow, and pointing to the gallows, seen in perspective through
the open portal.

The story goes, that after long laboring in mind, between the altar and
the halter, the love of life prevailed, and the youth resigned himself
to the charms of Muckle-mouthed Mag. Contrary to all the probabilities
of romance, the match proved a happy one. The baron's daughter, if not
beautiful, was a most exemplary wife; her husband was never troubled
with any of those doubts and jealousies which sometimes mar the
happiness of connubial life, and was made the father of a fair and
undoubtedly legitimate hue, which still flourishes on the border.

I give but a faint outline of the story from vague recollection; it
may, perchance, be more richly related elsewhere, by some one who may
retain something of the delightful humor with which Scott recounted it.

When I retired for the night, I found it almost impossible to sleep;
the idea of being under the roof of Scott; of being on the borders of
the Tweed, in the very centre of that region which had for some time
past been the favorite scene of romantic fiction; and above all, the
recollections of the ramble I had taken, the company in which I had
taken it, and the conversation which had passed, all fermented in my
mind, and nearly drove sleep from my pillow.

       *       *       *       *       *

On the following morning, the sun darted his beams from over the hills
through the low lattice window. I rose at an early hour, and looked out
between the branches of eglantine which overhung the casement. To my
surprise Scott was already up and forth, seated on a fragment of stone,
and chatting with the workmen employed on the new building. I had
supposed, after the time he had wasted upon me yesterday, he would be
closely occupied this morning, but he appeared like a man of leisure,
who had nothing to do but bask in the sunshine and amuse himself.

I soon dressed myself and joined him. He talked about his proposed
plans of Abbotsford; happy would it have been for him could he have
contented himself with his delightful little vine-covered cottage, and
the simple, yet hearty and hospitable style, in which he lived at the
time of my visit. The great pile of Abbotsford, with the huge expense
it entailed upon him, of servants, retainers, guests, and baronial
style, was a drain upon his purse, a tax upon his exertions, and a
weight upon his mind, that finally crushed him.

As yet, however, all was in embryo and perspective, and Scott pleased
himself with picturing out his future residence, as he would one of the
fanciful creations of his own romances. "It was one of his air
castles," he said, "which he was reducing to solid stone and mortar."
About the place were strewed various morsels from the ruins of Melrose
Abbey, which were to be incorporated in his mansion. He had already
constructed out of similar materials a kind of Gothic shrine over a
spring, and had surmounted it by a small stone cross.

Among the relics from the Abbey which lay scattered before us, was a
most quaint and antique little lion, either of red stone, or painted
red, which hit my fancy. I forgot whose cognizance it was; but I shall
never forget the delightful observations concerning old Melrose to
which it accidentally gave rise. The Abbey was evidently a pile that
called up all Scott's poetic and romantic feelings; and one to which he
was enthusiastically attached by the most fanciful and delightful of
his early associations. He spoke of it, I may say, with affection.
"There is no telling," said he, "what treasures are hid in that
glorious old pile. It is a famous place for antiquarian plunder; there
are such rich bits of old time sculpture for the architect, and old
time story for the poet. There is as rare picking in it as a Stilton
cheese, and in the same taste--the mouldier the better."

He went on to mention circumstances of "mighty import" connected with
the Abbey, which had never been touched, and which had even escaped the
researches of Johnny Bower. The heart of Robert Bruce, the hero of
Scotland, had been buried in it. He dwelt on the beautiful story of
Bruce's pious and chivalrous request in his dying hour, that his heart
might be carried to the Holy Land and placed in the Holy Sepulchre, in
fulfilment of a vow of pilgrimage; and of the loyal expedition of Sir
James Douglas to convey the glorious relic. Much might be made, he
said, out of the adventures of Sir James in that adventurous age; of
his fortunes in Spain, and his death in a crusade against the Moors;
with the subsequent fortunes of the heart of Robert Bruce, until it was
brought back to its native land, and enshrined within the holy walls of
old Melrose.

As Scott sat on a stone talking in this way, and knocking with his
staff against the little red lion which lay prostrate before him, his
gray eyes twinkled beneath his shagged eyebrows; scenes, images,
incidents, kept breaking upon his mind as he proceeded, mingled with
touches of the mysterious and supernatural as connected with the heart
of Bruce. It seemed as if a poem or romance were breaking vaguely on
his imagination. That he subsequently contemplated something of the
kind, as connected with this subject, and with his favorite ruin of
Melrose, is evident from his introduction to "The Monastery;" and it is
a pity that he never succeeded in following out these shadowy, but
enthusiastic conceptions.

A summons to breakfast broke off our conversation, when I begged to
recommend to Scott's attention my friend the little red lion, who had
led to such an interesting topic, and hoped he might receive some niche
or station in the future castle, worthy of his evident antiquity and
apparent dignity. Scott assured me, with comic gravity, that the
valiant little lion should be most honorably entertained; I hope,
therefore, that he still flourishes at Abbotsford.

Before dismissing the theme of the relics from the Abbey, I will
mention another, illustrative of Scott's varied humors. This was a
human skull, which had probably belonged of yore to one of those jovial
friars, so honorably mentioned in the old border ballad:

  "O the monks of Melrose made gude kale
  On Fridays, when they fasted;
  They wanted neither beef nor ale,
  As long as their neighbors lasted."

This skull he had caused to be cleaned and varnished, and placed it on
a chest of drawers in his chamber, immediately opposite his bed; where
I have seen it, grinning most dismally. It was an object of great awe
and horror to the superstitious housemaids; and Scott used to amuse
himself with their apprehensions. Sometimes, in changing his dress, he
would leave his neck-cloth coiled round it like a turban, and none of
the "lasses" dared to remove it. It was a matter of great wonder and
speculation among them that the laird should have such an "awsome fancy
for an auld girning skull."

At breakfast that morning Scott gave an amusing account of a little
Highlander called Campbell of the North, who had a lawsuit of many
years' standing with a nobleman in his neighborhood about the
boundaries of their estates. It was the leading object of the little
man's life; the running theme of all his conversations; he used to
detail all the circumstances at full length to everybody he met, and,
to aid him in his description of the premises, and make his story "mair
preceese," he had a great map made of his estate, a huge roll several
feet long, which he used to carry about on his shoulder. Campbell was a
long-bodied, but short and bandy-legged little man, always clad in the
Highland garb; and as he went about with this great roll on his
shoulder, and his little legs curving like a pair of parentheses below
his kilt, he was an odd figure to behold. He was like little David
shouldering the spear of Goliath, which was "like unto a weaver's
beam."

Whenever sheep-shearing was over, Campbell used to set out for
Edinburgh to attend to his lawsuit. At the inns he paid double for all
his meals and his night's lodgings, telling the landlords to keep it in
mind until his return, so that he might come back that way at free
cost; for he knew, he said, that he would spend all his money among the
lawyers at Edinburgh, so he thought it best to secure a retreat home
again.

On one of his visits he called upon his lawyer, but was told he was not
at home, but his lady was. "It's just the same thing," said little
Campbell. On being shown into the parlor, he unrolled his map, stated
his case at full length, and, having gone through with his story, gave
her the customary fee. She would have declined it, but he insisted on
her taking it. "I ha' had just as much pleasure," said he, "in telling
the whole tale to you, as I should have had in telling it to your
husband, and I believe full as much profit."

The last time he saw Scott, he told him he believed he and the laird
were near a settlement, as they agreed to within a few miles of the
boundary. If I recollect right, Scott added that he advised the little
man to consign his cause and his map to the care of "Slow Willie
Mowbray," of tedious memory, an Edinburgh worthy, much employed by the
country people, for he tired out everybody in office by repeated visits
and drawling, endless prolixity, and gained every suit by dint of
boring.

These little stories and anecdotes, which abounded in Scott's
conversation, rose naturally out of the subject, arid were perfectly
unforced; though, in thus relating them in a detached way, without the
observations or circumstances which led to them, and which have passed
from my recollection, they want their setting to give them proper
relief. They will serve, however, to show the natural play of his mind,
in its familiar moods, and its fecundity in graphic and characteristic
detail.

His daughter Sophia and his son Charles were those of his family who
seemed most to feel and understand his humors, and to take delight in
his conversation. Mrs. Scott did not always pay the same attention, and
would now and then make a casual remark which would operate a little
like a damper. Thus, one morning at breakfast, when Dominie Thomson,
the tutor, was present, Scott was going on with great glee to relate an
anecdote of the laird of Macnab, "who, poor fellow," premised he, "is
dead and gone--" "Why, Mr. Scott," exclaimed the good lady, "Macnab's
not dead, is he?" "Faith, my dear," replied Scott, with humorous
gravity, "if he's not dead they've done him great injustice--for
they've buried him."

The joke passed harmless and unnoticed by Mrs. Scott, but hit the poor
Dominie just as he had raised a cup of tea to his lips, causing a burst
of laughter which sent half of the contents about the table. After
breakfast, Scott was occupied for some time correcting proof-sheets
which he had received by the mail. The novel of Rob Roy, as I have
already observed, was at that time in the press, and I supposed them to
be the proof-sheets of that work. The authorship of the Waverley novels
was still a matter of conjecture and uncertainty; though few doubted
their being principally written by Scott. One proof to me of his being
the author, was that he never adverted to them. A man so fond of
anything Scottish, and anything relating to national history or local
legend, could not have been mute respecting such productions, had they
been written by another. He was fond of quoting the works of his
contemporaries; he was continually reciting scraps of border songs, or
relating anecdotes of border story. With respect to his own poems, and
their merits, however, he was mute, and while with him I observed a
scrupulous silence on the subject.

I may here mention a singular fact, of which I was not aware at the
time, that Scott was very reserved with his children respecting his own
writings, and was even disinclined to their reading his romantic poems.
I learnt this, some time after, from a passage in one of his letters to
me, adverting to a set of the American miniature edition of his poems,
which, on my return to England, I forwarded to one of the young ladies.
"In my hurry," writes he, "I have not thanked you, in Sophia's name,
for the kind attention which furnished her with the American volumes. I
am not quite sure I can add my own, since you have made her acquainted
with much more of papa's folly than she would otherwise have learned;
for I have taken special care they should never see any of these things
during their earlier years."

To return to the thread of my narrative. When Scott had got through his
brief literary occupation, we set out on a ramble. The young ladies
started to accompany us, but they had not gone far, when they met a
poor old laborer and his distressed family, and turned back to take
them to the house, and relieve them.

On passing the bounds of Abbotsford, we came upon a bleak-looking farm,
with a forlorn, crazy old manse, or farmhouse, standing in naked
desolation. This, however, Scott told me, was an ancient hereditary
property called Lauckend, about as valuable as the patrimonial estate
of Don Quixote, and which, in like manner, conferred an hereditary
dignity upon its proprietor, who was a laird, and, though poor as a
rat, prided himself upon his ancient blood, and the standing of his
house. He was accordingly called Lauckend, according to the Scottish
custom of naming a man after his family estate, but he was more
generally known through the country round by the name of Lauckie Long
Legs, from the length of his limbs. While Scott was giving this account
of him, we saw him at a distance striding along one of his fields, with
his plaid fluttering about him, and he seemed well to deserve his
appellation, for he looked all legs and tartan.

Lauckie knew nothing of the world beyond his neighborhood. Scott told
me that on returning to Abbotsford from his visit to France,
immediately after the war, he was called on by his neighbors generally
to inquire after foreign parts. Among the number came Lauckie Long Legs
and an old brother as ignorant as himself. They had many inquiries to
make about the French, whom they seemed to consider some remote and
semi-barbarous horde--"And what like are thae barbarians in their own
country?" said Lauckie, "can they write?--can they cipher?" He was
quite astonished to learn that they were nearly as much advanced in
civilization as the gude folks of Abbotsford.

After living for a long time in single blessedness, Lauckie all at
once, and not long before my visit to the neighborhood, took it into
his head to get married. The neighbors were all surprised; but the
family connection, who were as proud as they were poor, were grievously
scandalized, for they thought the young woman on whom he had set his
mind quite beneath him. It was in vain, however, that they remonstrated
on the misalliance he was about to make; he was not to be swayed from
his determination. Arraying himself in his best, and saddling a gaunt
steed that might have rivalled Rosinante, and placing a pillion behind
his saddle, he departed to wed and bring home the humble lassie who was
to be made mistress of the venerable hovel of Lauckend, and who lived
in a village on the opposite side of the Tweed.

A small event of the kind makes a great stir in a little quiet country
neighborhood. The word soon circulated through the village of Melrose,
and the cottages in its vicinity, that Lauckie Long Legs had gone over
the Tweed to fetch home his bride. All the good folks assembled at the
bridge to await his return. Lauckie, however, disappointed them; for he
crossed the river at a distant ford, and conveyed his bride safe to his
mansion without being perceived. Let me step forward in the course of
events, and relate the fate of poor Lauckie, as it was communicated to
me a year or two afterward in letter by Scott. From the time of his
marriage he had no longer any peace, owing to the constant
intermeddling of his relations, who would not permit him to be happy in
his own way, but endeavored to set him at variance with his wife.
Lauckie refused to credit any of their stories to her disadvantage; but
the incessant warfare he had to wage in defence of her good name, wore
out both flesh and spirit. His last conflict was with his own brothers,
in front of his paternal mansion. A furious scolding match took place
between them; Lauckie made a vehement profession of faith in favor of
her immaculate honesty, and then fell dead at the threshold of his own
door. His person, his character, his name, his story, and his fate,
entitled him to be immortalized in one of Scott's novels, and I looked
to recognize him in some of the succeeding works from his pen; but I
looked in vain.

       *       *       *       *       *

After passing by the domains of honest Lauckie, Scott pointed out, at a
distance, the Eildon stone. There in ancient days stood the Eildon
tree, beneath which Thomas the Rhymer, according to popular tradition,
dealt forth his prophecies, some of which still exist in antiquated
ballads.



Here we turned up a little glen with a small burn or brook whimpering
and dashing along it, making an occasional waterfall, and overhung in
some places with mountain ash and weeping birch. We are now, said
Scott, treading classic, or rather fairy ground. This is the haunted
glen of Thomas the Rhymer, where he met with the queen of fairy land,
and this the bogle burn, or goblin brook, along which she rode on her
dapple-gray palfrey, with silver bells ringing at the bridle.

"Here," said he, pausing, "is Huntley Bank, on which Thomas the Rhymer
lay musing and sleeping when he saw, or dreamt he saw, the queen of
Elfland:

  "'True Thomas lay on Huntlie bank;
  A ferlie he spied wi' his e'e;
  And there he saw a ladye bright,
  Come riding down by the Eildon tree.

  "'Her skirt was o' the grass-green silk,
  Her mantle o' the velvet fyne;
  At ilka tett of her horse's mane
  Hung fifty siller bells and nine.'"

Here Scott repeated several of the stanzas and recounted the
circumstance of Thomas the Rhymer's interview with the fairy, and his
being transported by her to fairy land--

  "And til seven years were gone and past,
  True Thomas on earth was never seen."

"It's a fine old story," said he, "and might be wrought up into a
capital tale."

Scott continued on, leading the way as usual, and limping up the wizard
glen, talking as he went, but, as his back was toward me, I could only
hear the deep growling tones of his voice, like the low breathing of an
organ, without distinguishing the words, until pausing, and turning his
face toward me, I found he was reciting some scrap of border minstrelsy
about Thomas the Rhymer. This was continually the case in my ramblings
with him about this storied neighborhood. His mind was fraught with the
traditionary fictions connected with every object around him, and he
would breathe it forth as he went, apparently as much for his own
gratification as for that of his companion.

  "Nor hill, nor brook, we paced along,

  But had its legend or its song."

His voice was deep and sonorous, he spoke with a Scottish accent, and
with somewhat of the Northumbrian "burr," which, to my mind, gave a
Doric strength and simplicity to his elocution. His recitation of
poetry was, at times, magnificent.

I think it was in the course of this ramble that my friend Hamlet, the
black greyhound, got into a bad scrape. The dogs were beating about the
glens and fields as usual, and had been for some time out of sight,
when we heard a barking at some distance to the left. Shortly after we
saw some sheep scampering on the hills, with the dogs after them. Scott
applied to his lips the ivory whistle, always hanging at his button-
hole, and soon called in the culprits, excepting Hamlet. Hastening up a
bank which commanded a view along a fold or hollow of the hills, we
beheld the sable prince of Denmark standing by the bleeding body of a
sheep. The carcass was still warm, the throat bore marks of the fatal
grip, and Hamlet's muzzle was stained with blood. Never was culprit
more completely caught in _flagrante delicto_. I supposed the doom
of poor Hamlet to be sealed; for no higher offence can be committed by
a dog in a country abounding with sheep-walks. Scott, however, had a
greater value for his dogs than for his sheep. They were his companions
and friends. Hamlet, too, though an irregular, impertinent kind of
youngster, was evidently a favorite. He would not for some time believe
it could be he who had killed the sheep. It must have been some cur of
the neighborhood, that had made off on our approach and left poor
Hamlet in the lurch. Proofs, however, were too strong, and Hamlet was
generally condemned. "Well, well," said Scott, "it's partly my own
fault. I have given up coursing for some time past, and the poor dog
has had no chance after game to take the fire edge off of him If he was
put after a hare occasionally he never would meddle with sheep."

I understood, afterward, that Scott actually got a pony, and went out
now and then coursing with Hamlet, who, in consequence, showed no
further inclination for mutton.

       *       *       *       *       *

A further stroll among the hills brought us to what Scott pronounced
the remains of a Roman camp, and as we sat upon a hillock which had
once formed a part of the ramparts, he pointed out the traces of the
lines and bulwarks, and the pratorium, and showed a knowledge of
castramatation that would not have disgraced the antiquarian Oldbuck
himself. Indeed, various circumstances that I observed about Scott
during my visit, concurred to persuade me that many of the antiquarian
humors of Monkbarns were taken from his own richly compounded
character, and that some of the scenes and personages of that admirable
novel were furnished by his immediate neighborhood.

He gave me several anecdotes of a noted pauper named Andrew Gemmells,
or Gammel, as it was pronounced, who had once flourished on the banks
of Galla Water, immediately opposite Abbotsford, and whom he had seen
and talked and joked with when a boy; and I instantly recognized the
likeness of that mirror of philosophic vagabonds and Nestor of beggars,
Edie Ochiltree. I was on the point of pronouncing the name and
recognizing the portrait, when I recollected the incognito observed by
Scott with respect to his novels, and checked myself; but it was one
among many things that tended to convince me of his authorship.

His picture of Andrew Gemmells exactly accorded with that of Edie as to
his height, carriage, and soldier-like air, as well as his arch and
sarcastic humor. His home, if home he had, was at Galashiels; but he
went "daundering" about the country, along the green shaws and beside
the burns, and was a kind of walking chronicle throughout the valleys
of the Tweed, the Ettrick, and the Yarrow; carrying the gossip from
house to house, commenting on the inhabitants and their concerns, and
never hesitating to give them a dry rub as to any of their faults or
follies.

A shrewd beggar like Andrew Gemmells, Scott added, who could sing the
old Scotch airs, tell stories and traditions, and gossip away the long
winter evenings, was by no means an unwelcome visitor at a lonely manse
or cottage. The children would run to welcome him, and place his stool
in a warm corner of the ingle nook, and the old folks would receive him
as a privileged guest.

As to Andrew, he looked upon them all as a parson does upon his
parishioners, and considered the alms he received as much his due as
the other does his tithes. "I rather think," added Scott, "Andrew
considered himself more of a gentleman than those who toiled for a
living, and that he secretly looked down upon the painstaking peasants
that fed and sheltered him."

He had derived his aristocratical notions in some degree from being
admitted occasionally to a precarious sociability with some of the
small country gentry, who were sometimes in want of company to help
while away the time. With these Andrew would now and then play at cards
and dice, and he never lacked "siller in pouch" to stake on a game,
which he did with a perfect air of a man to whom money was a matter of
little moment, and no one could lose his money with more gentlemanlike
coolness.

Among those who occasionally admitted him to this familiarity, was old
John Scott of Galla, a man of family, who inhabited his paternal
mansion of Torwoodlee. Some distinction of rank, however, was still
kept up. The laird sat on the inside of the window and the beggar on
the outside, and they played cards on the sill.

Andrew now and then told the laird a piece of his mind very freely;
especially on one occasion, when he had sold some of his paternal lands
to build himself a larger house with the proceeds. The speech of honest
Andrew smacks of the shrewdness of Edie Ochiltree.

"It's a' varra weel--it's a' varra weel, Torwoodlee," said he; "but who
would ha' thought that your father's son would ha' sold two gude
estates to build a shaw's (cuckoo's) nest on the side of a hill?"

       *       *       *       *       *

That day there was an arrival at Abbotsford of two English tourists;
one a gentleman of fortune and landed estate, the other a young
clergyman whom he appeared to have under his patronage, and to have
brought with him as a travelling companion.

The patron was one of those well-bred, commonplace gentlemen with which
England is overrun. He had great deference for Scott, and endeavored to
acquit himself learnedly in his company, aiming continually at abstract
disquisitions, for which Scott had little relish. The conversation of
the latter, as usual, was studded with anecdotes and stories, some of
them of great pith and humor; the well-bred gentleman was either too
dull to feel their point, or too decorous to indulge in hearty
merriment; the honest parson, on the contrary, who was not too refined
to be happy, laughed loud and long at every joke, and enjoyed them with
the zest of a man who has more merriment in his heart than coin in his
pocket.

After they were gone, some comments were made upon their different
deportments. Scott spoke very respectfully of the good breeding and
measured manners of the man of wealth, but with a kindlier feeling of
the honest parson, and the homely but hearty enjoyment with which he
relished every pleasantry. "I doubt," said he, "whether the parson's
lot in life is not the best; if he cannot command as many of the good
things of this world by his own purse as his patron can, he beats him
all hollow in his enjoyment of them when set before him by others. Upon
the whole," added he, "I rather think I prefer the honest parson's good
humor to his patron's good breeding; I have a great regard for a hearty
laugher."

He went on to speak of the great influx of English travellers which of
late years had inundated Scotland; and doubted whether they had not
injured the old-fashioned Scottish character. "Formerly they came here
occasionally as sportsmen," said he, "to shoot moor game, without any
idea of looking at scenery; and they moved about the country in hardy
simple style, coping with the country people in their own way; but now
they come rolling about in their equipages, to see ruins, and spend
money, and their lavish extravagance has played the vengeance with the
common people. It has made them rapacious in their dealings with
strangers, greedy after money, and extortionate in their demands for
the most trivial services. Formerly," continued he, "the poorer classes
of our people were, comparatively, disinterested; they offered their
services gratuitously, in promoting the amusement, or aiding the
curiosity of strangers, and were gratified by the smallest
compensation; but now they make a trade of showing rocks and ruins, and
are as greedy as Italian cicerones. They look upon the English as so
many walking money-bags; the more they are shaken and poked, the more
they will leave behind them."

I told him that he had a great deal to answer for on that head, since
it was the romantic associations he had thrown by his writings over so
many out-of-the-way places in Scotland, that had brought in the influx
of curious travellers.

Scott laughed, and said he believed I might be in some measure in the
right, as he recollected a circumstance in point. Being one time at
Glenross, an old woman who kept a small inn, which had but little
custom, was uncommonly officious in her attendance upon him, and
absolutely incommoded him with her civilities. The secret at length
came out. As he was about to depart, she addressed him with many
curtsies, and said she understood he was the gentleman that had written
a bonnie book about Loch Katrine. She begged him to write a little
about their lake also, for she understood his book had done the inn at
Loch Katrine a muckle deal of good.

On the following day I made an excursion with Scott and the young
ladies to Dryburgh Abbey. We went in an open carriage, drawn by two
sleek old black horses, for which Scott seemed to have an affection, as
he had for every dumb animal that belonged to him. Our road lay through
a variety of scenes, rich in poetical and historical associations,
about most of which Scott had something to relate. In one part of the
drive, he pointed to an old border keep, or fortress, on the summit of
a naked hill, several miles off, which he called Smallholm Tower, and a
rocky knoll on which it stood, the "Sandy Knowe crags." It was a place,
he said, peculiarly dear to him, from the recollections of childhood.
His father had lived there in the old Smallholm Grange, or farm-house;
and he had been sent there, when but two years old, on account of his
lameness, that he might have the benefit of the pure air of the hills,
and be under the care of his grandmother and aunts. In the introduction
of one of the cantos of Marmion, he has depicted his grandfather, and
the fireside of the farm-house; and has given an amusing picture of
himself in his boyish years:

  "Still with vain fondness could I trace
  Anew each kind familiar face,
  That brightened at our evening fire;
  From the thatched mansion's gray-haired sire,
  Wise without learning plain and good,
  And sprung of Scotland's gentler blood;
  Whose eye in age, quick, clear and keen.
  Showed what in youth its glance had been;
  Whose doom discording neighbors sought,
  Content with equity unbought;
  To him the venerable priest,
  Our frequent and familiar guest,
  Whose life and manners well could paint
  Alike the student and the saint;
  Alas! whose speech too oft I broke
  With gambol rude and timeless joke;
  For I was wayward, bold, and wild,
  A self-willed imp, a grandame's child;
  But half a plague, and half a jest,
  Was still endured, beloved, carest."

It was, he said, during his residence at Smallholm crags that he first
imbibed his passion for legendary tales, border traditions, and old
national songs and ballads. His grandmother and aunts were well versed
in that kind of lore, so current in Scottish country life. They used to
recount them in long, gloomy winter days, and about the ingle nook at
night, in conclave with their gossip visitors; and little Walter would
sit and listen with greedy ear; thus taking into his infant mind the
seeds of many a splendid fiction.

There was an old shepherd, he said, in the service of the family, who
used to sit under the sunny wall, and tell marvellous stories, and
recite old time ballads, as he knitted stockings. Scott used to be
wheeled out in his chair, in fine weather, and would sit beside the old
man, and listen to him for hours.

The situation of Sandy Knowe was favorable both for storyteller and
listener. It commanded a wide view over all the border country, with
its feudal towers, its haunted glens, and wizard streams. As the old
shepherd told his tales, he could point out the very scene of action.
Thus, before Scott could walk, he was made familiar with the scenes of
his future stories; they were all seen as through a magic medium, and
took that tinge of romance, which they ever after retained in his
imagination. From the height of Sandy Knowe, he may be said to have had
the first look-out upon the promised land of his future glory.

On referring to Scott's works, I find many of the circumstances related
in this conversation, about the old tower, and the boyish scenes
connected with it, recorded in the introduction to Marmion, already
cited. This was frequently the case with Scott; incidents and feelings
that had appeared in his writings, were apt to be mingled up in his
conversation, for they had been taken from what he had witnessed and
felt in real life, and were connected with those scenes among which he
lived, and moved, and had his being. I make no scruple at quoting the
passage relative to the tower, though it repeats much of the foregone
imagery, and with vastly superior effect:

  Thus, while I ape the measure wild
  Of tales that charmed me yet a child,
  Rude though they be, still with the chime
  Return the thoughts of early time;
  And feelings roused in life's first day,
  Glow in the line, and prompt the lay.
  Then rise those crags, that mountain tower.
  Which charmed my fancy's wakening hour,
  Though no broad river swept along
  To claim perchance heroic song;
  Though sighed no groves in summer gale
  To prompt of love a softer tale;
  Though scarce a puny streamlet's speed
  Claimed homage from a shepherd's reed;
  Yet was poetic impulse given,
  By the green hill and clear blue heaven.
  It was a barren scene, and wild,
  Where naked cliffs were rudely piled;
  But ever and anon between
  Lay velvet tufts of loveliest green;
  And well the lonely infant knew
  Recesses where the wall-flower grew,
  And honey-suckle loved to crawl
  Up the low crag and ruined wall.
  I deemed such nooks the sweetest shade
  The sun in all his round surveyed;
  And still I thought that shattered tower
  The mightiest work of human power;
  And marvell'd as the aged hind
  With some strange tale bewitched my mind,
  Of forayers, who, with headlong force,
  Down from that strength had spurred their horse,
  Their southern rapine to renew,
  Far in the distant Cheviot's blue,
  And, home returning, filled the hall
  With revel, wassail-rout, and brawl--
  Methought that still, with tramp and clang
  The gate-way's broken arches rang;
  Methought grim features, seamed with scars,
  Glared through the window's rusty bars.
  And ever by the winter hearth,
  Old tales I heard of woe or mirth,
  Of lovers' slights, of ladies' charms,
  Of witches' spells, of warriors' arms;
  Of patriot battles, won of old,
  By Wallace wight and Bruce the bold;
  Of later fields of feud and fight,
  When pouring from the Highland height,
  The Scottish clans, in headlong sway,
  Had swept the scarlet ranks away.
  While stretched at length upon the floor,
  Again I fought each combat o'er.
  Pebbles and shells, in order laid,
  The mimic ranks of war displayed;
  And onward still the Scottish Lion bore,
  And still the scattered Southron fled before."

Scott eyed the distant height of Sandy Knowe with an earnest gaze as we
rode along, and said he had often thought of buying the place,
repairing the old tower, and making it his residence. He has in some
measure, however, paid off his early debt of gratitude, in clothing it
with poetic and romantic associations, by his tale of "The Eve of St.
John." It is to be hoped that those who actually possess so interesting
a monument of Scott's early days, will preserve it from further
dilapidation.

Not far from Sandy Knowe, Scott pointed out another old border hold,
standing on the summit of a hill, which had been a kind of enchanted
castle to him in his boyhood. It was the tower of Bemerside, the
baronial residence of the Haigs, or De Hagas, one of the oldest
families of the border. "There had seemed to him," he said, "almost a
wizard spell hanging over it, in consequence of a prophecy of Thomas
the Rhymer, in which, in his young days, he most potently believed:"

  "Betide, betide, whate'er betide,
  Haig shall be Haig of Bemerside."

Scott added some particulars which showed that, in the present
instance, the venerable Thomas had not proved a false prophet, for it
was a noted fact that, amid all the changes and chances of the border;
through all the feuds, and forays, and sackings, and burnings, which
had reduced most of the castles to ruins, and the proud families that
once possessed them to poverty, the tower of Bemerside still remained
unscathed, and was still the stronghold of the ancient family of Haig.

Prophecies, however, often insure their own fulfilment. It is very
probable that the prediction of Thomas the Rhymer has linked the Haigs
to their tower, as their rock of safety, and has induced them to cling
to it almost superstitiously, through hardships and inconveniences that
would, otherwise, have caused its abandonment.

I afterwards saw, at Dryburgh Abbey, the burying place of this
predestinated and tenacious family, the inscription of which showed the
value they set upon their antiquity:

  Locus Sepultura, Antiquessima Familia De Haga De Bemerside.

In reverting to the days of his childhood, Scott observed that the
lameness which had disabled him in infancy gradually decreased; he soon
acquired strength in his limbs, and though he always limped, he became,
even in boyhood, a great walker. He used frequently to stroll from home
and wander about the country for days together, picking up all kinds of
local gossip, and observing popular scenes and characters. His father
used to be vexed with him for this wandering propensity, and, shaking
his head, would say he fancied the boy would make nothing but a
peddler. As he grew older he became a keen sportsman, and passed much
of his time hunting and shooting. His field sports led him into the
most wild and unfrequented parts of the country, and in this way he
picked up much of that local knowledge which he has since evinced in
his writings.

His first visit to Loch Katrine, he says, was in his boyish days, on a
shooting excursion. The island, which he has made the romantic
residence of the "Lady of the Lake," was then garrisoned by an old man
and his wife. Their house was vacant; they had put the key under the
door, and were absent fishing. It was at that time a peaceful
residence, but became afterward a resort of smugglers, until they were
ferreted out.

In after years, when Scott began to turn this local knowledge to
literary account, he revisited many of those scenes of his early
ramblings, and endeavored to secure the fugitive remains of the
traditions and songs that had charmed his boyhood. When collecting
materials for his "Border Minstrelsy," he used, he said, to go from
cottage to cottage, and make the old wives repeat all they knew, if but
two lines; and by putting these scraps together, he retrieved many a
fine characteristic old ballad or tradition from oblivion.

I regret to say that I can scarce recollect anything of our visit to
Dryburgh Abbey. It is on the estate of the Earl of Buchan. The
religious edifice is a mere ruin, rich in Gothic antiquities, but
especially interesting to Scott, from containing the family vault, and
the tombs and monuments of his ancestors. He appeared to feel much
chagrin at their being in the possession, and subject to the
intermeddlings of the Earl, who was represented as a nobleman of an
eccentric character. The latter, however, set great value on these
sepulchral relics, and had expressed a lively anticipation of one day
or other having the honor of burying Scott, and adding his monument to
the collection, which he intended should be worthy of the "mighty
minstrel of the north"--a prospective compliment which was by no means
relished by the object of it. One of my pleasant rambles with Scott,
about the neighborhood of Abbotsford, was taken in company with Mr.
William Laidlaw, the steward of his estate. This was a gentleman for
whom Scott entertained a particular value. He had been born to a
competency, had been well educated, his mind was richly stored with
varied information, and he was a man of sterling moral worth. Having
been reduced by misfortune, Scott had got him to take charge of his
estate. He lived at a small farm on the hillside above Abbotsford, and
was treated by Scott as a cherished and confidential friend, rather
than a dependent.

As the day was showery, Scott was attended by one of his retainers,
named Tommie Purdie, who carried his plaid, and who deserves especial
mention. Sophia Scott used to call him her father's grand vizier, and
she gave a playful account one evening, as she was hanging on her
father's arm, of the consultations which he and Tommie used to have
about matters relative to farming. Purdie was tenacious of his
opinions, and he and Scott would have long disputes in front of the
house, as to something that was to be done on the estate, until the
latter, fairly tired out, would abandon the ground and the argument,
exclaiming, "Well, well, Tom, have it your own way."

After a time, however, Purdie would present himself at the door of the
parlor, and observe, "I ha' been thinking over the matter, and upon the
whole, I think I'll take your honor's advice."

Scott laughed heartily when this anecdote was told of him. "It was with
him and Tom," he said, "as it was with an old laird and a pet servant,
whom he had indulged until he was positive beyond all endurance." "This
won't do!" cried the old laird, in a passion, "we can't live together
any longer--we must part." "An' where the deil does your honor mean to
go?" replied the other.

I would, moreover, observe of Tom Purdie, that he was a firm believer
in ghosts, and warlocks, and all kinds of old wives' fable. He was a
religious man, too, mingling a little degree of Scottish pride in his
devotion; for though his salary was but twenty pounds a year, he had
managed to afford seven pounds for a family Bible. It is true, he had
one hundred pounds clear of the world, and was looked up to by his
comrades as a man of property.

In the course of our morning's walk, we stopped at a small house
belonging to one of the laborers on the estate. The object of Scott's
visit was to inspect a relic which had been digged up in a Roman camp,
and which, if I recollect right, he pronounced to have been a tongs. It
was produced by the cottager's wife, a ruddy, healthy-looking dame,
whom Scott addressed by the name of Ailie. As he stood regarding the
relic, turning it round and round, and making comments upon it, half
grave, half comic, with the cottage group around him, all joining
occasionally in the colloquy, the inimitable character of Monkbarns was
again brought to mind, and I seemed to see before me that prince of
antiquarians and humorists holding forth to his unlearned and
unbelieving neighbors.

Whenever Scott touched, in this way, upon local antiquities, and in all
his familiar conversations about local traditions and superstitions,
there was always a sly and quiet humor running at the bottom of his
discourse, and playing about his countenance, as if he sported with the
subject. It seemed to me as if he distrusted his own enthusiasm, and
was disposed to droll upon his own humors and peculiarities, yet, at
the same time, a poetic gleam in his eye would show that he really took
a strong relish and interest in them. "It was a pity," he said, "that
antiquarians were generally so dry, for the subjects they handled were
rich in historical and poetical recollections, in picturesque details,
in quaint and heroic characteristics, and in all kinds of curious and
obsolete ceremonials. They are always groping among the rarest
materials for poetry, but they have no idea of turning them to poetic
use. Now every fragment from old times has, in some degree, its story
with it, or gives an inkling of something characteristic of the
circumstances and manners of its day, and so sets the imagination at
work."

For my own part I never met with antiquarian so delightful, either in
his writings or his conversation; and the quiet sub-acid humor that was
prone to mingle in his disquisitions, gave them, to me, a peculiar and
an exquisite flavor. But he seemed, in fact, to undervalue everything
that concerned himself. The play of his genius was so easy that he was
unconscious of its mighty power, and made light of those sports of
intellect that shamed the efforts and labors of other minds.

Our ramble this morning took us again up the Rhymer's Glen, and by
Huntley Bank, and Huntley Wood, and the silver waterfall overhung with
weeping birches and mountain ashes, those delicate and beautiful trees
which grace the green shaws and burnsides of Scotland. The heather,
too, that closely woven robe of Scottish landscape which covers the
nakedness of its hills and mountains, tinted the neighborhood with soft
and rich colors. As we ascended the glen, the prospects opened upon us;
Melrose, with its towers and pinnacles, lay below; beyond were the
Eildon hills, the Cowden Knowes, the Tweed, the Galla Water, and all
the storied vicinity; the whole landscape varied by gleams of sunshine
and driving showers.

Scott, as usual, took the lead, limping along with great activity, and
in joyous mood, giving scraps of border rhymes and border stories; two
or three times in the course of our walk there were drizzling showers,
which I supposed would put an end to our ramble, but my companions
trudged on as unconcernedly as if it had been fine weather.

At length, I asked whether we had not better seek some shelter. "True,"
said Scott, "I did not recollect that you were not accustomed to our
Scottish mists. This is a lachrymose climate, evermore showering. We,
however, are children of the mist, and must not mind a little
whimpering of the clouds any more than a man must mind the weeping of
an hysterical wife. As you are not accustomed to be wet through, as a
matter of course, in a morning's walk, we will bide a bit under the lee
of this bank until the shower is over." Taking his seat under shelter
of a thicket, he called to his man George for his tartan, then turning
to me, "Come," said he, "come under my plaidy, as the old song goes;"
so, making me nestle down beside him, he wrapped a part of the plaid
round me, and took me, as he said, under his wing. While we were thus
nestled together, he pointed to a hole in the opposite bank of the
glen. That, he said, was the hole of an old gray badger, who was
doubtless snugly housed in this bad weather. Sometimes he saw him at
the entrance of his hole, like a hermit at the door of his cell,
telling his beads, or reading a homily. He had a great respect for the
venerable anchorite, and would not suffer him to be disturbed. He was a
kind of successor to Thomas the Rhymer, and perhaps might be Thomas
himself returned from fairy land, but still under fairy spell.

Some accident turned the conversation upon Hogg, the poet, in which
Laidlaw, who was seated beside us, took a part. Hogg had once been a
shepherd in the service of his father, and Laidlaw gave many
interesting anecdotes of him, of which I now retain no recollection.
They used to tend the sheep together when Laidlaw was a boy, and Hogg
would recite the first struggling conceptions of his muse. At night
when Laidlaw was quartered comfortably in bed, in the farmhouse, poor
Hogg would take to the shepherd's hut in the field on the hillside, and
there lie awake for hours together, and look at the stars and make
poetry, which he would repeat the next day to his companion.

Scott spoke in warm terms of Hogg, and repeated passages from his
beautiful poem of "Kelmeny," to which he gave great and well-merited
praise. He gave, also, some amusing anecdotes of Hogg and his
publisher, Blackwood, who was at that time just rising into the
bibliographical importance which he has since enjoyed.

Hogg, in one of his poems, I believe the "Pilgrims of the Sun," had
dabbled a little in metaphysics, and like his heroes, had got into the
clouds. Blackwood, who began to affect criticism, argued stoutly with
him as to the necessity of omitting or elucidating some obscure
passage. Hogg was immovable.

"But, man," said Blackwood, "I dinna ken what ye mean in this passage."
"Hout tout, man," replied Hogg, impatiently, "I dinna ken always what I
mean mysel." There is many a metaphysical poet in the same predicament
with honest Hogg.

Scott promised to invite the Shepherd to Abbotsford during my visit,
and I anticipated much gratification in meeting with him, from the
account I had received of his character and manners, and the great
pleasure I had derived from his works. Circumstances, however,
prevented Scott from performing his promise; and to my great regret I
left Scotland without seeing one of its most original and national
characters.

When the weather held up, we continued our walk until we came to a
beautiful sheet of water, in the bosom of the mountain, called, if I
recollect right, the lake of Cauldshiel. Scott prided himself much upon
this little Mediterranean sea in his dominions, and hoped I was not too
much spoiled by our great lakes in America to relish it. He proposed to
take me out to the centre of it, to a fine point of view, for which
purpose we embarked in a small boat, which had been put on the lake by
his neighbor, Lord Somerville. As I was about to step on board, I
observed in large letters on one of the benches, "Search No. 2." I
paused for a moment and repeated the inscription aloud, trying to
recollect something I had heard or read to which it alluded. "Pshaw,"
cried Scott, "it is only some of Lord Somerville's nonsense--get in!"
In an instant scenes in the Antiquary connected with "Search No. 1,"
flashed upon my mind. "Ah! I remember now," said I, and with a laugh
took my seat, but adverted no more to the circumstance.

We had a pleasant row about the lake, which commanded some pretty
scenery. The most interesting circumstance connected with it, however,
according to Scott, was, that it was haunted by a bogle in the shape of
a water bull, which lived in the deep parts, and now and then came
forth upon dry land and made a tremendous roaring, that shook the very
hills. This story had been current in the vicinity from time
immemorial;--there was a man living who declared he had seen the bull,
--and he was believed by many of his simple neighbors. "I don't choose
to contradict the tale," said Scott, "for I am willing to have my lake
stocked with any fish, flesh, or fowl that my neighbors think proper to
put into it; and these old wives' fables are a kind of property in
Scotland that belongs to the estates and goes with the soil. Our
streams and lochs are like the rivers and pools in Germany, that have
all their Wasser Nixe, or water witches, and I have a fancy for these
kind of amphibious bogles and hobgoblins."

       *       *       *       *       *

Scott went on after we had landed to make many remarks, mingled with
picturesque anecdotes, concerning the fabulous beings with which the
Scotch were apt to people the wild streams and lochs that occur in the
solemn and lonely scenes of their mountains; and to compare them with
similar superstitions among the northern nations of Europe; but
Scotland, he said, was above all other countries for this wild and
vivid progeny of the fancy, from the nature of the scenery, the misty
magnificence and vagueness of the climate, the wild and gloomy events
of its history; the clannish divisions of its people; their local
feelings, notions, and prejudices; the individuality of their dialect,
in which all kinds of odd and peculiar notions were incorporated; by
the secluded life of their mountaineers; the lonely habits of their
pastoral people, much of whose time was passed on the solitary
hillsides; their traditional songs, which clothed every rock and stream
with old world stories, handed down from age to age, and generation to
generation. The Scottish mind, he said, was made up of poetry and
strong common sense; and the very strength of the latter gave
perpetuity and luxuriance to the former. It was a strong tenacious
soil, into which, when once a seed of poetry fell, it struck deep root
and brought forth abundantly. "You will never weed these popular
stories and songs and superstitions out of Scotland," said he. "It is
not so much that the people believe in them, as that they delight in
them. They belong to the native hills and streams of which they are
fond, and to the history of their forefathers, of which they are
proud."

"It would do your heart good," continued he, "to see a number of our
poor country people seated round the ingle nook, which is generally
capacious enough, and passing the long dark dreary winter nights
listening to some old wife, or strolling gaberlunzie, dealing out auld
world stories about bogles and warlocks, or about raids and forays, and
border skirmishes; or reciting some ballad stuck full of those fighting
names that stir up a true Scotchman's blood like the sound of a
trumpet. These traditional tales and ballads have lived for ages in
mere oral circulation, being passed from father to son, or rather from
grandam to grandchild, and are a kind of hereditary property of the
poor peasantry, of which it would be hard to deprive them, as they have
not circulating libraries to supply them with works of fiction in their
place."

I do not pretend to give the precise words, but, as nearly as I can
from scanty memorandums and vague recollections, the leading ideas of
Scott. I am constantly sensible, however, how far I fall short of his
copiousness and richness.

He went on to speak of the elves and sprites, so frequent in Scottish
legend. "Our fairies, however," said he, "though they dress in green,
and gambol by moonlight about the banks, and shaws, and burnsides, are
not such pleasant little folks as the English fairies, but are apt to
bear more of the warlock in their natures, and to play spiteful tricks.
When I was a boy, I used to look wistfully at the green hillocks that
were said to be haunted by fairies, and felt sometimes as if I should
like to lie down by them and sleep, and be carried off to Fairy Land,
only that I did not like some of the cantrips which used now and then
to be played off upon visitors."

Here Scott recounted, in graphic style, and with much humor, a little
story which used to be current in the neighborhood, of an honest
burgess of Selkirk, who, being at work upon the hill of Peatlaw, fell
asleep upon one of these "fairy knowes," or hillocks. When he awoke, he
rubbed his eyes and gazed about him with astonishment, for he was in
the market-place of a great city, with a crowd of people bustling about
him, not one of whom he knew. At length he accosted a bystander, and
asked him the name of the place. "Hout man," replied the other, "are ye
in the heart o' Glasgow, and speer the name of it?" The poor man was
astonished, and would not believe either ears or eyes; he insisted that
he had lain down to sleep but half an hour before on the Peatlaw, near
Selkirk. He came well-nigh being taken up for a madman, when,
fortunately, a Selkirk man came by, who knew him, and took charge of
him, and conducted him back to his native place. Here, however, he was
likely to fare no better, when he spoke of having been whisked in his
sleep from the Peatlaw to Glasgow. The truth of the matter at length
came out; his coat, which he had taken off when at work on the Peatlaw,
was found lying near a "fairy knowe," and his bonnet, which was
missing, was discovered on the weathercock of Lanark steeple. So it was
as clear as day that he had been carried through the air by the fairies
while he was sleeping, and his bonnet had been blown off by the way.

I give this little story but meagrely from a scanty memorandum; Scott
has related it in somewhat different style in a note to one of his
poems; but in narration these anecdotes derived their chief zest, from
the quiet but delightful humor, the bonhomie with which he seasoned
them, and the sly glance of the eye from under his bushy eyebrows, with
which they were accompanied. That day at dinner, we had Mr. Laidlaw and
his wife, and a female friend who accompanied them. The latter was a
very intelligent, respectable person, about the middle age, and was
treated with particular attention and courtesy by Scott. Our dinner was
a most agreeable one; for the guests were evidently cherished visitors
to the house, and felt that they were appreciated.

When they were gone, Scott spoke of them in the most cordial manner. "I
wished to show you," said he, "some of our really excellent, plain
Scotch people; not fine gentlemen and ladies, for such you can meet
everywhere, and they are everywhere the same. The character of a nation
is not to be learnt from its fine folks."

He then went on with a particular eulogium on the lady who had
accompanied the Laidlaws. She was the daughter, he said, of a poor
country clergyman, who had died in debt, and left her an orphan and
destitute. Having had a good plain education, she immediately set up a
child's school, and had soon a numerous flock under her care, by which
she earned a decent maintenance. That, however, was not her main
object. Her first care was to pay off her father's debts, that no ill
word or ill will might rest upon his memory.

This, by dint of Scottish economy, backed by filial reverence and
pride, she accomplished, though in the effort, she subjected herself to
every privation. Not content with this, she in certain instances
refused to take pay for the tuition of the children of some of her
neighbors, who had befriended her father in his need, and had since
fallen into poverty. "In a word," added Scott, "she is a fine old
Scotch girl; and I delight in her, more than in many a fine lady I have
known, and I have known many of the finest."

       *       *       *       *       *

It is time, however, to draw this rambling narrative to a close.
Several days were passed by me, in the way I have attempted to
describe, in almost constant, familiar, and joyous conversation with
Scott; it was as if I were admitted to a social communion with
Shakespeare, for it was with one of a kindred, if not equal genius.
Every night I retired with my mind filled with delightful recollections
of the day, and every morning I rose with the certainty of new
enjoyment. The days thus spent, I shall ever look back to, as among the
very happiest of my life; for I was conscious at the time of being
happy. The only sad moment that I experienced at Abbotsford was that of
my departure; but it was cheered with the prospect of soon returning;
for I had promised, after making a tour in the Highlands, to come and
pass a few more days on the banks of the Tweed, when Scott intended to
invite Hogg the poet to meet me. I took a kind farewell of the family,
with each of whom I had been highly pleased. If I have refrained from
dwelling particularly on their several characters, and giving anecdotes
of them individually, it is because I consider them shielded by the
sanctity of domestic life; Scott, on the contrary, belongs to history.
As he accompanied me on foot, however, to a small gate on the confines
of his premises, I could not refrain from expressing the enjoyment I
had experienced in his domestic circle, and passing some warm eulogiums
on the young folks from whom I had just parted. I shall never forget
his reply. "They have kind hearts," said he, "and that is the main
point as to human happiness. They love one another, poor things, which
is every thing in domestic life. The best wish I can make you, my
friend," added he, laying his hand upon my shoulder, "is, that when you
return to your own country, you may get married, and have a family of
young bairns about you. If you are happy, there they are to share your
happiness--and if you are otherwise--there they are to comfort you."

By this time we had reached the gate, when he halted, and took my hand.
"I will not say farewell," said he, "for it is always a painful word,
but I will say, come again. When you have made your tour to the
Highlands, come here and give me a few more days--but come when you
please, you will always find Abbotsford open to you, and a hearty
welcome."

       *       *       *       *       *

I have thus given, in a rude style, my main recollections of what
occurred during my sojourn at Abbotsford, and I feel mortified that I
can give but such meagre, scattered, and colorless details of what was
so copious, rich, and varied. During several days that I passed there
Scott was in admirable vein. From early morn until dinner time he was
rambling about, showing me the neighborhood, and during dinner and
until late at night, engaged in social conversation. No time was
reserved for himself; he seemed as if his only occupation was to
entertain me; and yet I was almost an entire stranger to him, one of
whom he knew nothing, but an idle book I had written, and which, some
years before, had amused him. But such was Scott--he appeared to have
nothing to do but lavish his time, attention, and conversation on those
around. It was difficult to imagine what time he found to write those
volumes that were incessantly issuing from the press; all of which,
too, were of a nature to require reading and research. I could not find
that his life was ever otherwise than a life of leisure and haphazard
recreation, such as it was during my visit. He scarce ever balked a
party of pleasure, or a sporting excursion, and rarely pleaded his own
concerns as an excuse for rejecting those of others. During my visit I
heard of other visitors who had preceded me, and who must have kept him
occupied for many days, and I have had an opportunity of knowing the
course of his daily life for some time subsequently. Not long after my
departure from Abbotsford, my friend Wilkie arrived there, to paint a
picture of the Scott family. He found the house full of guests. Scott's
whole time was taken up in riding and driving about the country, or in
social conversation at home. "All this time," said Wilkie to me, "I did
not presume to ask Mr. Scott to sit for his portrait, for I saw he had
not a moment to spare; I waited for the guests to go away, but as fast
as one went another arrived, and so it continued for several days, and
with each set he was completely occupied. At length all went off, and
we were quiet. I thought, however, Mr. Scott will now shut himself up
among his books and papers, for he has to make up for lost time; it
won't do for me to ask him now to sit for his picture. Laidlaw, who
managed his estate, came in, and Scott turned to him, as I supposed, to
consult about business. 'Laidlaw,' said he, 'to-morrow morning we'll go
across the water and take the dogs with us--there's a place where I
think we shall be able to find a hare.'

"In short," added Wilkie, "I found that instead of business, he was
thinking only of amusement, as if he had nothing in the world to occupy
him; so I no longer feared to intrude upon him."

The conversation of Scott was frank, hearty, picturesque, and dramatic.
During the time of my visit he inclined to the comic rather than the
grave, in his anecdotes and stories, and such, I was told, was his
general inclination. He relished a joke, or a trait of humor in social
intercourse, and laughed with right good will. He talked not for effect
nor display, but from the flow of his spirits, the stores of his
memory, and the vigor of his imagination. He had a natural turn for
narration, and his narratives and descriptions were without effort, yet
wonderfully graphic. He placed the scene before you like a picture; he
gave the dialogue with the appropriate dialect or peculiarities, and
described the appearance and characters of his personages with that
spirit and felicity evinced in his writings. Indeed, his conversation
reminded me continually of his novels; and it seemed to me, that during
the whole time I was with him., he talked enough to fill volumes, and
that they could not have been filled more delightfully.

He was as good a listener as talker, appreciating everything that
others said, however humble might be their rank or pretensions, and was
quick to testify his perception of any point in their discourse. He
arrogated nothing to himself, but was perfectly unassuming and
unpretending, entering with heart and soul into the business, or
pleasure, or, I had almost said, folly, of the hour and the company. No
one's concerns, no one's thoughts, no one's opinions, no one's tastes
and pleasures seemed beneath him. He made himself so thoroughly the
companion of those with whom he happened to be, that they forgot for a
time his vast superiority, and only recollected and wondered, when all
was over, that it was Scott with whom they had been on such familiar
terms, and in whose society they had felt so perfectly at their ease.

It was delightful to observe the generous spirit in which he spoke of
all his literary contemporaries, quoting the beauties of their works,
and this, too, with respect to persons with whom he might have been
supposed to be at variance in literature or politics. Jeffrey, it was
thought, had ruffled his plumes in one of his reviews, yet Scott spoke
of him in terms of high and warm eulogy, both as an author and as a
man.

His humor in conversation, as in his works, was genial and free from
all causticity. He had a quick perception of faults and foibles, but he
looked upon poor human nature with an indulgent eye, relishing what was
good and pleasant, tolerating what was frail, and pitying what was
evil. It is this beneficent spirit which gives such an air of bonhomie
to Scott's humor throughout all his works. He played with the foibles
and errors of his fellow beings, and presented them in a thousand
whimsical and characteristic lights, but the kindness and generosity of
his nature would not allow him to be a satirist. I do not recollect a
sneer throughout his conversation any more than there is throughout his
works.

Such is a rough sketch of Scott, as I saw him in private life, not
merely at the time of the visit here narrated, but in the casual
intercourse of subsequent years. Of his public character and merits,
all the world can judge. His works have incorporated themselves with
the thoughts and concerns of the whole civilized world, for a quarter
of a century, and have had a controlling influence over the age in
which he lived. But when did a human being ever exercise an influence
more salutary and benignant? Who is there that, on looking back over a
great portion of his life, does not find the genius of Scott
administering to his pleasures, beguiling his cares, and soothing his
lonely sorrows? Who does not still regard his works as a treasury of
pure enjoyment, an armory to which to resort in time of need, to find
weapons with which to fight off the evils and the griefs of life? For
my own part, in periods of dejection, I have hailed the announcement of
a new work from his pen as an earnest of certain pleasure in store for
me, and have looked forward to it as a traveller in a waste looks to a
green spot at a distance, where he feels assured of solace and
refreshment. When I consider how much he has thus contributed to the
better hours of my past existence, and how independent his works still
make me, at times, of all the world for my enjoyment, I bless my stars
that cast my lot in his days, to be thus cheered and gladdened by the
outpourings of his genius. I consider it one of the greatest advantages
that I have derived from my literary career, that it has elevated me
into genial communion with such a spirit; and as a tribute of gratitude
for his friendship, and veneration for his memory, I cast this humble
stone upon his cairn, which will soon, I trust, be piled aloft with the
contributions of abler hands.



NEWSTEAD ABBEY

HISTORICAL NOTICE.


Being about to give a few sketches taken during a three weeks' sojourn
in the ancestral mansion of the late Lord Byron, I think it proper to
premise some brief particulars concerning its history.

Newstead Abbey is one of the finest specimens in existence of those
quaint and romantic piles, half castle, half convent, which remain as
monuments of the olden times of England. It stands, too, in the midst
of a legendary neighborhood; being in the heart of Sherwood Forest, and
surrounded by the haunts of Robin Hood and his band of outlaws, so
famous in ancient ballad and nursery tale. It is true, the forest
scarcely exists but in name, and the tract of country over which it
once extended its broad solitudes and shades, is now an open and
smiling region, cultivated with parks and farms, and enlivened with
villages.

Newstead, which probably once exerted a monastic sway over this region,
and controlled the consciences of the rude foresters, was originally a
priory, founded in the latter part of the twelfth century, by Henry
II., at the time when he sought, by building of shrines and convents,
and by other acts of external piety, to expiate the murder of Thomas a
Becket. The priory was dedicated to God and the Virgin, and was
inhabited by a fraternity of canons regular of St. Augustine. This
order was originally simple and abstemious in its mode of living, and
exemplary in its conduct; but it would seem that it gradually lapsed
into those abuses which disgraced too many of the wealthy monastic
establishments; for there are documents among its archives which
intimate the prevalence of gross misrule and dissolute sensuality among
its members. At the time of the dissolution of the convents during the
reign of Henry VIII., Newstead underwent a sudden reverse, being given,
with the neighboring manor and rectory of Papelwick, to Sir John Byron,
Steward of Manchester and Rochdale, and Lieutenant of Sherwood Forest.
This ancient family worthy figures in the traditions of the Abbey, and
in the ghost stories with which it abounds, under the quaint and
graphic appellation of "Sir John Byron the Little, with the great
Beard." He converted the saintly edifice into a castellated dwelling,
making it his favorite residence and the seat of his forest
jurisdiction.

The Byron family being subsequently ennobled by a baronial title, and
enriched by various possessions, maintained great style and retinue at
Newstead. The proud edifice partook, however, of the vicissitudes of
the times, and Lord Byron, in one of his poems, represents it as
alternately the scene of lordly wassailing and of civil war:

  "Hark, how the hall resounding to the strain,
    Shakes with the martial music's novel din!
  The heralds of a warrior's haughty reign,
    High crested banners wave thy walls within.

  "Of changing sentinels the distant hum,
    The mirth of feasts, the clang of burnish'd arms,
  The braying trumpet, and the hoarser drum,
    Unite in concert with increased alarms."

About the middle of the last century, the Abbey came into the
possession of another noted character, who makes no less figure in its
shadowy traditions than Sir John the Little with the great Beard. This
was the grand-uncle of the poet, familiarly known among the gossiping
chroniclers of the Abbey as "the Wicked Lord Byron." He is represented
as a man of irritable passions and vindictive temper, in the indulgence
of which an incident occurred which gave a turn to his whole character
and life, and in some measure affected the fortunes of the Abbey. In
his neighborhood lived his kinsman and friend, Mr. Chaworth, proprietor
of Annesley Hall. Being together in London in 1765, in a chamber of the
Star and Garter tavern in Pall Mall, a quarrel rose between them. Byron
insisted upon settling it upon the spot by single combat. They fought
without seconds, by the dim light of a candle, and Mr. Chaworth,
although the most expert swordsman, received a mortal wound. With his
dying breath he related such particulars the contest as induced the
coroner's jury to return a verdict of wilful murder. Lord Byron was
sent to the Tower, and subsequently tried before the House of Peers,
where an ultimate verdict was given of manslaughter.

He retired after this to the Abbey, where he shut himself up to brood
over his disgraces; grew gloomy, morose, and fantastical, and indulged
in fits of passion and caprice, that made him the theme of rural wonder
and scandal. No tale was too wild or too monstrous for vulgar belief.
Like his successor the poet, he was accused of all kinds of vagaries
and wickedness. It was said that he always went armed, as if prepared
to commit murder on the least provocation. At one time, when a
gentleman of his neighborhood was to dine _tete a tete_ with him,
it is said a brace of pistols were gravely laid with the knives and
forks upon the table, as part of the regular table furniture, and
implements that might be needed in the course of the repast. Another
rumor states that being exasperated at his coachman for disobedience to
orders, he shot him on the spot, threw his body into the coach where
Lady Byron was seated, and, mounting the box, officiated in his stead.
At another time, according to the same vulgar rumors, he threw her
ladyship into the lake in front of the Abbey, where she would have been
drowned, but for the timely aid of the gardener. These stories are
doubtless exaggerations of trivial incidents which may have occurred;
but it is certain that the wayward passions of this unhappy man caused
a separation from his wife, and finally spread a solitude around him.
Being displeased at the marriage of his son and heir, he displayed an
inveterate malignity toward him. Not being able to cut off his
succession to the Abbey estate, which descended to him by entail, he
endeavored to injure it as much as possible, so that it might come a
mere wreck into his hands. For this purpose he suffered the Abbey to
fall out of repair, and everything to go to waste about it, and cut
down all the timber on the estate, laying low many a tract of old
Sherwood Forest, so that the Abbey lands lay stripped and bare of all
their ancient honors. He was baffled in his unnatural revenge by the
premature death of his son, and passed the remainder of his days in his
deserted and dilapidated halls, a gloomy misanthrope, brooding amidst
the scenes he had laid desolate.

His wayward humors drove from him all neighborly society, and for a
part of the time he was almost without domestics. In his misanthropic
mood, when at variance with all human kind, he took to feeding
crickets, so that in process of time the Abbey was overrun with them,
and its lonely halls made more lonely at night by their monotonous
music. Tradition adds that, at his death, the crickets seemed aware
that they had lost their patron and protector, for they one and all
packed up bag and baggage, and left the Abbey, trooping across its
courts and corridors in all directions.

The death of the "Old Lord," or "The Wicked Lord Byron," for he is
known by both appellations, occurred in 1798; and the Abbey then passed
into the possession of the poet. The latter was but eleven years of
age, and living in humble style with his mother in Scotland. They came
soon after to England, to take possession. Moore gives a simple but
striking anecdote of the first arrival of the poet at the domains of
his ancestors.

They had arrived at the Newstead toll-bar, and saw the woods of the
Abbey stretching out to receive them, when Mrs. Byron, affecting to be
ignorant of the place, asked the woman of the toll-house to whom that
seat belonged? She was told that the owner of it, Lord Byron, had been
some months dead. "And who is the next heir?" asked the proud and happy
mother. "They say," answered the old woman, "it is a little boy who
lives at Aberdeen." "And this is he, bless him!" exclaimed the nurse,
no longer able to contain herself, and turning to kiss with delight the
young lord who was seated on her lap. [Footnote: Moore's Life of Lord
Byron.]

During Lord Byron's minority, the Abbey was let to Lord Grey de Ruthen,
but the poet visited it occasionally during the Harrow vacations, when
he resided with his mother at lodgings in Nottingham. It was treated
little better by its present tenant, than by the old lord who preceded
him; so that when, in the autumn of 1808, Lord Byron took up his abode
there, it was in a ruinous condition. The following lines from his own
pen may give some idea of its condition:

  "Through thy battlements, Newstead. the hollow winds whistle,
    Thou, the hall of my fathers, art gone to decay;
   In thy once smiling garden, the hemlock and thistle
    Have choked up the rose which once bloomed in the way.

  "Of the mail-covered barons who, proudly, to battle
    Led thy vassals from Europe to Palestine's plain,
   The escutcheon and shield, which with every wind rattle,
    Are the only sad vestiges now that remain."

[Footnote: Lines on leaving Newstead Abbey.]

In another poem he expresses the melancholy feeling with which he took
possession of his ancestral mansion:

  "Newstead! what saddening scene of change is thine,
    Thy yawning arch betokens sure decay:
  The last and youngest of a noble line,
    Now holds thy mouldering turrets in his sway.

  "Deserted now, he scans thy gray-worn towers,
    Thy vaults, where dead of feudal ages sleep,
  Thy cloisters, pervious to the wintry showers,
    These--these he views, and views them but to weep.

  "Yet he prefers thee to the gilded domes,
    Or gewgaw grottoes of the vainly great;
  Yet lingers mid thy damp and mossy tombs,
    Nor breathes a murmur 'gainst the will of fate."

[Footnote: Elegy on Newstead Abbey.]

Lord Byron had not fortune sufficient to put the pile in extensive
repair, nor to maintain anything like the state of his ancestors. He
restored some of the apartments, so as to furnish his mother with a
comfortable habitation, and fitted up a quaint study for himself, in
which, among books and busts, and other library furniture, were two
skulls of the ancient friars, grinning on each side of an antique
cross. One of his gay companions gives a picture of Newstead when thus
repaired, and the picture is sufficiently desolate.

"There are two tiers of cloisters, with a variety of cells and rooms
about them, which, though not inhabited, nor in an inhabitable state,
might easily be made so; and many of the original rooms, among which is
a fine stone hall, are still in use. Of the Abbey church, one end only
remains; and the old kitchen, with a long range of apartments, is
reduced to a heap of rubbish. Leading from the Abbey to the modern part
of the habitation is a noble room, seventy feet in length, and twenty-
three in breadth; but every part of the house displays neglect and
decay, save those which the present lord has lately fitted up."
[Footnote: Letter of the late Charles Skinner Mathews, Esq.]

Even the repairs thus made were but of transient benefit, for the roof
being left in its dilapidated state, the rain soon penetrated into the
apartments which Lord Byron had restored and decorated, and in a few
years rendered them almost as desolate as the rest of the Abbey.

Still he felt a pride in the ruinous old edifice; its very dreary and
dismantled state, addressed itself to his poetical imagination, and to
that love of the melancholy and the grand which is evinced in all his
writings. "Come what may," said he in one of his letters, "Newstead and
I stand or fall together. I have now lived on the spot. I have fixed my
heart upon it, and no pressure, present or future, shall induce me to
barter the last vestige of our inheritance. I have that pride within me
which will enable me to support difficulties: could I obtain in
exchange for Newstead Abbey, the first fortune in the country, I would
reject the proposition."

His residence at the Abbey, however, was fitful and uncertain. He
passed occasional portions of time there, sometimes studiously and
alone, oftener idly and recklessly, and occasionally with young and gay
companions, in riot and revelry, and the indulgence of all kinds of mad
caprice. The Abbey was by no means benefited by these roystering
inmates, who sometimes played off monkish mummeries about the
cloisters, at other times turned the state chambers into schools for
boxing and single-stick, and shot pistols in the great hall. The
country people of the neighborhood were as much puzzled by these madcap
vagaries of the new incumbent, as by the gloomier habits of the "old
lord," and began to think that madness was inherent in the Byron race,
or that some wayward star ruled over the Abbey.

It is needless to enter into a detail of the circumstances which led
his Lordship to sell his ancestral estate, notwithstanding the partial
predilections and hereditary feeling which he had so eloquently
expressed. Fortunately, it fell into the hands of a man who possessed
something of a poetical temperament, and who cherished an enthusiastic
admiration for Lord Byron. Colonel (at that time Major) Wildman had
been a schoolmate of the poet, and sat with him on the same form at
Harrow. He had subsequently distinguished himself in the war of the
Peninsula, and at the battle of Waterloo, and it was a great
consolation to Lord Byron, in parting with his family estate, to know
that it would be held by one capable of restoring its faded glories,
and who would respect and preserve all the monuments and memorials of
his line. [Footnote: The following letter, written in the course of the
transfer of the estate, has never been published:--

Venice, November 18, 1818.

My Dear Wildman,

Mr. Hanson is on the eve of his return, so that I have only time to
return a few inadequate thanks for your very kind letter. I should
regret to trouble you with any requests of mine, in regard to the
preservation of any signs of my family, which may still exist at
Newstead, and leave everything of that kind to your own feelings,
present or future, upon the subject. The portrait which you flatter me
by desiring, would not be worth to you your trouble and expense of such
an expedition, but you may rely upon having the very first that may be
painted, and which may seem worth your acceptance.

I trust that Newstead will, being yours, remain so, and that it may see
you as happy, as I am very sure that you will make your dependents.
With regard to myself, you may be sure that whether in the fourth, or
fifth, or sixth form at Harrow, or in the fluctuations of after life, I
shall always remember with regard my old schoolfellow--fellow monitor,
and friend, and recognize with respect the gallant soldier, who, with
all the advantages of fortune and allurements of youth to a life of
pleasure, devoted himself to duties of a nobler order, and will receive
his reward in the esteem and admiration of his country.

Ever yours most truly and affectionately,
  BYRON.]

The confidence of Lord Byron in the good feeling and good taste of
Colonel Wildman has been justified by the event. Under his judicious
eye and munificent hand the venerable and romantic pile has risen from
its ruins in all its old monastic and baronial splendor, and additions
have been made to it in perfect conformity of style. The groves and
forests have been replanted; the lakes and fish-ponds cleaned out, and
the gardens rescued from the "hemlock and thistle," and restored to
their pristine and dignified formality.

The farms on the estate have been put in complete order, new farm-
houses built of stone, in the picturesque and comfortable style of the
old English granges; the hereditary tenants secured in their paternal
homes, and treated with the most considerate indulgence; everything, in
a word, gives happy indications of a liberal and beneficent landlord.

What most, however, will interest the visitors to the Abbey in favor of
its present occupant, is the reverential care with which he has
preserved and renovated every monument and relic of the Byron family,
and every object in anywise connected with the memory of the poet.
Eighty thousand pounds have already been expended upon the venerable
pile, yet the work is still going on, and Newstead promises to realize
the hope faintly breathed by the poet when bidding it a melancholy
farewell--

  "Haply thy sun emerging, yet may shine,
    Thee to irradiate with meridian ray;
  Hours splendid as the past may still be thine,
    And bless thy future, as thy former day."




ARRIVAL AT THE ABBEY.


I had been passing a merry Christmas in the good old style at Barlhoro'
Hall, a venerable family mansion in Derbyshire, and set off to finish
the holidays with the hospitable proprietor of Newstead Abbey. A drive
of seventeen miles through a pleasant country, part of it the storied
region of Sherwood Forest, brought me to the gate of Newstead Park. The
aspect of the park was by no means imposing, the fine old trees that
once adorned it having been laid low by Lord Byron's wayward
predecessor.

Entering the gate, the postchaise rolled heavily along a sandy road,
between naked declivities, gradually descending into one of those
gentle and sheltered valleys, in which the sleek monks of old loved to
nestle themselves. Here a sweep of the road round an angle of a garden
wall brought us full in front of the venerable edifice, embosomed in
the valley, with a beautiful sheet of water spreading out before it.

The irregular gray pile, of motley architecture, answered to the
description given by Lord Byron:

  "An old, old monastery once, and now
   Still older mansion, of a rich and rare
   Mixed Gothic"----

One end was fortified by a castellated tower, bespeaking the baronial
and warlike days of the edifice; the other end maintained its primitive
monastic character. A ruined chapel, flanked by a solemn grove, still
reared its front entire. It is true, the threshold of the once
frequented portal was grass-grown, and the great lancet window, once
glorious with painted glass, was now entwined and overhung with ivy;
but the old convent cross still braved both time and tempest on the
pinnacle of the chapel, and below, the blessed effigies of the Virgin
and child, sculptured in gray stone, remained uninjured in their niche,
giving a sanctified aspect to the pile. [Footnote:

  "--in a higher niche, alone, but crown'd,
    The Virgin Mother of the God-born child
  With her son in her blessed arms, looked round,
    Spared by some chance, when all beside was spoil'd:
  She made the earth below seem holy ground."--DON JUAN, Canto III.]

A flight of rooks, tenants of the adjacent grove, were hovering about
the ruin, and balancing themselves upon ever airy projection, and
looked down with curious eye and cawed as the postchaise rattled along
below.

The chamberlain of the Abbey, a most decorous personage, dressed in
black, received us at the portal. Here, too, we encountered a memento
of Lord Byron, a great black and white Newfoundland dog, that had
accompanied his remains from Greece. He was descended from the famous
Boatswain, and inherited his generous qualities. He was a cherished
inmate of the Abbey, and honored and caressed by every visitor.
Conducted by the chamberlain, and followed by the dog, who assisted in
doing the honors of the house, we passed through a long low vaulted
hall, supported by massive Gothic arches, and not a little resembling
the crypt of a cathedral, being the basement story of the Abbey.

From this we ascended a stone staircase, at the head of which a pair of
folding doors admitted us into a broad corridor that ran round the
interior of the Abbey. The windows of the corridor looked into a
quadrangular grass-grown court, forming the hollow centre of the pile.
In the midst of it rose a lofty and fantastic fountain, wrought of the
same gray stone as the main edifice, and which has been well described
by Lord Byron.

  "Amidst the court a Gothic fountain play'd,
    Symmetrical, but deck'd with carvings quaint,
  Strange faces, like to men in masquerade,
    And here perhaps a monster, there a saint:
  The spring rush'd through grim mouths of granite made,
    And sparkled into basins, where it spent
  Its little torrent in a thousand bubbles,
  Like man's vain glory, and his vainer troubles."

[Footnote: DON JUAN, Canto III]

Around this quadrangle were low vaulted cloisters, with Gothic arches,
once the secluded walks of the monks: the corridor along which we were
passing was built above these cloisters, and their hollow arches seemed
to reverberate every footfall. Everything thus far had a solemn
monastic air; but, on arriving at an angle of the corridor, the eye,
glancing along a shadowy gallery, caught a sight of two dark figures in
plate armor, with closed visors, bucklers braced, and swords drawn,
standing motionless against the wall. They seemed two phantoms of the
chivalrous era of the Abbey.

Here the chamberlain, throwing open a folding door, ushered us at once
into a spacious and lofty saloon, which offered a brilliant contrast to
the quaint and sombre apartments we had traversed. It was elegantly
furnished, and the walls hung with paintings, yet something of its
original architecture had been preserved and blended with modern
embellishments. There were the stone-shafted casements and the deep
bow-window of former times. The carved and panelled wood-work of the
lofty ceiling had likewise been carefully restored, and its Gothic and
grotesque devices painted and gilded in their ancient style.

Here, too, were emblems of the former and latter days of the Abbey, in
the effigies of the first and last of the Byron line that held sway
over its destinies. At the upper end of the saloon, above the door, the
dark Gothic portrait of "Sir John Byron the Little with the great
Beard," looked grimly down from his canvas, while, at the opposite end,
a white marble bust of the _genius loci_, the noble poet, shone
conspicuously from its pedestal.

The whole air and style of the apartment partook more of the palace
than the monastery, and its windows looked forth on a suitable
prospect, composed of beautiful groves, smooth verdant lawns, and
silver sheets of water. Below the windows was a small flower-garden,
inclosed by stone balustrades, on which were stately peacocks, sunning
themselves and displaying their plumage. About the grass-plots in
front, were gay cock pheasants, and plump partridges, and nimble-footed
water hens, feeding almost in perfect security.

Such was the medley of objects presented to the eye on first visiting
the Abbey, and I found the interior fully to answer the description of
the poet--

  "The mansion's self was vast and venerable,
    With more of the monastic than has been
  Elsewhere preserved; the cloisters still were stable,
    The cells, too, and refectory, I ween;
  An exquisite small chapel had been able,
    Still unimpair'd, to decorate the scene;
  The rest had been reformed, replaced, or sunk,
   And spoke more of the friar than the monk.

  "Huge halls, long galleries, spacious chambers, joined
    By no quite lawful marriage of the arts,
  Might shock a connoisseur; but when combined
    Formed a whole, which, irregular in parts,
  Yet left a grand impression on the mind,
    At least of those whose eyes were in their hearts."

It is not my intention to lay open the scenes of domestic life at the
Abbey, nor to describe the festivities of which I was a partaker during
my sojourn within its hospitable walls. I wish merely to present a
picture of the edifice itself, and of those personages and
circumstances about it, connected with the memory of Byron.

I forbear, therefore, to dwell on my reception by my excellent and
amiable host and hostess, or to make my reader acquainted with the
elegant inmates of the mansion that I met in the saloon; and I shall
pass on at once with him to the chamber allotted me, and to which I was
most respectfully conducted by the chamberlain.

It was one of a magnificent suite of rooms, extending between the court
of the cloisters and the Abbey garden, the windows looking into the
latter. The whole suite formed the ancient state apartment, and had
fallen into decay during the neglected days of the Abbey, so as to be
in a ruinous condition in the time of Lord Byron. It had since been
restored to its ancient splendor, of which my chamber may be cited as a
specimen. It was lofty and well proportioned; the lower part of the
walls was panelled with ancient oak, the upper part hung with gobelin
tapestry, representing oriental hunting scenes, wherein the figures
were of the size of life, and of great vivacity of attitude and color.

The furniture was antique, dignified, and cumbrous. High-backed chairs
curiously carved, and wrought in needlework; a massive clothes-press of
dark oak, well polished, and inlaid with landscapes of various tinted
woods; a bed of state, ample and lofty, so as only to be ascended by a
movable flight of steps, the huge posts supporting a high tester with a
tuft of crimson plumes at each corner, and rich curtains of crimson
damask hanging in broad and heavy folds.

A venerable mirror of plate glass stood on the toilet, in which belles
of former centuries may have contemplated and decorated their charms.
The floor of the chamber was of tesselated oak, shining with wax, and
partly covered by a Turkey carpet. In the centre stood a massy oaken
table, waxed and polished as smooth as glass, and furnished with a
writing-desk of perfumed rosewood.

A sober light was admitted into the room through Gothic stone-shafted
casements, partly shaded by crimson curtains, and partly overshadowed
by the trees of the garden. This solemnly tempered light added to the
effect of the stately and antiquated interior.

Two portraits, suspended over the doors, were in keeping with the
scene. They were in ancient Vandyke dresses; one was a cavalier, who
may have occupied this apartment in days of yore, the other was a lady
with a black velvet mask in her hand, who may once have arrayed herself
for conquest at the very mirror I have described.

The most curious relic of old times, however, in this quaint but richly
dight apartment, was a great chimney-piece of panel-work, carved in
high relief, with niches or compartments, each containing a human bust,
that protruded almost entirely from the wall. Some of the figures were
in ancient Gothic garb; the most striking among them was a female, who
was earnestly regarded by a fierce Saracen from an adjoining niche.

This panel-work is among the mysteries of the Abbey, and causes as much
wide speculation as the Egyptian hieroglyphics. Some suppose it to
illustrate an adventure in the Holy Land, and that the lady in effigy
had been rescued by some Crusader of the family from the turbaned Turk
who watches her so earnestly. What tends to give weight to these
suppositions is, that similar pieces of panel-work exist in other parts
of the Abbey, in all of which are to be seen the Christian lady and her
Saracen guardian or lover. At the bottom of these sculptures are
emblazoned the armorial bearings of the Byrons.

I shall not detain the reader, however, with any further description of
my apartment, or of the mysteries connected with it. As he is to pass
some days with me at the Abbey, we shall have time to examine the old
edifice at our leisure, and to make ourselves acquainted, not merely
with its interior, but likewise with its environs.




THE ABBEY GARDEN.


The morning after my arrival, I rose at an early hour. The daylight was
peering brightly between the window curtains, and drawing them apart, I
gazed through the Gothic casement upon a scene that accorded in
character with the interior of the ancient mansion. It was the old
Abbey garden, but altered to suit the tastes of different times and
occupants. In one direction were shady walls and alleys, broad terraces
and lofty groves; in another, beneath a gray monastic-looking angle of
the edifice, overrun with ivy and surmounted by a cross, lay a small
French garden, with formal flower-pots, gravel walks, and stately stone
balustrades.

The beauty of the morning, and the quiet of the hour, tempted me to an
early stroll; for it is pleasant to enjoy such old-time places alone,
when one may indulge poetical reveries, and spin cobweb fancies,
without interruption. Dressing myself, therefore, with all speed, I
descended a small flight of steps from the state apartment into the
long corridor over the cloisters, along which I passed to a door at the
farther end. Here I emerged into the open air, and, descending another
flight of stone steps, found myself in the centre of what had once been
the Abbey chapel.

Nothing of the sacred edifice remained, however, but the Gothic front,
with its deep portal and grand lancet window, already described. The
nave, the side walls, the choir, the sacristy, all had disappeared. The
open sky was over my head, a smooth shaven grass-plot beneath my feet.
Gravel walks and shrubberies had succeeded to the shadowy isles, and
stately trees to the clustering columns.

  "Where now the grass exhales a murky dew,
    The humid pall of life-extinguished clay,
   In sainted fame the sacred fathers grew,
    Nor raised their pious voices but to pray.
   Where now the bats their wavering wings extend,
    Soon as the gloaming spreads her warning shade,
   The choir did oft their mingling vespers blend,
    Or matin orisons to Mary paid."

Instead of the matin orisons of the monks, however, the ruined walls of
the chapel now resounded to the cawing of innumerable rooks that were
fluttering and hovering about the dark grove which they inhabited, and
preparing for their morning flight.

My ramble led me along quiet alleys, bordered by shrubbery, where the
solitary water-hen would now and then scud across my path, and take
refuge among the bushes. From hence I entered upon a broad terraced
walk, once a favorite resort of the friars, which extended the whole
length of the old Abbey garden, passing along the ancient stone wall
which bounded it. In the centre of the garden lay one of the monkish
fish-pools, an oblong sheet of water, deep set like a mirror, in green
sloping banks of turf. In its glassy bosom was reflected the dark mass
of a neighboring grove, one of the most important features of the
garden. This grove goes by the sinister name of "the Devil's Wood," and
enjoys but an equivocal character in the neighborhood. It was planted
by "The Wicked Lord Byron," during the early part of his residence at
the Abbey, before his fatal duel with Mr. Chaworth. Having something of
a foreign and classical taste, he set up leaden statues of satyrs or
fauns at each end of the grove. The statues, like everything else about
the old Lord, fell under the suspicion and obloquy that overshadowed
him in the latter part of his life. The country people, who knew
nothing of heathen mythology and its sylvan deities, looked with horror
at idols invested with the diabolical attributes of horns and cloven
feet. They probably supposed them some object of secret worship of the
gloomy and secluded misanthrope and reputed murderer, and gave them the
name of "The old Lord's Devils."

I penetrated the recesses of the mystic grove. There stood the ancient
and much slandered statues, overshadowed by tall larches, and stained
by dank green mold. It is not a matter of surprise that strange
figures, thus behoofed and be-horned, and set up in a gloomy grove,
should perplex the minds of the simple and superstitious yeomanry.
There are many of the tastes and caprices of the rich, that in the eyes
of the uneducated must savor of insanity.

I was attracted to this grove, however, by memorials of a more touching
character. It had been one of the favorite haunts of the late Lord
Byron. In his farewell visit to the Abbey, after he had parted with the
possession of it, he passed some time in this grove, in company with
his sister; and as a last memento, engraved their names on the bark of
a tree.

The feelings that agitated his bosom during this farewell visit, when
he beheld round him objects dear to his pride, and dear to his juvenile
recollections, but of which the narrowness of his fortune would not
permit him to retain possession, may be gathered from a passage in a
poetical epistle, written to his sister in after years:

  I did remind you of our own dear lake
    By the old hall, _which may be mine no more;_
  Leman's is fair; but think not I forsake
    The sweet remembrance of a dearer shore:
  Sad havoc Time must with my memory make
    Ere _that_ or _thou_ can fade these eyes before;
  Though, like all things which I have loved, they are
  Resign'd for ever, or divided far.
  I feel almost at times as I have felt
    In happy childhood; trees, and flowers, and brooks.
  Which do remember me of where I dwelt
    Ere my young mind was sacrificed to books,
  Come as of yore upon me, and can melt
    My heart with recognition, of their looks;
  And even at moments I would think I see
  Some living things I love--but none like thee."

I searched the grove for some time, before I found the tree on which
Lord Byron had left his frail memorial. It was an elm of peculiar form,
having two trunks, which sprang from the same root, and, after growing
side by side, mingled their branches together. He had selected it,
doubtless, as emblematical of his sister and himself. The names of
BYRON and AUGUSTA were still visible. They had been deeply cut in the
bark, but the natural growth of the tree was gradually rendering them
illegible, and a few years hence, strangers will seek in vain for this
record of fraternal affection.

Leaving the grove, I continued my ramble along a spacious terrace,
overlooking what had once been the kitchen garden of the Abbey. Below
me lay the monks' stew, or fish pond, a dark pool, overhung by gloomy
cypresses, with a solitary water-hen swimming about in it.

A little farther on, and the terrace looked down upon the stately scene
on the south side of the Abbey; the flower garden, with its stone
balustrades and stately peacocks, the lawn, with its pheasants and
partridges, and the soft valley of Newstead beyond.

At a distance, on the border of the lawn, stood another memento of Lord
Byron; an oak planted by him in his boyhood, on his first visit to the
Abbey. With a superstitious feeling inherent in him, he linked his own
destiny with that of the tree. "As it fares," said he, "so will fare my
fortunes." Several years elapsed, many of them passed in idleness and
dissipation. He returned to the Abbey a youth scarce grown to manhood,
but, as he thought, with vices and follies beyond his years. He found
his emblem oak almost choked by weeds and brambles, and took the lesson
to himself.

  "Young oak, when I planted thee deep in the ground,
    I hoped that thy days would be longer than mine,
  That thy dark waving branches would flourish around,
    And ivy thy trunk with its mantle entwine.

  "Such, such was my hope--when in infancy's years
    On the laud of my fathers I reared thee with pride;
  They are past, and I water thy stem with my tears--
  Thy decay not the weeds that surround thee can hide."

I leaned over the stone balustrade of the terrace, and gazed upon the
valley of Newstead, with its silver sheets of water gleaming in the
morning sun. It was a sabbath morning, which always seems to have a
hallowed influence over the landscape, probably from the quiet of the
day, and the cessation of all kinds of week-day labor. As I mused upon
the mild and beautiful scene, and the wayward destinies of the man,
whose stormy temperament forced him from this tranquil paradise to
battle with the passions and perils of the world, the sweet chime of
bells from a village a few miles distant came stealing up the valley.
Every sight and sound this morning seemed calculated to summon up
touching recollections of poor Byron. The chime was from the village
spire of Hucknall Torkard, beneath which his remains lie buried!

----I have since visited his tomb. It is in an old gray country church,
venerable with the lapse of centuries. He lies buried beneath the
pavement, at one end of the principal aisle. A light falls on the spot
through the stained glass of a Gothic window, and a tablet on the
adjacent wall announces the family vault of the Byrons. It had been the
wayward intention of the poet to be entombed, with his faithful dog, in
the monument erected by him in the garden of Newstead Abbey. His
executors showed better judgment and feeling, in consigning his ashes
to the family sepulchre, to mingle with those of his mother and his
kindred. Here,

  "After life's fitful fever, he sleeps well.
  Malice domestic, foreign levy, nothing
  Can touch him further!"

How nearly did his dying hour realize the wish made by him, but a few
years previously, in one of his fitful moods of melancholy and
misanthropy:

  "When time, or soon or late, shall bring
    The dreamless sleep that lulls the dead,
  Oblivion! may thy languid wing
    Wave gently o'er my dying bed!

  "No band of friends or heirs be there,
    To weep or wish the coining blow:
  No maiden with dishevelled hair,
    To feel, or fein decorous woe.

  "But silent let me sink to earth.
    With no officious mourners near:
  I would not mar one hour of mirth,
    Nor startle friendship with a tear."

He died among strangers, in a foreign land, without a kindred hand to
close his eyes; yet he did not die unwept. With all his faults and
errors, and passions and caprices, he had the gift of attaching his
humble dependents warmly to him. One of them, a poor Greek, accompanied
his remains to England, and followed them to the grave. I am told that,
during the ceremony, he stood holding on by a pew in an agony of grief,
and when all was over, seemed as if he would have gone down into the
tomb with the body of his master.--A nature that could inspire such
attachments, must have been generous and beneficent.




PLOUGH MONDAY.


Sherwood Forest is a region that still retains much of the quaint
customs and holiday games of the olden time. A day or two after my
arrival at the Abbey, as I was walking in the cloisters, I heard the
sound of rustic music, and now and then a burst of merriment,
proceeding from the interior of the mansion. Presently the chamberlain
came and informed me that a party of country lads were in the servants'
hall, performing Plough Monday antics, and invited me to witness their
mummery. I gladly assented, for I am somewhat curious about these
relics of popular usages. The servants' hall was a fit place for the
exhibition of an old Gothic game. It was a chamber of great extent,
which in monkish times had been the refectory of the Abbey. A row of
massive columns extended lengthwise through the centre, whence sprung
Gothic arches, supporting the low vaulted ceiling. Here was a set of
rustics dressed up in something of the style represented in the books
concerning popular antiquities. One was in a rough garb of frieze, with
his head muffled in bear-skin, and a bell dangling behind him, that
jingled at every movement. He was the clown, or fool of the party,
probably a traditional representative of the ancient satyr. The rest
were decorated with ribbons and armed with wooden swords. The leader of
the troop recited the old ballad of St. George and the Dragon, which
had been current among the country people for ages; his companions
accompanied the recitation with some rude attempt at acting, while the
clown cut all kinds of antics.

To these succeeded a set of morris-dancers, gayly dressed up with
ribbons and hawks'-bells. In this troop we had Robin Hood and Maid
Marian, the latter represented by a smooth-faced boy; also Beelzebub,
equipped with a broom, and accompanied by his wife Bessy, a termagant
old beldame. These rude pageants are the lingering remains of the old
customs of Plough Monday, when bands of rustics, fantastically dressed,
and furnished with pipe and tabor, dragged what was called the "fool
plough" from house to house, singing ballads and performing antics, for
which they were rewarded with money and good cheer.

But it is not in "merry Sherwood Forest" alone that these remnants of
old times prevail. They are to be met with in most of the counties
north of the Trent, which classic stream seems to be the boundary line
of primitive customs. During my recent Christmas sojourn at Barlboro'
Hall, on the skirts of Derbyshire and Yorkshire, I had witnessed many
of the rustic festivities peculiar to that joyous season, which have
rashly been pronounced obsolete, by those who draw their experience
merely from city life. I had seen the great Yule log put on the fire on
Christmas Eve, and the wassail bowl sent round, brimming with its spicy
beverage. I had heard carols beneath my window by the choristers of the
neighboring village, who went their rounds about the ancient Hall at
midnight, according to immemorial custom. We had mummers and mimers
too, with the story of St. George and the Dragon, and other ballads and
traditional dialogues, together with the famous old interlude of the
Hobby Horse, all represented in the antechamber and servants' hall by
rustics, who inherited the custom and the poetry from preceding
generations. The boar's head, crowned with rosemary, had taken its
honored station among the Christmas cheer; the festal board had been
attended by glee singers and minstrels from the village to entertain
the company with hereditary songs and catches during their repast; and
the old Pyrrhic game of the sword dance, handed down since the time of
the Romans, was admirably performed in the court-yard of the mansion by
a band of young men, lithe and supple in their forms and graceful in
their movements, who, I was told, went the rounds of the villages and
country-seats during the Christmas holidays.

I specify these rural pageants and ceremonials, which I saw during my
sojourn in this neighborhood, because it has been deemed that some of
the anecdotes of holiday customs given in my preceding writings,
related to usages which have entirely passed away. Critics who reside
in cities have little idea of the primitive manners and observances,
which still prevail in remote and rural neighborhoods.

In fact, in crossing the Trent one seems to step back into old times;
and in the villages of Sherwood Forest we are in a black-letter region.
The moss-green cottages, the lowly mansions of gray stone, the Gothic
crosses at each end of the villages, and the tall Maypole in the
centre, transport us in imagination to foregone centuries; everything
has a quaint and antiquated air.

The tenantry on the Abbey estate partake of this primitive character.
Some of the families have rented farms there for nearly three hundred
years; and, notwithstanding that their mansions fell to decay, and
every thing about them partook of the general waste and misrule of the
Byron dynasty, yet nothing could uproot them from their native soil. I
am happy to say, that Colonel Wildman has taken these stanch loyal
families under his peculiar care. He has favored them in their rents,
repaired, or rather rebuilt their farm-houses, and has enabled families
that had almost sunk into the class of mere rustic laborers, once more
to hold up their heads among the yeomanry of the land.

I visited one of these renovated establishments that had but lately
been a mere ruin, and now was a substantial grange. It was inhabited by
a young couple. The good woman showed every part of the establishment
with decent pride, exulting in its comfort and respectability. Her
husband, I understood, had risen in consequence with the improvement of
his mansion, and now began to be known among his rustic neighbors by
the appellation of "the young Squire."




OLD SERVANTS.


In an old, time-worn, and mysterious looking mansion like Newstead
Abbey, and one so haunted by monkish, and feudal, and poetical
associations, it is a prize to meet with some ancient crone, who has
passed a long life about the place, so as to have become a living
chronicle of its fortunes and vicissitudes. Such a one is Nanny Smith,
a worthy dame, near seventy years of age, who for a long time served as
housekeeper to the Byrons, The Abbey and its domains comprise her
world, beyond which she knows nothing, but within which she has ever
conducted herself with native shrewdness and old-fashioned honesty.
When Lord Byron sold the Abbey her vocation was at an end, still she
lingered about the place, having for it the local attachment of a cat.
Abandoning her comfortable housekeeper's apartment, she took shelter in
one of the "rockhouses," which are nothing more than a little
neighborhood of cabins, excavated in the perpendicular walls of a stone
quarry, at no great distance from the Abbey. Three cells cut in the
living rock, formed her dwelling; these she fitted up humbly but
comfortably; her son William labored in the neighborhood, and aided to
support her, and Nanny Smith maintained a cheerful aspect and an
independent spirit. One of her gossips suggested to her that William
should marry, and bring home a young wife to help her and take care of
her. "Nay, nay," replied Nanny, tartly, "I want no young mistress in
_my house_." So much for the love of rule--poor Nanny's house was
a hole in a rock!

Colonel Wildman, on taking possession of the Abbey, found Nanny Smith
thus humbly nestled. With that active benevolence which characterizes
him, he immediately set William up in a small farm on the estate, where
Nanny Smith has a comfortable mansion in her old days. Her pride is
roused by her son's advancement. She remarks with exultation that
people treat William with much more respect now that he is a farmer,
than they did when he was a laborer. A farmer of the neighborhood has
even endeavored to make a match between him and his sister, but Nanny
Smith has grown fastidious, and interfered. The girl, she said, was too
old for her son, besides, she did not see that he was in any need of a
wife.

"No," said William, "I ha' no great mind to marry the wench: but if the
Colonel and his lady wish it, I am willing. They have been so kind to
me that I should think it my duty to please them." The Colonel and his
lady, however, have not thought proper to put honest William's
gratitude to so severe a test.

Another worthy whom Colonel Wildman found vegetating upon the place,
and who had lived there for at least sixty years, was old Joe Murray.
He had come there when a mere boy in the train of the "old lord," about
the middle of the last century, and had continued with him until his
death. Having been a cabin boy when very young, Joe always fancied
himself a bit of a sailor; and had charge of all the pleasure-boats on
the lake though he afterward rose to the dignity of butler. In the
latter days of the old Lord Byron, when he shut himself up from all the
world, Joe Murray was the only servant retained by him, excepting his
housekeeper, Betty Hardstaff, who was reputed to have an undue sway
over him, and was derisively called Lady Betty among the country folk.

When the Abbey came into the possession of the late Lord Byron, Joe
Murray accompanied it as a fixture. He was reinstated as butler in the
Abbey, and high admiral on the lake, and his sturdy honest mastiff
qualities won so upon Lord Byron as even to rival his Newfoundland dog
in his affections. Often when dining, he would pour out a bumper of
choice Madeira, and hand it to Joe as he stood behind his chair. In
fact, when he built the monumental tomb which stands in the Abbey
garden, he intended it for himself, Joe Murray, and the dog. The two
latter were to lie on each side of him. Boatswain died not long
afterward, and was regularly interred, and the well-known epitaph
inscribed on one side of the monument. Lord Byron departed for Greece;
during his absence, a gentleman to whom Joe Murray was showing the
tomb, observed, "Well, old boy, you will take your place here some
twenty years hence."

"I don't know that, sir," growled Joe, in reply, "if I was sure his
Lordship would come here, I should like it well enough, but I should
not like to lie alone with the dog."

Joe Murray was always extremely neat in his dress, and attentive to his
person, and made a most respectable appearance. A portrait of him still
hangs in the Abbey, representing him a hale fresh-looking fellow, in a
flaxen wig, a blue coat and buff waistcoat, with a pipe in his hand. He
discharged all the duties of his station with great fidelity,
unquestionable honesty, and much outward decorum, but, if we may
believe his contemporary, Nanny Smith, who, as housekeeper, shared the
sway of the household with him, he was very lax in his minor morals,
and used to sing loose and profane songs as he presided at the table in
the servants' hall, or sat taking his ale and smoking his pipe by the
evening fire. Joe had evidently derived his convivial notions from the
race of English country squires who flourished in the days of his
juvenility. Nanny Smith was scandalized at his ribald songs, but being
above harm herself, endured them in silence. At length, on his singing
them before a young girl of sixteen, she could contain herself no
longer, but read him a lecture that made his ears ring, and then
flounced off to bed. The lecture seems, by her account, to have
staggered Joe, for he told her the next morning that he had had a
terrible dream in the night. An Evangelist stood at the foot of his bed
with a great Dutch Bible, which he held with the printed part toward
him, and after a while pushed it in his face. Nanny Smith undertook to
interpret the vision, and read from it such a homily, and deduced such
awful warnings, that Joe became quite serious, left off singing, and
took to reading good books for a month; but after that, continued
Nanny, he relapsed and became as bad as ever, and continued to sing
loose and profane songs to his dying day.

When Colonel Wildman became proprietor of the Abbey he found Joe Murray
flourishing in a green old age, though upward of fourscore, and
continued him in his station as butler. The old man was rejoiced at the
extensive repairs that were immediately commenced, and anticipated with
pride the day when the Abbey should rise out of its ruins with
renovated splendor, its gates be thronged with trains and equipages,
and its halls once more echo to the sound of joyous hospitality.

What chiefly, however, concerned Joe's pride and ambition, was a plan
of the Colonel's to have the ancient refectory of the convent, a great
vaulted room, supported by Gothic columns, converted into a servants'
hall. Here Joe looked forward to rule the roast at the head of the
servants' table, and to make the Gothic arches ring with those hunting
and hard-drinking ditties which were the horror of the discreet Nanny
Smith. Time, however, was fast wearing away with him, and his great
fear was that the hall would not be completed in his day. In his
eagerness to hasten the repairs, he used to get up early in the
morning, and ring up the workmen. Notwithstanding his great age, also,
he would turn out half-dressed in cold weather to cut sticks for the
fire. Colonel Wildman kindly remonstrated with him for thus risking his
health, as others would do the work for him.

"Lord, sir," exclaimed the hale old fellow, "it's my air-bath, I'm all
the better for it."

Unluckily, as he was thus employed one morning a splinter flew up and
wounded one of his eyes. An inflammation took place; he lost the sight
of that eye, and subsequently of the other. Poor Joe gradually pined
away, and grew melancholy. Colonel Wildman kindly tried to cheer him
up--"Come, come, old boy," cried he, "be of good heart, you will yet
take your place in the servants' hall."

"Nay, nay, sir," replied he, "I did hope once that I should live to see
it--I looked forward to it with pride, I confess, but it is all over
with me now--I shall soon go home!" He died shortly afterward, at the
advanced age of eighty-six, seventy of which had been passed as an
honest and faithful servant at the Abbey. Colonel Wildman had him
decently interred in the church of Hucknall Torkard, near the vault of
Lord Byron.




SUPERSTITIONS OF THE ABBEY.


The anecdotes I had heard of the quondam housekeeper of Lord Byron,
rendered me desirous of paying her a visit. I rode in company with
Colonel Wildman, therefore, to the cottage of her son William, where
she resides, and found her seated by her fireside, with a favorite cat
perched upon her shoulder and purring in her ear. Nanny Smith is a
large, good-looking woman, a specimen of the old-fashioned country
housewife, combining antiquated notions and prejudices, and very
limited information, with natural good sense. She loves to gossip about
the Abbey and Lord Byron, and was soon drawn into a course of
anecdotes, though mostly of an humble kind, such as suited the meridian
of the housekeeper's room and servants' hall. She seemed to entertain a
kind recollection of Lord Byron, though she had evidently been much
perplexed by some of his vagaries; and especially by the means he
adopted to counteract his tendency to corpulency. He used various modes
to sweat himself down; sometimes he would lie for a long time in a warm
bath, sometimes he would walk up the hills in the park, wrapped up and
loaded with great coats; "a sad toil for the poor youth," added Nanny,
"he being so lame."

His meals were scanty and irregular, consisting of dishes which Nanny
seemed to hold in great contempt, such as pillau, macaroni, and light
puddings.

She contradicted the report of the licentious life which he was
reported to lead at the Abbey, and of the paramours said to have been
brought with him from London. "A great part of his time used to be
passed lying on a sofa reading. Sometimes he had young gentlemen of his
acquaintance with him, and they played some mad pranks; but nothing but
what young gentlemen may do, and no harm done."

"Once, it is true," she added, "he had with him a beautiful boy as a
page, which the housemaids said was a girl. For my part, I know nothing
about it. Poor soul, he was so lame he could not go out much with the
men; all the comfort he had was to be a little with the lasses. The
housemaids, however, were very jealous; one of them, in particular,
took the matter in great dudgeon. Her name was Lucy; she was a great
favorite with Lord Byron, and had been much noticed by him, and began
to have high notions. She had her fortune told by a man who squinted,
to whom she gave two-and-sixpence. He told her to hold up her head and
look high, for she would come to great things. Upon this," added Nanny,
"the poor thing dreamt of nothing less than becoming a lady, and
mistress of the Abbey; and promised me, if such luck should happen to
her, she would be a good friend to me. Ah well-a-day! Lucy never had
the fine fortune she dreamt of; but she had better than I thought for;
she is now married, and keeps a public house at Warwick."

Finding that we listened to her with great attention, Nanny Smith went
on with her gossiping. "One time," said she, "Lord Byron took a notion
that there was a deal of money buried about the Abbey by the monks in
old times, and nothing would serve him but he must have the flagging
taken up in the cloisters; and they digged and digged, but found
nothing but stone coffins full of bones. Then he must needs have one of
the coffins put in one end of the great hall, so that the servants were
afraid to go there of nights. Several of the skulls were cleaned and
put in frames in his room. I used to have to go into the room at night
to shut the windows, and if I glanced an eye at them, they all seemed
to grin; which I believe skulls always do. I can't say but I was glad
to get out of the room.

"There was at one time (and for that matter there is still) a good deal
said about ghosts haunting about the Abbey. The keeper's wife said she
saw two standing in a dark part of the cloisters just opposite the
chapel, and one in the garden by the lord's well. Then there was a
young lady, a cousin of Lord Byron, who was staying in the Abbey and
slept in the room next the clock; and she told me that one night when
she was lying in bed, she saw a lady in white come out of the wall on
one side of the room, and go into the wall on the opposite side.

"Lord Byron one day said to me, 'Nanny, what nonsense they tell about
ghosts, as if there ever were any such things. I have never seen any
thing of the kind about the Abbey, and I warrant you have not.' This
was all done, do you see, to draw me out; but I said nothing, but shook
my head. However, they say his lordship did once see something. It was
in the great hall--something all black and hairy, he said it was the
devil.

"For my part," continued Nanny Smith, "I never saw anything of the
kind--but I heard something once. I was one evening scrubbing the floor
of the little dining-room at the end of the long gallery; it was after
dark; I expected every moment to be called to tea, but wished to finish
what I was about. All at once I heard heavy footsteps in the great
hall. They sounded like the tramp of a horse. I took the light and went
to see what it was. I heard the steps come from the lower end of the
hall to the fireplace in the centre, where they stopped; but I could
see nothing. I returned to my work, and in a little time heard the same
noise again. I went again with the light; the footsteps stopped by the
fireplace as before; still I could see nothing. I returned to my work,
when I heard the steps for a third time. I then went into the hall
without a light, but they stopped just the same, by the fireplace, half
way up the hall. I thought this rather odd, but returned to my work.
When it was finished, I took the light and went through the hall, as
that was my way to the kitchen. I heard no more footsteps, and thought
no more of the matter, when, on coming to the lower end of the hall, I
found the door locked, and then, on one side of the door, I saw the
stone coffin with the skull and bones that had been digged up in the
cloisters."

Here Nanny paused. I asked her if she believed that the mysterious
footsteps had any connection with the skeleton in the coffin; but she
shook her head, and would not commit herself. We took our leave of the
good old dame shortly after, and the story she had related gave subject
for conversation on our ride homeward. It was evident she had spoken
the truth as to what she had heard, but had been deceived by some
peculiar effect of sound. Noises are propagated about a huge irregular
edifice of the kind in a very deceptive manner; footsteps are prolonged
and reverberated by the vaulted cloisters and echoing halls; the
creaking and slamming of distant gates, the rushing of the blast
through the groves and among the ruined arches of the chapel, have all
a strangely delusive effect at night. Colonel Wildman gave an instance
of the kind from his own experience. Not long after he had taken up his
residence at the Abbey, he heard one moonlight night a noise as if a
carriage was passing at a distance. He opened the window and leaned
out. It then seemed as if the great iron roller was dragged along the
gravel walks and terrace, but there was nothing to be seen. When he saw
the gardener on the following morning, he questioned him about working
so late at night. The gardener declared that no one had been at work,
and the roller was chained up. He was sent to examine it, and came back
with a countenance full of surprise. The roller had been moved in the
night, but he declared no mortal hand could have moved it. "Well,"
replied the Colonel, good-humoredly, "I am glad to find I have a
brownie to work for me."

Lord Byron did much to foster and give currency to the superstitious
tales connected with the Abbey, by believing, or pretending to believe
in them. Many have supposed that his mind was really tinged with
superstition, and that this innate infirmity was increased by passing
much of his time in a lonely way, about the empty halls and cloisters
of the Abbey, then in a ruinous melancholy state, and brooding over the
skulls and effigies of its former inmates. I should rather think that
he found poetical enjoyment in these supernatural themes, and that his
imagination delighted to people this gloomy and romantic pile with all
kinds of shadowy inhabitants. Certain it is, the aspect of the mansion
under the varying influence of twilight and moonlight, and cloud and
sunshine operating upon its halls, and galleries, and monkish
cloisters, is enough to breed all kinds of fancies in the minds of its
inmates, especially if poetically or superstitiously inclined.

I have already mentioned some of the fabled visitants of the Abbey. The
goblin friar, however, is the one to whom Lord Byron has given the
greatest importance. It walked the cloisters by night, and sometimes
glimpses of it were seen in other parts of the Abbey. Its appearance
was said to portend some impending evil to the master of the mansion.
Lord Byron pretended to have seen it about a month before he contracted
his ill-starred marriage with Miss Milbanke.

He has embodied this tradition in the following ballad, in which he
represents the friar as one of the ancient inmates of the Abbey,
maintaining by night a kind of spectral possession of it, in right of
the fraternity. Other traditions, however, represent him as one of the
friars doomed to wander about the place in atonement for his crimes.
But to the ballad--

  "Beware! beware! of the Black Friar,
    Who sitteth by Norman stone,
  For he mutters his prayers in the midnight air,
    And his mass of the days that are gone.
  When the Lord of the Hill, Amundeville,
    Made Norman Church his prey,
  And expell'd the friars, one friar still
    Would not be driven away.

  "Though he came in his might, with King Henry's right,
    To turn church lands to lay,
  With sword in hand, and torch to light
    Their walls, if they said nay,
  A monk remain'd, unchased, unchain'd,
    And he did not seem form'd of clay,
  For he's seen in the porch, and he's seen in the church,
    Though he is not seen by day.

  "And whether for good, or whether for ill,
    It is not mine to say;
  But still to the house of Amundeville
    He abideth night and day.
  By the marriage bed of their lords, 'tis said,
    He flits on the bridal eve;
  And 'tis held as faith, to their bed of death,
    He comes--but not to grieve.

  "When an heir is born, he is heard to mourn,
    And when aught is to befall
  That ancient line, in the pale moonshine
    He walks from hall to hall.
  His form you may trace, but not his face,
    'Tis shadow'd by his cowl;
  But his eyes may be seen from the folds between,
    And they seem of a parted soul.

  "But beware! beware of the Black Friar,
    He still retains his sway,
  For he is yet the church's heir,
    Whoever may be the lay.
  Amundeville is lord by day,
    But the monk is lord by night,
  Nor wine nor wassail could raise a vassal
    To question that friar's right.

  "Say nought to him as he walks the hall,
    And he'll say nought to you;
  He sweeps along in his dusky pall,
    As o'er the grass the dew.
  Then gramercy! for the Black Friar;
    Heaven sain him! fair or foul,
  And whatsoe'er may be his prayer
    Let ours be for his soul."

Such is the story of the goblin friar, which, partly through old
tradition, and partly through the influence of Lord Byron's rhymes, has
become completely established in the Abbey, and threatens to hold
possession so long as the old edifice shall endure. Various visitors
have either fancied, or pretended to have seen him, and a cousin of
Lord Byron, Miss Sally Parkins, is even said to have made a sketch of
him from memory. As to the servants at the Abbey, they have become
possessed with all kinds of superstitious fancies. The long corridors
and Gothic halls, with their ancient portraits and dark figures in
armor, are all haunted regions to them; they even fear to sleep alone,
and will scarce venture at night on any distant errand about the Abbey
unless they go in couples.

Even the magnificent chamber in which I was lodged was subject to the
supernatural influences which reigned over the Abbey, and was said to
be haunted by "Sir John Byron the Little with the great Beard." The
ancient black-looking portrait of this family worthy, which hangs over
the door of the great saloon, was said to descend occasionally at
midnight from the frame, and walk the rounds of the state apartments.
Nay, his visitations were not confined to the night, for a young lady,
on a visit to the Abbey some years since, declared that, on passing in
broad day by the door of the identical chamber I have described, which
stood partly open, she saw Sir John Byron the Little seated by the
fireplace, reading out of a great black-letter book. From this
circumstance some have been led to suppose that the story of Sir John
Byron may be in some measure connected with the mysterious sculptures
of the chimney-piece already mentioned; but this has no countenance
from the most authentic antiquarians of the Abbey.

For my own part, the moment I learned the wonderful stories and strange
suppositions connected with my apartment, it became an imaginary realm
to me. As I lay in bed at night and gazed at the mysterious panel-work,
where Gothic knight, and Christian dame, and Paynim lover gazed upon me
in effigy, I used to weave a thousand fancies concerning them. The
great figures in the tapestry, also, were almost animated by the
workings of my imagination, and the Vandyke portraits of the cavalier
and lady that looked down with pale aspects from the wall, had almost a
spectral effect, from their immovable gaze and silent companionship--

  "For by dim lights the portraits of the dead
    Have something ghastly, desolate, and dread.
  ----Their buried looks still wave
    Along the canvas; their eyes glance like dreams
  On ours, as spars within some dusky cave,
    But death is mingled in their shadowy beams."

In this way I used to conjure up fictions of the brain, and clothe the
objects around me with ideal interest and import, until, as the Abbey
clock tolled midnight, I almost looked to see Sir John Byron the Little
with the long beard stalk into the room with his book under his arm,
and take his seat beside the mysterious chimney-piece.




ANNESLEY HALL.


At about three miles' distance from Newstead Abbey, and contiguous to
its lands, is situated Annesley Hall, the old family mansion of the
Chaworths. The families, like the estates, of the Byrons and Chaworths,
were connected in former times, until the fatal duel between their two
representatives. The feud, however, which prevailed for a time,
promised to be cancelled by the attachment of two youthful hearts.
While Lord Byron was yet a boy, he beheld Mary Ann Chaworth, a
beautiful girl, and the sole heiress of Annesley. With that
susceptibility to female charms, which he evinced almost from
childhood, he became almost immediately enamored of her. According to
one of his biographers, it would appear that at first their attachment
was mutual, yet clandestine. The father of Miss Chaworth was then
living, and may have retained somewhat of the family hostility, for we
are told that the interviews of Lord Byron and the young lady were
private, at a gate which opened from her father's grounds to those of
Newstead. However, they were so young at the time that these meetings
could not have been regarded as of any importance: they were little
more than children in years; but, as Lord Byron says of himself, his
feelings were beyond his age.

The passion thus early conceived was blown into a flame, during a six
weeks' vacation which he passed with his mother at Nottingham. The
father of Miss Chaworth was dead, and she resided with her mother at
the old Hall of Annesley. During Byron's minority, the estate of
Newstead was let to Lord Grey de Ruthen, but its youthful Lord was
always a welcome guest at the Abbey. He would pass days at a time
there, and make frequent visits thence to Annesley Hall. His visits
were encouraged by Miss Chaworth's mother; she partook of none of the
family feud, and probably looked with complacency upon an attachment
that might heal old differences and unite two neighboring estates.

The six weeks' vacation passed as a dream amongst the beautiful flowers
of Annesley. Byron was scarce fifteen years of age, Mary Chaworth was
two years older; but his heart, as I have said, was beyond his age, and
his tenderness for her was deep and passionate. These early loves, like
the first run of the uncrushed grape, are the sweetest and strongest
gushings of the heart, and however they may be superseded by other
attachments in after years, the memory will continually recur to them,
and fondly dwell upon their recollections.

His love for Miss Chaworth, to use Lord Byron's own expression, was
"the romance of the most romantic period of his life," and I think we
can trace the effect of it throughout the whole course of his writings,
coming up every now and then, like some lurking theme which runs
through a complicated piece of music, and links it all in a pervading
chain of melody.

How tenderly and mournfully does he recall, in after years, the
feelings awakened in his youthful and inexperienced bosom by this
impassioned, yet innocent attachment; feelings, he says, lost or
hardened in the intercourse of life:

  "The love of better things and better days;
    The unbounded hope, and heavenly ignorance
  Of what is called the world, and the world's ways;
    The moments when we gather from a glance
  More joy than from all future pride or praise,
    Which kindle manhood, but can ne'er entrance
  The heart in an existence of its own,
  Of which another's bosom is the zone."

Whether this love was really responded to by the object, is uncertain.
Byron sometimes speaks as if he had met with kindness in return, at
other times lie acknowledges that she never gave 'him reason to believe
she loved him. It is probable, however, that at first she experienced
some flutterings of the heart. She was of a susceptible age; had as yet
formed no other attachments; her lover, though boyish in years, was a
man in intellect, a poet in imagination, and had a countenance of
remarkable beauty.

With the six weeks' vacation ended this brief romance. Byron returned
to school deeply enamored, but if he had really made any impression on
Miss Chaworth's heart, it was too slight to stand the test of absence.
She was at that age when a female soon changes from the girl to a
woman, and leaves her boyish lovers far behind her. While Byron was
pursuing his school-boy studies, she was mingling with society, and met
with a gentleman of the name of Musters, remarkable, it is said, for
manly beauty. A story is told of her having first seen him from the top
of Annesley Hall, as he dashed through the park, with hound and horn,
taking the lead of the whole field in a fox chase, and that she was
struck by the spirit of his appearance, and his admirable horsemanship.
Under such favorable auspices, he wooed and won her, and when Lord
Byron next met her, he learned to his dismay that she was the affianced
bride of another.

With that pride of spirit--which always distinguished him, he
controlled his feelings and maintained a serene countenance. He even
affected to speak calmly on the subject of her approaching nuptials.
"The next time I see you," said he, "I suppose you will be Mrs.
Chaworth" (for she was to retain her family name). Her reply was, "I
hope so."

I have given these brief details preparatory to a sketch of a visit
which I made to the scene of this youthful romance. Annesley Hall I
understood was shut up, neglected, and almost in a state of desolation;
for Mr. Musters rarely visited it, residing with his family in the
neighborhood of Nottingham. I set out for the Hall on horseback, in
company with Colonel Wildman, and followed by the great Newfoundland
dog Boatswain. In the course of our ride we visited a spot memorable in
the love story I have cited. It was the scene of this parting interview
between Byron and Miss Chaworth, prior to her marriage. A long ridge of
upland advances into the valley of Newstead, like a promontory into a
lake, and was formerly crowned by a beautiful grove, a landmark to the
neighboring country. The grove and promontory are graphically described
by Lord Byron in his "Dream," and an exquisite picture given of
himself, and the lovely object of his boyish idolatry--

  "I saw two beings to the hues of youth
  Standing upon a hill, a gentle hill,
  Green, and of mild declivity, the last
  As 'twere the cape of a long ridge of such,
  Save that there was no sea to lave its base,
  But a most living landscape, and the ware
  Of woods and cornfields, and the abodes of men.
  Scattered at intervals and wreathing smoke
  Arising from such rustic roofs;--the hill
  Was crown'd with a peculiar diadem
  Of trees, in circular array, so fixed,
  Not by the sport of nature, but of man:
  These two, a maiden and a youth, were there
  Gazing--the one on all that was beneath
  Fair as herself--but the boy gazed on her;
  And both were fair, and one was beautiful:
  And both were young--yet not alike in youth:
  As the sweet moon in the horizon's verge,
  The maid was on the verge of womanhood;
  The boy had fewer summers, but his heart
  Had far outgrown his years, and to his eye
  There was but one beloved face on earth,
  And that was shining on him."

I stood upon the spot consecrated by this memorable interview. Below me
extended the "living landscape," once contemplated by the loving pair;
the gentle valley of Newstead, diversified by woods and corn-fields,
and village spires, and gleams of water, and the distant towers and
pinnacles of the venerable Abbey. The diadem of trees, however, was
gone. The attention drawn to it by the poet, and the romantic manner in
which he had associated it with his early passion for Mary Chaworth,
had nettled the irritable feelings of her husband, who but ill brooked
the poetic celebrity conferred on his wife by the enamored verses of
another. The celebrated grove stood on his estate, and in a fit of
spleen he ordered it to be levelled with the dust. At the time of my
visit the mere roots of the trees were visible; but the hand that laid
them low is execrated by every poetical pilgrim.

Descending the bill, we soon entered a part of what once was Annesley
Park, and rode among time-worn and tempest-riven oaks and elms, with
ivy clambering about their trunks, and rooks' nests among their
branches. The park had been cut up by a post-road, crossing which, we
came to the gate-house of Annesley Hall. It was an old brick building
that might have served as an outpost or barbacan to the Hall during the
civil wars, when every gentleman's house was liable to become a
fortress. Loopholes were still visible in its walls, but the peaceful
ivy had mantled the sides, overrun the roof, and almost buried the
ancient clock in front, that still marked the waning hours of its
decay.

An arched way led through the centre of the gate-house, secured by
grated doors of open iron work, wrought into flowers and flourishes.
These being thrown open, we entered a paved court-yard, decorated with
shrubs and antique flowerpots, with a ruined stone fountain in the
centre. The whole approach resembled that of an old French chateau.

On one side of the court-yard was a range of stables, now tenantless,
but which bore traces of the fox-hunting squire; for there were stalls
boxed up, into which the hunters might be turned loose when they came
home from the chase.

At the lower end of the court, and immediately opposite the gate-house,
extended the Hall itself; a rambling, irregular pile, patched and
pieced at various times, and in various tastes, with gable ends, stone
balustrades, and enormous chimneys, that strutted out like buttresses
from the walls. The whole front of the edifice was overrun with
evergreens.

We applied for admission at the front door, which was under a heavy
porch. The portal was strongly barricaded, and our knocking was echoed
by waste and empty halls. Every thing bore an appearance of
abandonment. After a time, however, our knocking summoned a solitary
tenant from some remote corner of the pile. It was a decent-looking
little dame, who emerged from a side door at a distance, and seemed a
worthy inmate of the antiquated mansion. She had, in fact, grown old
with it. Her name, she said, was Nanny Marsden; if she lived until next
August, she would be seventy-one; a great part of her life had been
passed in the Hall, and when the family had removed to Nottingham, she
had been left in charge of it. The front of the house had been thus
warily barricaded in consequence of the late riots at Nottingham, in
the course of which the dwelling of her master had been sacked by the
mob. To guard against any attempt of the kind upon the Hall, she had
put it in this state of defence; though I rather think she and a
superannuated gardener comprised the whole garrison. "You must be
attached to the old building," said I, "after having lived so long in
it." "Ah, sir!" replied she, "I am _getting in years_, and have a
furnished cottage of my own in Annesley Wood, and begin to feel as if I
should like to go and live in my own home."

Guided by the worthy little custodian of the fortress, we entered
through the sally port by which she had issued forth, and soon found
ourselves in a spacious, but somewhat gloomy hall, where the light was
partially admitted through square stone-shafted windows, overhung with
ivy. Everything around us had the air of an old-fashioned country
squire's establishment. In the centre of the hall was a billiard-table,
find about the walls were hung portraits of race-horses, hunters, and
favorite dogs, mingled indiscriminately with family pictures.

Staircases led up from the hall to various apartments. In one of the
rooms we were shown a couple of buff jerkins, and a pair of ancient
jackboots, of the time of the cavaliers; relics which are often to be
met with in the old English family mansions. These, however, had
peculiar value, for the good little dame assured us that they had
belonged to Robin Hood. As we were in the midst of the region over
which that famous outlaw once bore ruffian sway, it was not for us to
gainsay his claim to any of these venerable relics, though we might
have demurred that the articles of dress here shown were of a date much
later than his time. Every antiquity, however, about Sherwood Forest is
apt to be linked with the memory of Robin Hood and his gang.

As we were strolling about the mansion, our four-footed attendant,
Boatswain, followed leisurely, as if taking a survey of the premises. I
turned to rebuke him for his intrusion, but the moment the old
housekeeper understood he had belonged to Lord Byron, her heart seemed
to yearn toward him. "Nay, nay," exclaimed she, "let him alone, let him
go where he pleases. He's welcome. Ah, dear me! If he lived here I
should take great care of him--he should want for nothing.--Well!"
continued she, fondling him, "who would have thought that I should see
a dog of Lord Byron in Annesley Hall!"

"I suppose, then," said I, "you recollect something of Lord Byron, when
he used to visit here?" "Ah, bless him!" cried she, "that I do! He used
to ride over here and stay three days at a time, and sleep in the blue
room. Ah! poor fellow! He was very much taken with my young mistress;
he used to walk about the garden and the terraces with her, and seemed
to love the very ground she trod on. He used to call her _his bright
morning star of Annesley_."

I felt the beautiful poetic phrase thrill through me.

"You appear to like the memory of Lord Byron," said I.

"Ah, sir! why should not I! He was always main good to me when he came
here. Well, well, they say it is a pity he and my young lady did not
make a match. Her mother would have liked it. He was always a welcome
guest, and some think it would have been well for him to have had her;
but it was not to be! He went away to school, and then Mr. Musters saw
her, and so things took their course."

The simple soul now showed us into the favorite sitting-room of Miss
Chaworth, with a small flower-garden under the windows, in which she
had delighted. In this room Byron used to sit and listen to her as she
played and sang, gazing upon her with the passionate, and almost
painful devotion of a love-sick stripling. He himself gives us a
glowing picture of his mute idolatry:

  "He bad no breath, no being, but in hers;
   She was his voice; he did not speak to her,
   But trembled on her words; she was his sight.
   For his eye followed hers, and saw with hers,
   Which colored all his objects; he had ceased
   To live within himself; she was his life,
   The ocean to the river of his thoughts,
   Which terminated all; upon a tone,
   A touch of hers, his blood would ebb and flow,
   And his cheek change tempestuously--his heart
   Unknowing of its cause of agony."

There was a little Welsh air, call "Mary Ann," which, from bearing her
own name, he associated with herself, and often persuaded her to sing
it over and over for him.

The chamber, like all the other parts of the house, had a look of
sadness and neglect; the flower-pots beneath the window, which once
bloomed beneath the hand of Mary Chaworth, were overrun with weeds; and
the piano, which had once vibrated to her touch, and thrilled the heart
of her stripling lover, was now unstrung and out of tune.

We continued our stroll about the waste apartments, of all shapes and
sizes, and without much elegance of decoration. Some of them were hung
with family portraits, among which was pointed out that of the Mr.
Chaworth who was killed by the "wicked Lord Byron."

These dismal looking portraits had a powerful effect upon the
imagination of the stripling poet, on his first visit to the hall. As
they gazed down from the wall, he thought they scowled upon him, as if
they had taken a grudge against him on account of the duel of his
ancestor. He even gave this as a reason, though probably in jest, for
not sleeping at the Hall, declaring that he feared they would come down
from their frames at night to haunt him.

A feeling of the kind he has embodied in one of his stanzas of "Don
Juan:"

  "The forms of the grim knights and pictured saints
    Look living in the moon; and as you turn
  Backward and forward to the echoes faint
    Of your own footsteps--voices from the urn
  Appear to wake, and shadows wild and quaint
    Start from the frames which fence their aspects stern,
  As if to ask you how you dare to keep
  A vigil there, where all but death should sleep."

Nor was the youthful poet singular in these fancies; the Hall, like
most old English mansions that have ancient family portraits hanging
about their dusky galleries and waste apartments, had its ghost story
connected with these pale memorials of the dead. Our simple-hearted
conductor stopped before the portrait of a lady, who had been a beauty
in her time, and inhabited the hall in the heyday of her charms.
Something mysterious or melancholy was connected with her story; she
died young, but continued for a long time to haunt the ancient mansion,
to the great dismay of the servants, and the occasional disquiet of the
visitors, and it was with much difficulty her troubled spirit was
conjured down and put to rest.

From the rear of the hall we walked out into the garden, about which
Byron used to stroll and loiter in company with Miss Chaworth. It was
laid out in the old French style. There was a long terraced walk, with
heavy stone balustrades and sculptured urns, overrun with ivy and
evergreens. A neglected shrubbery bordered one side of the terrace,
with a lofty grove inhabited by a venerable community of rooks. Great
flights of steps led down from the terrace to a flower garden laid out
in formal plots. The rear of the Hall, which overlooked the garden, had
the weather stains of centuries, and its stone-shafted casements and an
ancient sun-dial against its walls carried back the mind to days of
yore.

The retired and quiet garden, once a little sequestered world of love
and romance, was now all matted and wild, yet was beautiful, even in
its decay. Its air of neglect and desolation was in unison with the
fortune of the two beings who had once walked here in the freshness of
youth, and life, and beauty. The garden, like their young hearts, had
gone to waste and ruin.

Returning to the Hall we now visited a chamber built over the porch, or
grand entrance. It was in a ruinous condition, the ceiling having
fallen in and the floor given way. This, however, is a chamber rendered
interesting by poetical associations. It is supposed to be the oratory
alluded to by Lord Byron in his "Dream," wherein he pictures his
departure from Annesley, after learning that Mary Chaworth was engaged
to be married--

  'There was an ancient mansion, and before
  Its walls there was a steed caparisoned;
  Within an antique oratory stood
  The boy of whom I spake;--he was alone,
  And pale and pacing to and fro: anon
  He sate him down, and seized a pen, and traced
  Words which I could not guess of; then he leaned
  His bow'd head on his hands, and shook as 'twere
  With a convulsion--then arose again,
  And with his teeth and quivering hands did tear
  What he had written, but he shed no tears.
  And he did calm himself, and fix his brow
  Into a kind of quiet; as he paused,
  The lady of his love re-entered there;
  She was serene and smiling then, and yet
  She knew she was by him beloved,--she knew,
  For quickly comes such knowledge, that his heart
  Was darkened with her shadow, and she saw
  That he was wretched, but she saw not all.
  He rose, and with a cold and gentle grasp
  He took her hand; a moment o'er his face
  A tablet of unutterable thoughts
  Was traced, and then it faded as it came;
  He dropp'd the hand he held, and with slow steps
  Return'd, but not as bidding her adieu,
  For they did part with mutual smiles:--he pass'd
  From out the massy gate of that old Hall,
  And mounting on his steed he went his way,
  And ne'er repassed that hoary threshold more."

In one of his journals, Lord Byron describes his feelings after thus
leaving the oratory. Arriving on the summit of a hill, which commanded
the last view of Annesley, he checked his horse, and gazed back with
mingled pain and fondness upon the groves which embowered the Hall, and
thought upon the lovely being that dwelt there, until his feelings were
quite dissolved in tenderness. The conviction at length recurred that
she never could be his, when, rousing himself from his reverie, he
struck his spurs into his steed and dashed forward, as if by rapid
motion to leave reflection behind him.

Yet, notwithstanding what he asserts in the verses last quoted, he did
pass the "hoary threshold" of Annesley again. It was, however, after
the lapse of several years, during which he had grown up to manhood,
and had passed through the ordeal of pleasures and tumultuous passions,
and had felt the influence of other charms. Miss Chaworth, too, had
become a wife and a mother, and he dined at Annesley Hall at the
invitation of her husband. He thus met the object of his early idolatry
in the very scene of his tender devotions, which, as he says, her
smiles had once made a heaven to him. The scene was but little changed.
He was in the very chamber where he had so often listened entranced to
the witchery of her voice; there were the same instruments and music;
there lay her flower garden beneath the window, and the walks through
which he had wandered with her in the intoxication of youthful love.
Can we wonder that amidst the tender recollections which every object
around him was calculated to awaken, the fond passion of his boyhood
should rush back in full current to his heart? He was himself surprised
at this sudden revulsion of his feelings, but he had acquired self-
possession and could command them. His firmness, however, was doomed to
undergo a further trial. While seated by the object of his secret
devotions, with all these recollections throbbing in his bosom, her
infant daughter was brought into the room. At sight of the child he
started; it dispelled the last lingerings of his dream, and he
afterward confessed, that to repress his emotion at the moment, was the
severest part of his task.

The conflict of feelings that raged within his bosom, throughout this
fond and tender, yet painful and embarrassing visit, are touchingly
depicted in lines which he wrote immediately afterward, and which,
though not addressed to her by name, are evidently intended for the eye
and the heart of the fair lady of Annesley:

  "Well! thou art happy, and I feel
    That I should thus be happy too;
  For still my heart regards thy weal
    Warmly, as it was wont to do.

  Thy husband's blest--and 'twill impart
    Some pangs to view his happier lot:
  But let them pass--Oh! how my heart
    Would hate him, if he loved thee not!

  "When late I saw thy favorite child
    I thought my jealous heart would break;
  But when the unconscious infant smiled,
    I kiss'd it for its mother's sake.

  "I kiss'd it, and repress'd my sighs
    Its father in its face to see;
  But then it had its mother's eyes,
    And they were all to love and me.

  "Mary, adieu! I must away:
    While thou art blest I'll not repine;
  But near thee I can never stay:
    My heart would soon again be thine.

  "I deem'd that time, I deem'd that pride
    Had quench'd at length my boyish flame
  Nor knew, till seated by thy side,
    My heart in all, save love, the same.

  "Yet I was calm: I knew the time
    My breast would thrill before thy look;
  But now to tremble were a crime--
    We met, and not a nerve was shook.

  "I saw thee gaze upon my face,
    Yet meet with no confusion there:
  One only feeling could'st thou trace;
    The sullen calmness of despair.

  "Away! away! my early dream
    Remembrance never must awake:
  Oh! where is Lethe's fabled stream?
    My foolish heart, be still, or break."

The revival of this early passion, and the melancholy associations
which it spread over those scenes in the neighborhood of Newstead,
which would necessarily be the places of his frequent resort while in
England, are alluded to by him as a principal cause of his first
departure for the Continent:

  "When man expell'd from Eden's bowers
    A moment lingered near the gate,
  Each scene recalled the vanish'd hours,
    And bade him curse his future fate.

  "But wandering on through distant climes,
    He learnt to bear his load of grief;
  Just gave a sigh to other times,
    And found in busier scenes relief.

  "Thus, Mary, must it be with me,
    And I must view thy charms no more;
  For, while I linger near to thee,
    I sigh for all I knew before."

It was in the subsequent June that he set off on his pilgrimage by sea
and land, which was to become the theme of his immortal poem. That the
image of Mary Chaworth, as he saw and loved her in the days of his
boyhood, followed him to the very shore, is shown in the glowing
stanzas addressed to her on the eve of embarkation--

  "'Tis done--and shivering in the gale
    The bark unfurls her snowy sail;
  And whistling o'er the bending mast,
    Loud sings on high the fresh'ning blast;
  And I must from this land be gone.
    Because I cannot love but one.

  "And I will cross the whitening foam,
    And I will seek a foreign home;
  Till I forget a false fair face,
    I ne'er shall find a resting place;
  My own dark thoughts I cannot shun,
    But ever love, and love but one.

  "To think of every early scene,
    Of what we are, and what we've been,
  Would whelm some softer hearts with woe--
    But mine, alas! has stood the blow;
  Yet still beats on as it begun,
    And never truly loves but one.

  "And who that dear loved one may be
    Is not for vulgar eyes to see,
  And why that early love was cross'd,
    Thou know'st the best, I feel the most;
  But few that dwell beneath the sun
    Have loved so long, and loved but one.

  "I've tried another's fetters too,
    With charms, perchance, as fair to view;
  And I would fain have loved as well,
    But some unconquerable spell
  Forbade my bleeding breast to own
    A kindred care for aught but one.

  "'Twould soothe to take one lingering view,
    And bless thee in my last adieu;
  Yet wish I not those eyes to weep
    For him who wanders o'er the deep;
  His home, his hope, his youth are gone,
    Yet still he loves, and loves but one."

The painful interview at Annesley Hall, which revived with such
intenseness his early passion, remained stamped upon his memory with
singular force, and seems to have survived all his "wandering through
distant climes," to which he trusted as an oblivious antidote. Upward
of two years after that event, when, having made his famous pilgrimage,
he was once more an inmate of Newstead Abbey, his vicinity to Annesley
Hall brought the whole scene vividly before him, and he thus recalls it
in a poetic epistle to a friend--

  "I've seen my bride another's bride,--
  Have seen her seated by his side,--
  Have seen the infant which she bore,
  Wear the sweet smile the mother wore,
  When she and I in youth have smiled
  As fond and faultless as her child:--
  Have seen her eyes, in cold disdain,
  Ask if I felt no secret pain.

  "And I have acted well my part,
  And made my cheek belie my heart,
  Returned the freezing glance she gave,
  Yet felt the while _that_ woman's slave;--
  Have kiss'd, as if without design,
  The babe which ought to have been mine,
  And show'd, alas! in each caress,
  Time had not made me love the less."

"It was about the time," says Moore in his life of Lord Byron, "when he
was thus bitterly feeling and expressing the blight which his heart had
suffered from a _real_ object of affection, that his poems on an
imaginary one, 'Thyrza,' were written." He was at the same time
grieving over the loss of several of his earliest and dearest friends
the companions of his joyous school-boy hours. To recur to the
beautiful language of Moore, who writes with the kindred and kindling
sympathies of a true poet: "All these recollections of the young and
the dead mingled themselves in his mind with the image of her, who,
though living, was for him, as much lost as they, and diffused that
general feeling of sadness and fondness through his soul, which found a
vent in these poems.... It was the blending of the two affections in
his memory and imagination, that gave birth to an ideal object
combining the best features of both, and drew from him those saddest
and tenderest of love poems, in which we find all the depth and
intensity of real feeling, touched over with such a light as no reality
ever wore."

An early, innocent, and unfortunate passion, however fruitful of pain
it may be to the man, is a lasting advantage to the poet. It is a well
of sweet and bitter fancies; of refined and gentle sentiments; of
elevated and ennobling thoughts; shut up in the deep recesses of the
heart, keeping it green amidst the withering blights of the world, and,
by its casual gushings and overflowings, recalling at times all the
freshness, and innocence, and enthusiasm of youthful days. Lord Byron
was conscious of this effect, and purposely cherished and brooded over
the remembrance of his early passion, and of all the scenes of Annesley
Hall connected with it. It was this remembrance that attuned his mind
to some of its most elevated and virtuous strains, and shed an
inexpressible grace and pathos over his best productions.

Being thus put upon the traces of this little love-story, I cannot
refrain from threading them out, as they appear from time to time in
various passages of Lord Byron's works. During his subsequent rambles
in the East, when time and distance had softened away his "early
romance" almost into the remembrance of a pleasing and tender dream, he
received accounts of the object of it, which represented her, still in
her paternal Hall, among her native bowers of Annesley, surrounded by a
blooming and beautiful family, yet a prey to secret and withering
melancholy--

  ----"In her home,
  A thousand leagues from his,--her native home,
  She dwelt, begirt with growing infancy,
  Daughters and sons of beauty, but--behold!
  Upon her face there was the tint of grief,
  The settled shadow of an inward strife,
  And an unquiet drooping of the eye,
  _As if its lids were charged with unshed tears_."

For an instant the buried tenderness of early youth and the fluttering
hopes which accompanied it, seemed to have revived in his bosom, and
the idea to have flashed upon his mind that his image might be
connected with her secret woes--but he rejected the thought almost as
soon as formed.

  "What could her grief be?--she had all she loved,
  And he who had so loved her was not there
  To trouble with bad hopes, or evil wish,
  Or ill repress'd affection, her pure thoughts.
  What could her grief be?--she had loved him not,
  Nor given him cause to deem himself beloved,
  Nor could he be a part of that which prey'd
  Upon her mind--a spectre of the past."

The cause of her grief was a matter of rural comment in the
neighborhood of Newstead and Annesley. It was disconnected from all
idea of Lord Byron, but attributed to the harsh and capricious conduct
of one to whose kindness and affection she had a sacred claim. The
domestic sorrows which had long preyed in secret on her heart, at
length affected her intellect, and the "bright morning star of
Annesley" was eclipsed for ever.

  "The lady of his love,--oh! she was changed
  As by the sickness of the soul; her mind
  Had wandered from its dwelling, and her eyes,
  They had not their own lustre, but the look
  Which is not of the earth; she was become
  The queen of a fantastic realm: but her thoughts
  Were combinations of disjointed things;
  And forms impalpable and unperceived
  Of others' sight, familiar were to hers.
  And this the world calls frenzy."

Notwithstanding lapse of time, change of place, and a succession of
splendid and spirit-stirring scenes in various countries, the quiet and
gentle scene of his boyish love seems to have held a magic sway over
the recollections of Lord Byron, and the image of Mary Chaworth to have
unexpectedly obtruded itself upon his mind like some supernatural
visitation. Such was the fact on the occasion of his marriage with Miss
Milbanke; Annesley Hall and all its fond associations floated like a
vision before his thoughts, even when at the altar, and on the point of
pronouncing the nuptial vows. The circumstance is related by him with a
force and feeling that persuade us of its truth.

  "A change came o'er the spirit of my dream.
  The wanderer was returned.--I saw him stand
  Before an altar--with a gentle bride;
  Her face was fair, but was not that which made
  The star-light of his boyhood;--as he stood
  Even at the altar, o'er his brow there came
  The self-same aspect, and the quivering shock
  That in the antique oratory shook
  His bosom in its solitude; and then--
  As in that hour--a moment o'er his face
  The tablet of unutterable thoughts
  Was traced,--and then it faded as it came,
  And he stood calm and quiet, and he spoke
  The fitting vows, but beard not his own words,
  And all things reel'd around him: he could see
  Not that which was, nor that which should have been--
  But the old mansion, and the accustomed hall,
  And the remember'd chambers, and the place,
  The day, the hour, the sunshine, and the shade,
  All things pertaining to that place and hour,
  And her who was his destiny, came back,
  And thrust themselves between him and the light:
  What business had they there at such a time?"

The history of Lord Byron's union is too well known to need narration.
The errors, and humiliations, and heart-burnings that followed upon it,
gave additional effect to the remembrance of his early passion, and
tormented him with the idea, that had he been successful in his suit to
the lovely heiress of Annesley, they might both have shared a happier
destiny. In one of his manuscripts, written long after his marriage,
having accidentally mentioned Miss Chaworth as "my M. A. C." "Alas!"
exclaims he, with a sudden burst of feeling, "why do I say _my_?
Our union would have healed feuds in which blood had been shed by our
fathers; it would have joined lands broad and rich; it would have
joined at least _one_ heart, and two persons not ill-matched in
years-and--and--and--what has been the result?"

But enough of Annesley Hall and the poetical themes connected with it.
I felt as if I could linger for hours about its ruined oratory, and
silent hall, and neglected garden, and spin reveries and dream dreams,
until all became an ideal world around me. The day, however, was fast
declining, and the shadows of evening throwing deeper shades of
melancholy about the place. Taking our leave of the worthy old
housekeeper, therefore, with a small compensation and many thanks for
her civilities, we mounted our horses and pursued our way back to
Newstead Abbey.




THE LAKE.

  "Before the mansion lay a lucid lake,
    Broad as transparent, deep, and freshly fed
  By a river, which its softened way did take
    in currents through the calmer water spread
  Around: the wild fowl nestled in the brake
    And sedges, brooding in their liquid bed:
  The woods sloped downward to its brink, and stood
    With their green faces fixed upon the flood."


Such is Lord Byron's description of one of a series of beautiful sheets
of water, formed in old times by the monks by damming up the course of
a small river. Here he used daily to enjoy his favorite recreations in
swimming and sailing. The "wicked old Lord," in his scheme of rural
devastation, had cut down all the woods that once fringed the lake;
Lord Byron, on coming of age, endeavored to restore them, and a
beautiful young wood, planted by him, now sweeps up from the water's
edge, and clothes the hillside opposite to the Abbey. To this woody
nook Colonel Wildman has given the appropriate title of "the Poet's
Corner."

The lake has inherited its share of the traditions and fables connected
with everything in and about the Abbey. It was a petty Mediterranean
sea on which the "wicked old Lord" used to gratify his nautical tastes
and humors. He had his mimic castles and fortresses along its shores,
and his mimic fleets upon its waters, and used to get up mimic sea-
fights. The remains of his petty fortifications still awaken the
curious inquiries of visitors. In one of his vagaries, he caused a
large vessel to be brought on wheels from the sea-coast and launched in
the lake. The country people were surprised to see a ship thus sailing
over dry land. They called to mind a saying of Mother Shipton, the
famous prophet of the vulgar, that whenever a ship freighted with ling
should cross Sherwood Forest, Newstead would pass out of the Byron
family. The country people, who detested the old Lord, were anxious to
verify the prophecy. Ling, in the dialect of Nottingham, is the name
for heather; with this plant they heaped the fated bark as it passed,
so that it arrived full freighted at Newstead.

The most important stories about the lake, however, relate to the
treasures that are supposed to lie buried in its bosom. These may have
taken their origin in a fact which actually occurred. There was one
time fished up from the deep part of the lake a great eagle of molten
brass, with expanded wings, standing on a pedestal or perch of the same
metal. It had doubtless served as a stand or reading-desk, in the Abbey
chapel, to hold a folio Bible or missal.

The sacred relic was sent to a brazier to be cleaned. As he was at work
upon it, he discovered that the pedestal was hollow and composed of
several pieces. Unscrewing these, he drew forth a number of parchment
deeds and grants appertaining to the Abbey, and bearing the seals of
Edward III. and Henry VIII., which had thus been concealed, and
ultimately sunk in the lake by the friars, to substantiate their right
and title to these domains at some future day.

One of the parchment scrolls thus discovered, throws rather an awkward
light upon the kind of life led by the friars of Newstead. It is an
indulgence granted to them for a certain number of months, in which
plenary pardon is assured in advance for all kinds of crimes, among
which, several of the most gross and sensual are specifically
mentioned, and the weakness of the flesh to which they are prone.

After inspecting these testimonials of monkish life, in the regions of
Sherwood Forest, we cease to wonder at the virtuous indignation of
Robin Hood and his outlaw crew, at the sleek sensualists of the
cloister:

  "I never hurt the husbandman,
  That use to till the ground,
  Nor spill their blood that range the wood
  To follow hawk and hound,

  "My chiefest spite to clergy is,
  Who in these days bear sway;
  With friars and monks with their fine spunks,
  I make my chiefest prey."--OLD BALLAD OF ROBIN HOOD.

The brazen eagle has been transferred to the parochial and collegiate
church of Southall, about twenty miles from Newstead, where it may
still be seen in the centre of the chancel, supporting, as of yore, a
ponderous Bible. As to the documents it contained, they are carefully
treasured up by Colonel Wildman among his other deeds and papers, in an
iron chest secured by a patent lock of nine bolts, almost equal to a
magic spell.

The fishing up of this brazen relic, as I have already hinted, has
given rise to the tales of treasure lying at the bottom of the lake,
thrown in there by the monks when they abandoned the Abbey. The
favorite story is, that there is a great iron chest there filled with
gold and jewels, and chalices and crucifixes. Nay, that it has been
seen, when the water of the lake was unusually low. There were large
iron rings at each end, but all attempts to move it were ineffectual;
either the gold it contained was too ponderous, or what is more
probable, it was secured by one of those magic spells usually laid upon
hidden treasure. It remains, therefore, at the bottom of the lake to
this day; and it is to be hoped, may one day or other be discovered by
the present worthy proprietor.




ROBIN HOOD AND SHERWOOD FOREST.


While at Newstead Abbey I took great delight in riding and rambling
about the neighborhood, studying out the traces of merry Sherwood
Forest, and visiting the haunts of Robin Hood. The relics of the old
forest are few and scattered, but as to the bold outlaw who once held a
kind of freebooting sway over it, there is scarce a hill or dale, a
cliff or cavern, a well or fountain, in this part of the country, that
is not connected with his memory. The very names of some of the tenants
on the Newstead estate, such as Beardall and Hardstaff, sound as if
they may have been borne in old times by some of the stalwart fellows
of the outlaw gang. One of the earliest books that captivated my fancy
when a child, was a collection of Robin Hood ballads, "adorned with
cuts," which I bought of an old Scotch pedler, at the cost of all my
holiday money. How I devoured its pages, and gazed upon its uncouth
woodcuts! For a time my mind was filled with picturings of "merry
Sherwood," and the exploits and revelling of the hold foresters; and
Robin Hood, Little John, Friar Tuck, and their doughty compeers, were
my heroes of romance.

These early feelings were in some degree revived when I found myself in
the very heart of the far-famed forest, and, as I said before, I took a
kind of schoolboy delight in hunting up all traces of old Sherwood and
its sylvan chivalry. One of the first of my antiquarian rambles was on
horseback, in company with Colonel Wildman and his lady, who undertook
to guide me to Borne of the moldering monuments of the forest. One of
these stands in front of the very gate of Newstead Park, and is known
throughout the country by the name of "The Pilgrim Oak." It is a
venerable tree, of great size, overshadowing a wide arena of the road.
Under its shade the rustics of the neighborhood have been accustomed to
assemble on certain holidays, and celebrate their rural festivals. This
custom had been handed down from father to son for several generations,
until the oak had acquired a kind of sacred character.

The "old Lord Byron," however, in whose eyes nothing was sacred, when
he laid his desolating hand on the groves and forests of Newstead,
doomed likewise this traditional tree to the axe. Fortunately the good
people of Nottingham heard of the danger of their favorite oak, and
hastened to ransom it from destruction. They afterward made a present
of it to the poet, when he came to the estate, and the Pilgrim Oak is
likely to continue a rural gathering place for many coming generations.

From this magnificent and time-honored tree we continued on our sylvan
research, in quest of another oak, of more ancient date and less
flourishing condition. A ride of two or three miles, the latter part
across open wastes, once clothed with forest, now bare and cheerless,
brought us to the tree in question. It was the Oak of Ravenshead, one
of the last survivors of old Sherwood, and which had evidently once
held a high head in the forest; it was now a mere wreck, crazed by
time, and blasted by lightning, and standing alone on a naked waste,
like a ruined column in a desert.

  "The scenes are desert now, and bare,
  Where flourished once a forest fair,
  When these waste glens with copse were lined,
  And peopled with the hart and hind.
  Yon lonely oak, would he could tell
  The changes of his parent dell,
  Since he, so gray and stubborn now,
  Waved in each breeze a sapling bough.
  Would he could tell how deep the shade
  A thousand mingled branches made.
  Here in my shade, methinks he'd say,
  The mighty stag at noontide lay,
  While doe, and roe, and red-deer good,
  Hare bounded by through gay green-wood."

At no great distance from Ravenshead Oak is a small cave which goes by
the name of Robin Hood's stable. It is in the breast of a hill, scooped
out of brown freestone, with rude attempt at columns and arches. Within
are two niches, which served, it is said, as stalls for the bold
outlaw's horses. To this retreat he retired when hotly pursued by the
law, for the place was a secret even from his band. The cave is
overshadowed by an oak and alder, and is hardly discoverable even at
the present day; but when the country was overrun with forest it must
have been completely concealed.

There was an agreeable wildness and loneliness in a great part of our
ride. Our devious road wound down, at one time among rocky dells, by
wandering streams, and lonely pools, haunted by shy water-fowl. We
passed through a skirt of woodland, of more modern planting, but
considered a legitimate offspring of the ancient forest, and commonly
called Jock of Sherwood. In riding through these quiet, solitary
scenes, the partridge and pheasant would now and then burst upon the
wing, and the hare scud away before us.

Another of these rambling rides in quest of popular antiquities, was to
a chain of rocky cliffs, called the Kirkby Crags, which skirt the Robin
Hood hills. Here, leaving my horse at the foot of the crags, I scaled
their rugged sides, and seated myself in a niche of the rocks, called
Robin Hood's chair. It commands a wide prospect over the valley of
Newstead, and here the bold outlaw is said to have taken his seat, and
kept a look-out upon the roads below, watching for merchants, and
bishops, and other wealthy travellers, upon whom to pounce down, like
an eagle from his eyrie.

Descending from the cliffs and remounting my horse, a ride of a mile or
two further along a narrow "robber path," as it was called, which wound
up into the hills between perpendicular rocks, led to an artificial
cavern cut in the face of a cliff, with a door and window wrought
through the living stone. This bears the name of Friar Tuck's cell, or
hermitage, where, according to tradition, that jovial anchorite used to
make good cheer and boisterous revel with his freebooting comrades.

Such were some of the vestiges of old Sherwood and its renowned
"yeomandrie," which I visited in the neighborhood of Newstead. The
worthy clergyman who officiated as chaplain at the Abbey, seeing my
zeal in the cause, informed me of a considerable tract of the ancient
forest, still in existence about ten miles distant. There were many
fine old oaks in it, he said, that had stood for centuries, but were
now shattered and "stag-headed," that is to say, their upper branches
were bare, and blasted, and straggling out like the antlers of, a deer.
Their trunks, too, were hollow, and full of crows and jackdaws, who
made them their nestling places. He occasionally rode over to the
forest in the long summer evenings, and pleased himself with loitering
in the twilight about the green alleys and under the venerable trees.

The description given by the chaplain made me anxious to visit this
remnant of old Sherwood, and he kindly offered to be my guide and
companion. We accordingly sallied forth one morning on horseback on
this sylvan expedition. Our ride took us through a part of the country
where King John had once held a hunting seat; the ruins of which are
still to be seen. At that time the whole neighbor hood was an open
royal forest, or Frank chase, as it was termed; for King John was an
enemy to parks and warrens, and other inclosures, by which game was
fenced in for the private benefit and recreation of the nobles and the
clergy.

Here, on the brow of a gentle hill, commanding an extensive prospect of
what had once been forest, stood another of those monumental trees,
which, to my mind, gave a peculiar interest to this neighborhood. It
was the Parliament Oak, so called in memory of an assemblage of the
kind held by King John beneath its shade. The lapse of upward of six
centuries had reduced this once mighty tree to a mere crumbling
fragment, yet, like a gigantic torso in ancient statuary, the grandeur
of the mutilated trunk gave evidence of what it had been in the days of
its glory. In contemplating its mouldering remains, the fancy busied
itself in calling up the scene that must have been presented beneath
its shade, when this sunny hill swarmed with the pageantry of a warlike
and hunting court. When silken pavilions and warrior-tents decked its
crest, and royal standards, and baronial banners, and knightly pennons
rolled out to the breeze. When prelates and courtiers, and steel-clad
chivalry thronged round the person of the monarch, while at a distance
loitered the foresters in green, and all the rural and hunting train
that waited upon his sylvan sports.

   'A thousand vassals mustered round
   With horse, and hawk, and horn, and hound;
   And through the brake the rangers stalk,
   And falc'ners hold the ready hawk;
   And foresters in green-wood trim
   Lead in the leash the greyhound grim."

Such was the phantasmagoria that presented itself for a moment to my
imagination, peopling the silent place before me with empty shadows of
the past. The reverie however was transient; king, courtier, and steel-
clad warrior, and forester in green, with horn, and hawk, and hound,
all faded again into oblivion, and I awoke to all that remained of this
once stirring scene of human pomp and power--a mouldering oak, and a
tradition.

  "We are such stuff as dreams are made of!"

A ride of a few miles farther brought us at length among the venerable
and classic shades of Sherwood, Here I was delighted to find myself in
a genuine wild wood, of primitive and natural growth, so rarely to be
met with in this thickly peopled and highly cultivated country. It
reminded me of the aboriginal forests of my native land. I rode through
natural alleys and green-wood groves, carpeted with grass and shaded by
lofty and beautiful birches. What most interested me, however, was to
behold around me the mighty trunks of veteran oaks, old monumental
trees, the patriarchs of Sherwood Forest. They were shattered, hollow,
and moss-grown, it is true, and their "leafy honors" were nearly
departed; but like mouldering towers they were noble and picturesque in
their decay, and gave evidence, even in their ruins, of their ancient
grandeur.

As I gazed about me upon these vestiges of once "Merrie Sherwood," the
picturings of my boyish fancy began to rise in my mind, and Robin Hood
and his men to stand before me.

   "He clothed himself in scarlet then,
    His men were all in green;
   A finer show throughout the world
    In no place could be seen.

  "Good lord! it was a gallant sight
    To see them all In a row;
  With every man a good broad-sword
    And eke a good yew bow."

The horn of Robin Hood again seemed to resound through the forest. I
saw this sylvan chivalry, half huntsmen, half freebooters, trooping
across the distant glades, or feasting and revelling beneath the trees;
I was going on to embody in this way all the ballad scenes that had
delighted me when a boy, when the distant sound of a wood-cutter's axe
roused me from my day-dream.

The boding apprehensions which it awakened were too soon verified. I
had not ridden much farther, when I came to an open space where the
work of destruction was going on. Around me lay the prostrate trunks of
venerable oaks, once the towering and magnificent lords of the forest,
and a number of wood-cutters were hacking and hewing at another
gigantic tree, just tottering to its fall.

Alas! for old Sherwood Forest: it had fallen into the possession of a
noble agriculturist; a modern utilitarian, who had no feeling for
poetry or forest scenery. In a little while and this glorious woodland
will be laid low; its green glades be turned into sheep-walks; its
legendary bowers supplanted by turnip-fields; and "Merrie Sherwood"
will exist but in ballad and tradition.

"O for the poetical superstitions," thought I, "of the olden time! that
shed a sanctity over every grove; that gave to each tree its tutelar
genius or nymph, and threatened disaster to all who should molest the
hamadryads in their leafy abodes. Alas! for the sordid propensities of
modern days, when everything is coined into gold, and this once holiday
planet of ours is turned into a mere 'working-day world.'"

My cobweb fancies put to flight, and my feelings out of tune, I left
the forest in a far different mood from that in which I had entered it,
and rode silently along until, on reaching the summit of a gentle
eminence, the chime of evening bells came on the breeze across the
heath from a distant village.

I paused to listen.

"They are merely the evening bells of Mansfield," said my companion.

"Of Mansfield!" Here was another of the legendary names of this storied
neighborhood, that called up early and pleasant associations. The
famous old ballad of the King and the Miller of Mansfield came at once
to mind, and the chime of the bells put me again in good humor.

A little farther on, and we were again on the traces of Robin Hood.
Here was Fountain Dale, where he had his encounter with that stalwart
shaveling Friar Tuck, who was a kind of saint militant, alternately
wearing the casque and the cowl:

   "The curtal fryar kept Fountain dale
    Seven long years and more,
   There was neither lord, knight or earl
    Could make him yield before."

The moat is still shown which is said to have surrounded the stronghold
of this jovial and fighting friar; and the place where he and Robin
Hood had their sturdy trial of strength and prowess, in the memorable
conflict which lasted

   "From ten o'clock that very day
   Until four in the afternoon,"

and ended in the treaty of fellowship. As to the hardy feats, both of
sword and trencher, performed by this "curtal fryar," behold are they
not recorded at length in the ancient ballads, and in the magic pages
of Ivanhoe?

The evening was fast coming on, and the twilight thickening, as we rode
through these haunts famous in outlaw story. A melancholy seemed to
gather over the landscape as we proceeded, for our course lay by
shadowy woods, and across naked heaths, and along lonely roads, marked
by some of those sinister names by which the country people in England
are apt to make dreary places still more dreary. The horrors of
"Thieves' Wood," and the "Murderers' Stone," and "the Hag Nook," had
all to be encountered in the gathering gloom of evening, and threatened
to beset our path with more than mortal peril. Happily, however, we
passed these ominous places unharmed, and arrived in safety at the
portal of Newstead Abbey, highly satisfied with our green-wood foray.




THE ROOK CELL.


In the course of my sojourn at the Abbey, I changed my quarters from
the magnificent old state apartment haunted by Sir John Byron the
Little, to another in a remote corner of the ancient edifice,
immediately adjoining the ruined chapel. It possessed still more
interest in my eyes, from having been the sleeping apartment of Lord
Byron during his residence at the Abbey. The furniture remained the
same. Here was the bed in which he slept, and which he had brought with
him from college; its gilded posts surmounted by coronets, giving
evidence of his aristocratical feelings. Here was likewise his college
sofa; and about the walls were the portraits of his favorite butler,
old Joe Murray, of his fancy acquaintance, Jackson the pugilist,
together with pictures of Harrow School and the College at Cambridge,
at which he was educated. The bedchamber goes by the name of the Book
Cell, from its vicinity to the Rookery which, since time immemorial,
has maintained possession of a solemn grove adjacent to the chapel.
This venerable community afforded me much food for speculation during
my residence in this apartment. In the morning I used to hear them
gradually waking and seeming to call each other up. After a time, the
whole fraternity would be in a flutter; some balancing and swinging on
the tree tops, others perched on the pinnacle of the Abbey church, or
wheeling and hovering about in the air, and the ruined walls would
reverberate with their incessant cawings. In this way they would linger
about the rookery and its vicinity for the early part of the morning,
when, having apparently mustered all their forces, called over the
roll, and determined upon their line of march, they one and all would
sail off in a long straggling flight to maraud the distant fields. They
would forage the country for miles, and remain absent all day,
excepting now and then a scout would come home, as if to see that all
was well. Toward night the whole host might be seen, like a dark cloud
in the distance, winging their way homeward. They came, as it were,
with whoop and halloo, wheeling high in the air above the Abbey, making
various evolutions before they alighted, and then keeping up an
incessant cawing in the tree tops, until they gradually fell asleep.

It is remarked at the Abbey, that the rooks, though they sally forth on
forays throughout the week, yet keep about the venerable edifice on
Sundays, as if they had inherited a reverence for the day, from their
ancient confreres, the monks. Indeed, a believer in the metempsychosis
might easily imagine these Gothic-looking birds to be the embodied
souls of the ancient friars still hovering about their sanctified
abode.

I dislike to disturb any point of popular and poetic faith, and was
loath, therefore, to question the authenticity of this mysterious
reverence for the Sabbath on the part of the Newstead rooks; but
certainly in the course of my sojourn in the Rook Cell, I detected them
in a flagrant outbreak and foray on a bright Sunday morning.

Beside the occasional clamor of the rookery, this remote apartment was
often greeted with sounds of a different kind, from the neighboring
ruins. The great lancet window in front of the chapel, adjoins the very
wall of the chamber; and the mysterious sounds from it at night have
been well described by Lord Byron:

----"Now loud, now frantic,
  The gale sweeps through its fretwork, and oft sings
  The owl his anthem, when the silent quire
  Lie with their hallelujahs quenched like fire.

  "But on the noontide of the moon, and when
    The wind is winged from one point of heaven,
  There moans a strange unearthly sound, which then
    Is musical-a dying accent driven
  Through the huge arch, which soars and sinks again.
    Some deem it but the distant echo given
  Back to the night wind by the waterfall,
  And harmonized by the old choral wall.

  "Others, that some original shape or form,
    Shaped by decay perchance, hath given the power
  To this gray ruin, with a voice to charm.
    Sad, but serene, it sweeps o'er tree or tower;
  The cause I know not, nor can solve; but such
  The fact:--I've heard it,--once perhaps too much."

Never was a traveller in quest of the romantic in greater luck. I had
in sooth, got lodged in another haunted apartment of the Abbey; for in
this chamber Lord Byron declared he had more than once been harassed at
midnight by a mysterious visitor. A black shapeless form would sit
cowering upon his bed, and after gazing at him for a time with glaring
eyes, would roll off and disappear. The same uncouth apparition is said
to have disturbed the slumbers of a newly married couple that once
passed their honeymoon in this apartment.

I would observe, that the access to the Rook Cell is by a spiral stone
staircase leading up into it, as into a turret, from, the long shadowy
corridor over the cloisters, one of the midnight walks of the Goblin
Friar. Indeed, to the fancies engendered in his brain in this remote
and lonely apartment, incorporated with the floating superstitions of
the Abbey, we are no doubt indebted for the spectral scene in "Don
Juan."

  "Then as the night was clear, though cold, he threw
    His chamber door wide open--and went forth
  Into a gallery, of sombre hue,
    Long furnish'd with old pictures of great worth,
  Of knights and dames, heroic and chaste too,
    As doubtless should be people of high birth.

  "No sound except the echo of his sigh
    Or step ran sadly through that antique house,
  When suddenly he heard, or thought so, nigh,
    A supernatural agent--or a mouse,
  Whose little nibbling rustle will embarrass
  Most people, as it plays along the arras.

  "It was no mouse, but lo! a monk, arrayed
    In cowl, and beads, and dusky garb, appeared,
  Now in the moonlight, and now lapsed in shade;
    With steps that trod as heavy, yet unheard;
  His garments only a slight murmur made;
    He moved as shadowy as the sisters weird,
  But slowly; and as he passed Juan by
  Glared, without pausing, on him a bright eye.

  "Juan was petrified; he had heard a hint
    Of such a spirit in these halls of old,
  But thought, like most men, there was nothing in't
    Beyond the rumor which such spots unfold,
  Coin'd from surviving superstition's mint,
    Which passes ghosts in currency like gold,
  But rarely seen, like gold compared with paper.
  And did he see this? or was it a vapor?

  "Once, twice, thrice pass'd, repass'd--the thing of air,
    Or earth beneath, or heaven, or t'other place;
  And Juan gazed upon it with a stare,
    Yet could not speak or move; but, on its base
  As stauds a statue, stood: he felt his hair
    Twine like a knot of snakes around his face;
  He tax'd his tongue for words, which were not granted
  To ask the reverend person what he wanted.

  "The third time, after a still longer pause,
    The shadow pass'd away--but where? the hall
  Was long, and thus far there was no great cause
    To think its vanishing unnatural:
  Doors there were many, through which, by the laws
    Of physics, bodies, whether short or tall,
  Might come or go; but Juan could not state
  Through which the spectre seem'd to evaporate.

  "He stood, how long he knew not, but it seem'd
    An age--expectant, powerless, with his eyes
  Strain'd on the spot where first the figure gleam'd:
    Then by degrees recall'd his energies,
  And would have pass'd the whole off as a dream.
    But could not wake; he was, he did surmise,
  Waking already, and return'd at length
  Back to his chamber, shorn of half his strength."

As I have already observed, it is difficult to determine whether Lord
Byron was really subject to the superstitious fancies which have been
imputed to him, or whether he merely amused himself by giving currency
to them among his domestics and dependents. He certainly never scrupled
to express a belief in supernatural visitations, both verbally and in
his correspondence. If such were his foible, the Rook Cell was an
admirable place to engender these delusions. As I have lain awake at
night, I have heard all kinds of mysterious and sighing sounds from the
neighboring ruin. Distant footsteps, too, and the closing of doors in
remote parts of the Abbey, would send hollow reverberations and echoes
along the corridor and up the spiral staircase. Once, in fact, I was
roused by a strange sound at the very door of my chamber. I threw it
open, and a form "black and shapeless with glaring eyes" stood before
me. It proved, however, neither ghost nor goblin, but my friend
Boatswain, the great Newfoundland dog, who had conceived a
companionable liking for me, and occasionally sought me in my
apartment. To the hauntings of even such a visitant as honest Boatswain
may we attribute some of the marvellous stories about the Goblin Friar.




THE LITTLE WHITE LADY.


In the course of a morning's ride with Colonel Wildman, about the Abbey
lands, we found ourselves in one of the prettiest little wild woods
imaginable. The road to it had led us among rocky ravines overhung with
thickets, and now wound through birchen dingles and among beautiful
groves and clumps of elms and beeches. A limpid rill of sparkling
water, winding and doubling in perplexed mazes, crossed our path
repeatedly, so as to give the wood the appearance of being watered by
numerous rivulets. The solitary and romantic look of this piece of
woodland, and the frequent recurrence of its mazy stream, put him in
mind, Colonel Wildman said, of the little German fairy tale of Undine,
in which is recorded the adventures of a knight who had married a
water-nymph. As he rode with his bride through her native woods, every
stream claimed her as a relative; one was a brother, another an uncle,
another a cousin. We rode on amusing ourselves with applying this
fanciful tale to the charming scenery around us, until we came to a
lowly gray-stone farmhouse, of ancient date, situated in a solitary
glen, on the margin of the brook, and overshadowed by venerable trees.
It went by the name, as I was told, of the Weir Mill farmhouse. With
this rustic mansion was connected a little tale of real life, some
circumstances of which were related to me on the spot, and others I
collected in the course of my sojourn at the Abbey.

Not long after Colonel Wildman had purchased the estate of Newstead, he
made it a visit for the purpose of planning repairs and alterations. As
he was rambling one evening, about dusk, in company with his architect,
through this little piece of woodland, he was struck with its peculiar
characteristics, and then, for the first time, compared it to the
haunted wood of Undine. While he was making the remark, a small female
figure in white, flitted by without speaking a word, or indeed
appearing to notice them. Her step was scarcely heard as she passed,
and her form was indistinct in the twilight.

"What a figure for a fairy or sprite!" exclaimed Colonel Wildman. "How
much a poet or a romance writer would make of such an apparition, at
such a time and in such a place!"

He began to congratulate himself upon having some elfin inhabitant for
his haunted wood, when, on proceeding a few paces, he found a white
frill lying in the path, which had evidently fallen from the figure
that had just passed.

"Well," said he, "after all, this is neither sprite nor fairy, but a
being of flesh, and blood, and muslin."

Continuing on, he came to where the road passed by an old mill in front
of the Abbey. The people of the mill were at the door. He paused and
inquired whether any visitor had been at the Abbey, but was answered in
the negative.

"Has nobody passed by here?"

"No one, sir."

"That's strange! Surely I met a female in white, who must have passed
along this path."

"Oh, sir, you mean the Little White Lady--oh, yes, she passed by here
not long since."

"The Little White Lady! And pray who is the Little White Lady?"

"Why, sir, that nobody knows; she lives in the Weir Mill farmhouse,
down in the skirts of the wood. She comes to the Abbey every morning,
keeps about it all day, and goes away at night. She speaks to nobody,
and we are rather shy of her, for we don't know what to make of her."

Colonel Wildman now concluded that it was some artist or amateur
employed in making sketches of the Abbey, and thought no more about the
matter. He went to London, and was absent for some time. In the
interim, his sister, who was newly married, came with her husband to
pass the honeymoon at the Abbey. The Little White Lady still resided in
the Weir Mill farmhouse, on the border of the haunted wood, and
continued her visits daily to the Abbey. Her dress was always the same,
a white gown with a little black spencer or bodice, and a white hat
with a short veil that screened the upper part of her countenance. Her
habits were shy, lonely, and silent; she spoke to no one, and sought no
companionship, excepting with the Newfoundland dog that had belonged to
Lord Byron. His friendship she secured by caressing him and
occasionally bringing him food, and he became the companion of her
solitary walks. She avoided all strangers, and wandered about the
retired parts of the garden; sometimes sitting for hours by the tree on
which Lord Byron had carved his name, or at the foot of the monument
which he had erected among the ruins of the chapel. Sometimes she read,
sometimes she wrote with a pencil on a small slate which she carried
with her, but much of her time was passed in a kind of reverie.

The people about the place gradually became accustomed to her, and
suffered her to wander about unmolested; their distrust of her subsided
on discovering that most of her peculiar and lonely habits arose from
the misfortune of being deaf and dumb. Still she was regarded with some
degree of shyness, for it was the common opinion that she was not
exactly in her right mind.

Colonel Wildman's sister was informed of all these circumstances by the
servants of the Abbey, among whom the Little White Lady was a theme of
frequent discussion. The Abbey and its monastic environs being haunted
ground, it was natural that a mysterious visitant of the kind, and one
supposed to be under the influence of mental hallucination, should
inspire awe in a person unaccustomed to the place. As Colonel Wildman's
sister was one day walking along abroad terrace of the garden, she
suddenly beheld the Little White Lady coming toward her, and, in the
surprise and agitation of the moment, turned and ran into the house.
Day after day now elapsed, and nothing more was seen of this singular
personage. Colonel Wildman at length arrived at the Abbey, and his
sister mentioned to him her encounter and fright in the garden. It
brought to mind his own adventure with the Little White Lady in the
wood of Undine, and he was surprised to find that she still continued
her mysterious wanderings about the Abbey. The mystery was soon
explained. Immediately after his arrival he received a letter written
in the most minute and delicate female hand, and in elegant and even
eloquent language. It was from the Little White Lady. She had noticed
and been shocked by the abrupt retreat of Colonel Wildman's sister on
seeing her in the garden walk, and expressed her unhappiness at being
an object of alarm to any of his family. She explained the motives of
her frequent and long visits to the Abbey, which proved to be a
singularly enthusiastic idolatry of the genius of Lord Byron, and a
solitary and passionate delight in haunting the scenes he had once
inhabited. She hinted at the infirmities which cut her off from all
social communion with her fellow beings, and at her situation in life
as desolate and bereaved; and concluded by hoping that he would not
deprive her of her only comfort, the permission of visiting the Abbey
occasionally, and lingering about the walks and gardens.

Colonel Wildman now made further inquiries concerning her, and found
that she was a great favorite with the people of the farmhouse where
she boarded, from the gentleness, quietude, and innocence of her
manners. When at home, she passed the greater part of her time in a
small sitting-room, reading and writing. Colonel Wildman immediately
called on her at the farmhouse. She received him with some agitation
and embarrassment, but his frankness and urbanity soon put her at her
ease. She was past the bloom of youth, a pale, nervous little being,
and apparently deficient in most of her physical organs, for in
addition to being deaf and dumb, she saw but imperfectly. They carried
on a communication by means of a small slate, which she drew out of her
reticule, and on which they wrote their questions and replies. In
writing or reading she always approached her eyes close to the written
characters.

This defective organization was accompanied by a morbid sensibility
almost amounting to disease. She had not been born deaf and dumb; but
had lost her hearing in a fit of sickness, and with it the power of
distinct articulation. Her life had evidently been checkered and
unhappy; she was apparently without family or friend, a lonely,
desolate being, cut off from society by her infirmities.

"I am always among strangers," she said, "as much so in my native
country as I could be in the remotest parts of the world. By all I am
considered as a stranger and an alien; no one will acknowledge any
connection with me. I seem not to belong to the human species."

Such were the circumstances that Colonel Wildman was able to draw forth
in the course of his conversation, and they strongly interested him in
favor of this poor enthusiast. He was too devout an admirer of Lord
Byron himself, not to sympathize in this extraordinary zeal of one of
his votaries, and he entreated her to renew her visits at the Abbey,
assuring her that the edifice and its grounds should always be open to
her.

The Little White Lady now resumed her daily walks in the Monk's Garden,
and her occasional seat at the foot of the monument; she was shy and
diffident, however, and evidently fearful of intruding. If any persons
were walking in the garden she would avoid them, and seek the most
remote parts; and was seen like a sprite, only by gleams and glimpses,
as she glided among the groves and thickets. Many of her feelings and
fancies, during these lonely rambles, were embodied in verse, noted
down on her tablet, and transferred to paper in the evening on her
return to the farmhouse. Some of these verses now lie before me,
written with considerable harmony of versification, but chiefly curious
as being illustrative of that singular and enthusiastic idolatry with
which she almost worshipped the genius of Byron, or rather, the
romantic image of him formed by her imagination.

Two or three extracts may not be unacceptable. The following are from a
long rhapsody addressed to Lord Byron:

  "By what dread charm thou rulest the mind
    It is not given for us to know;
  We glow with feelings undefined,
    Nor can explain from whence they flow.

  "Not that fond love which passion breathes
    And youthful hearts inflame;
  The soul a nobler homage gives,
    And bows to thy great name.

  "Oft have we own'd the muses' skill,
    And proved the power of song,
  But sweeter notes ne'er woke the thrill
    That solely to thy verse belong.

  "This--but far more, for thee we prove,
    Something that bears a holier name,
  Than the pure dream of early love,
    Or friendship's nobler flame.

  "Something divine--Oh! what it is
    Thy muse alone can tell,
  So sweet, but so profound the bliss
    We dread to break the spell."

This singular and romantic infatuation, for such it might truly be
called, was entirely spiritual and ideal, for, as she herself declares
in another of her rhapsodies, she had never beheld Lord Byron; he was,
to her, a mere phantom of the brain.

  "I ne'er have drunk thy glance--thy form
    My earthly eye has never seen,
  Though oft when fancy's visions warm,
    It greets me in some blissful dream.

  "Greets me, as greets the sainted seer
    Some radiant visitant from high,
  When heaven's own strains break on his ear,
    And wrap his soul in ecstasy."

Her poetical wanderings and musings were not confined to the Abbey
grounds, but extended to all parts of the neighborhood connected with
the memory of Lord Byron, and among the rest to the groves and gardens
of Annesley Hall, the seat of his early passion for Miss Chaworth. One
of her poetical effusions mentions her having seen from Howet's Hill in
Annesley Park, a "sylph-like form," in a car drawn by milk-white
horses, passing by the foot of the hill, who proved to be the "favorite
child," seen by Lord Byron, in his memorable interview with Miss
Chaworth after her marriage. That favorite child was now a blooming
girl approaching to womanhood, and seems to have understood something
of the character and story of this singular visitant, and to have
treated her with gentle sympathy. The Little White Lady expresses, in
touching terms, in a note to her verses, her sense of this gentle
courtesy. "The benevolent condescension," says she, "of that amiable
and interesting young lady, to the unfortunate writer of these simple
lines will remain engraved upon a grateful memory, till the vital spark
that now animates a heart that too sensibly feels, and too seldom
experiences such kindness, is forever extinct."

In the mean time, Colonel Wildman, in occasional interviews, had
obtained further particulars of the story of the stranger, and found
that poverty was added to the other evils of her forlorn and isolated
state. Her name was Sophia Hyatt. She was the daughter of a country
bookseller, but both her parents had died several years before. At
their death, her sole dependence was upon her brother, who allowed her
a small annuity on her share of the property left by their father, and
which remained in his hands. Her brother, who was a captain of a
merchant vessel, removed with his family to America, leaving her almost
alone in the world, for she had no other relative in England but a
cousin, of whom she knew almost nothing. She received her annuity
regularly for a time, but unfortunately her brother died in the West
Indies, leaving his affairs in confusion, and his estate overhung by
several commercial claims, which threatened to swallow up the whole.
Under these disastrous circumstances, her annuity suddenly ceased; she
had in vain tried to obtain a renewal of it from the widow, or even an
account of the state of her brother's affairs. Her letters for three
years past had remained unanswered, and she would have been exposed to
the horrors of the most abject want, but for a pittance quarterly doled
out to her by her cousin in England.

Colonel Wildman entered with characteristic benevolence into the story
of her troubles. He saw that she was a helpless, unprotected being,
unable, from her infirmities and her ignorance of the world, to
prosecute her just claims. He obtained from her the address of her
relations in America, and of the commercial connection of her brother;
promised, through the medium of his own agents in Liverpool, to
institute an inquiry into the situation of her brother's affairs, and
to forward any letters she might write, so as to insure their reaching
their place of destination.

Inspired with some faint hopes, the Little White Lady continued her
wanderings about the Abbey and its neighborhood. The delicacy and
timidity of her deportment increased the interest already felt for her
by Mrs. Wildman. That lady, with her wonted kindness, sought to make
acquaintance with her, and inspire her with confidence. She invited her
into the Abbey; treated her with the most delicate attention, and,
seeing that she had a great turn for reading, offered her the loan of
any books in her possession. She borrowed a few, particularly the works
of Sir Walter Scott, but soon returned them; the writings of Lord Byron
seemed to form the only study in which she delighted, and when not
occupied in reading those, her time was passed in passionate
meditations on his genius. Her enthusiasm spread an ideal world around
her in which she moved and existed as in a dream, forgetful at times of
the real miseries which beset her in her mortal state.

One of her rhapsodies is, however, of a very melancholy cast;
anticipating her own death, which her fragile frame and growing
infirmities rendered but too probable. It is headed by the following
paragraph.

"Written beneath the tree on Crowholt Hill, where it is my wish to be
interred (if I should die in Newstead)."

I subjoin a few of the stanzas: they are addressed to Lord Byron:

  "Thou, while thou stand'st beneath this tree,
    While by thy foot this earth is press'd,
  Think, here the wanderer's ashes be--
    And wilt thou say, sweet be thy rest!

  "'Twould add even to a seraph's bliss,
    Whose sacred charge thou then may be,
  To guide--to guard--yes, Byron! yes,
    That glory is reserved for me."

  "If woes below may plead above
    A frail heart's errors, mine forgiven,
  To that 'high world' I soar, where 'love
    Surviving' forms the bliss of Heaven.

  "O wheresoe'er, in realms above,
    Assign'd my spirit's new abode,
  'Twill watch thee with a seraph's love,
    Till thou too soar'st to meet thy God.

  "And here, beneath this lonely tree--
    Beneath the earth thy feet have press'd,
  My dust shall sleep--once dear to thee
    These scenes--here may the wanderer rest!"

In the midst of her reveries and rhapsodies, tidings reached Newstead
of the untimely death of Lord Byron. How they were received by this
humble but passionate devotee I could not ascertain; her life was too
obscure and lonely to furnish much personal anecdote, but among her
poetical effusions are several written in a broken and irregular
manner, and evidently under great agitation.

The following sonnet is the most coherent and most descriptive of her
peculiar state of mind:

  "Well, thou art gone--but what wert thou to me?
    I never saw thee--never heard thy voice,
  Yet my soul seemed to claim affiance with thee.
    The Roman bard has sung of fields Elysian,
  Where the soul sojourns ere she visits earth;
    Sure it was there my spirit knew thee, Byron!
  Thine image haunted me like a past vision;
    It hath enshrined itself in my heart's core;
  'Tis my soul's soul--it fills the whole creation.
    For I do live but in that world ideal
  Which the muse peopled with her bright fancies,
    And of that world thou art a monarch real,
  Nor ever earthly sceptre ruled a kingdom,
    With sway so potent as thy lyre, the mind's dominion."

Taking all the circumstances here adduced into consideration, it is
evident that this strong excitement and exclusive occupation of the
mind upon one subject, operating upon a system in a high state of
morbid irritability, was in danger of producing that species of mental
derangement called monomania. The poor little being was aware, herself,
of the dangers of her case, and alluded to it in the following passage
of a letter to Colonel Wildman, which presents one of the most
lamentable pictures of anticipated evil ever conjured up by the human
mind.

"I have long," writes she, "too sensibly felt the decay of my mental
faculties, which I consider as the certain indication of that dreaded
calamity which I anticipate with such terror. A strange idea has long
haunted my mind, that Swift's dreadful fate will be mine. It is not
ordinary insanity I so much apprehend, but something worse--absolute
idiotism!

"O sir! think what I must suffer from such an idea, without an earthly
friend to look up to for protection in such a wretched state--exposed
to the indecent insults which such spectacles always excite. But I dare
not dwell upon the thought: it would facilitate the event I so much
dread, and contemplate with horror. Yet I cannot help thinking from
people's behavior to me at times, and from after reflections upon my
conduct, that symptoms of the disease are already apparent."

Five months passed away, but the letters written by her, and forwarded
by Colonel Wildman to America relative to her brother's affairs,
remained unanswered; the inquiries instituted by the Colonel had as yet
proved equally fruitless. A deeper gloom and despondency now seemed to
gather upon her mind. She began to talk of leaving Newstead, and
repairing to London, in the vague hope of obtaining relief or redress
by instituting some legal process to ascertain and enforce the will of
her deceased brother. Weeks elapsed, however, before she could summon
up sufficient resolution to tear herself away from the scene of
poetical fascination. The following simple stanzas, selected from a
number written about the time, express, in humble rhymes, the
melancholy that preyed upon her spirits:

  "Farewell to thee, Newstead, thy time-riven towers,
    Shall meet the fond gaze of the pilgrim no more;
  No more may she roam through thy walks and thy bowers.
    Nor muse in thy cloisters at eve's pensive hour.

  "Oh, how shall I leave you, ye hills and ye dales,
    When lost in sad musing, though sad not unblest,
  A lone pilgrim I stray--Ah! in these lonely vales,
    I hoped, vainly hoped, that the pilgrim might rest.

  "Yet rest is far distant--in the dark vale of death,
    Alone I shall find it, an outcast forlorn--
  But hence vain complaints, though by fortune bereft
    Of all that could solace in life's early morn.

  Is not man from his birth doomed a pilgrim to roam
    O'er the world's dreary wilds, whence by fortune's rude gust.
  In his path, if some flowret of joy chanced to bloom,
    It is torn and its foliage laid low in the dust."

At length she fixed upon a day for her departure. On the day previous,
she paid a farewell visit to the Abbey; wandering over every part of
the grounds and garden; pausing and lingering at every place
particularly associated with the recollection of Lord Byron; and
passing a long time seated at the foot of the monument, which she used
to call "her altar." Seeking Mrs. Wildman, she placed in her hands a
sealed packet, with an earnest request that she would not open it until
after her departure from the neighborhood. This done she took an
affectionate leave of her, and with many bitter tears bade farewell to
the Abbey.

On retiring to her room that evening, Mrs. Wildman could not refrain
from inspecting the legacy of this singular being. On opening the
packet, she found a number of fugitive poems, written in a most
delicate and minute hand, and evidently the fruits of her reveries and
meditations during her lonely rambles; from these the foregoing
extracts have been made. These were accompanied by a voluminous letter,
written with the pathos and eloquence of genuine feeling, and depicting
her peculiar situation and singular state of mind in dark but painful
colors.

"The last time," says she, "that I had the pleasure of seeing you, in
the garden, you asked me why I leave Newstead; when I told you my
circumstances obliged me, the expression of concern which I fancied I
observed in your look and manner would have encouraged me to have been
explicit at the time, but from my inability of expressing myself
verbally."

She then goes on to detail precisely her pecuniary circumstances, by
which it appears that her whole dependence for subsistence was on an
allowance of thirteen pounds a year from her cousin, who bestowed it
through a feeling of pride, lest his relative should come upon the
parish. During two years this pittance had been augmented from other
sources, to twenty-three pounds, but the last year it had shrunk within
its original bounds, and was yielded so grudgingly, that she could not
feel sure of its continuance from one quarter to another. More than
once it had been withheld on slight pretences, and she was in constant
dread lest it should be entirely withdrawn.

"It is with extreme reluctance," observed she, "that I have so far
exposed my unfortunate situation; but I thought you expected to know
something more of it, and I feared that Colonel Wildman, deceived by
appearances, might think that I am in no immediate want, and that the
delay of a few weeks, or months, respecting the inquiry, can be of no
material consequence. It is absolutely necessary to the success of the
business that Colonel Wildman should know the exact state of my
circumstances without reserve, that he may be enabled to make a correct
representation of them to any gentleman whom he intends to interest,
who, I presume, if they are not of America themselves, have some
connections there, through whom my friends may be convinced of the
reality of my distress, if they pretend to doubt it, as I suppose they
do. But to be more explicit is impossible; it would be too humiliating
to particularize the circumstances of the embarrassment in which I am
unhappily involved--my utter destitution. To disclose all might, too,
be liable to an inference which I hope I am not so void of delicacy, of
natural pride, as to endure the thought of. Pardon me, madam, for thus
giving trouble, where I have no right to do--compelled to throw myself
upon Colonel Wildman's humanity, to entreat his earnest exertions in my
behalf, for it is now my only resource. Yet do not too much despise me
for thus submitting to imperious necessity--it is not love of life,
believe me it is not, nor anxiety for its preservation. I cannot say,
'There are things that make the world dear to me,'--for in the world
there is not an object to make me wish to linger here another hour,
could I find that rest and peace in the grave which I have never found
on earth, and I fear will be denied me there."

Another part of her letter develops more completely the dark
despondency hinted at in the conclusion of the foregoing extract--and
presents a lamentable instance of a mind diseased, which sought in
vain, amidst sorrow and calamity, the sweet consolations of religious
faith.

"That my existence has hitherto been prolonged," says she, "often
beyond what I have thought to have been its destined period, is
astonishing to myself. Often when my situation has been as desperate,
as hopeless, or more so, if possible, than it is at present, some
unexpected interposition of Providence has rescued me from a fate that
has appeared inevitable. I do not particularly allude to recent
circumstances or latter years, for from my earlier years I have been
the child of Providence--then why should I distrust its care now? I do
not _dis_trust it--neither do I trust it. I feel perfectly
unanxious, unconcerned, and indifferent as to the future; but this is
not trust in Providence--not that trust which alone claims it
protections. I know this is a blamable indifference--it is more--for it
reaches to the interminable future. It turns almost with disgust from
the bright prospects which religion offers for the consolation and
support of the wretched, and to which I was early taught, by an almost
adored mother, to look forward with hope and joy; but to me they can
afford no consolation. Not that I doubt the sacred truths that religion
inculcates. I cannot doubt--though I confess I have sometimes tried to
do so, because I no longer wish for that immortality of which it
assures us. My only wish now is for rest and peace--endless rest. 'For
rest--but not to feel 'tis rest,' but I cannot delude myself with the
hope that such rest will be my lot. I feel an internal evidence,
stronger than any arguments that reason or religion can enforce, that I
have that within me which is imperishable; that drew not its origin
from the 'clod of the valley.' With this conviction, but without a hope
to brighten the prospect of that dread future:

"'I dare not look beyond the tomb, Yet cannot hope for peace before.'
Such an unhappy frame of mind, I am sure, madam, must excite your
commiseration. It is perhaps owing, in part at least, to the solitude
in which I have lived, I may say, even in the midst of society; when I
have mixed in it; as my infirmities entirely exclude me from that sweet
intercourse of kindred spirits--that sweet solace of refined
conversation; the little intercourse I have at any time with those
around me cannot be termed conversation--they are not kindred spirits--
and even where circumstances have associated me (but rarely indeed)
with superior and cultivated minds, who have not disdained to admit me
to their society, they could not by all their generous efforts, even in
early youth, lure from my dark soul the thoughts that loved to lie
buried there, nor inspire me with the courage to attempt their
disclosure; and yet of all the pleasures of polished life which fancy
has often pictured to me in such vivid colors, there is not one that I
have so ardently coveted as that sweep reciprocation of ideas, the
supreme bliss of enlightened minds in the hour of social converse. But
this I knew was not decreed for me--

  "'Yet this was in my nature-'

but since the loss of my hearing I have always been incapable of verbal
conversation. I need not, however, inform you, madam, of this. At the
first interview with which you favored me, you quickly discovered my
peculiar unhappiness in this respect; you perceived from my manner that
any attempt to draw me into conversation would be in vain--had it been
otherwise, perhaps you would not have disdained now and then to have
soothed the lonely wanderer with yours. I have sometimes fancied when I
have seen you in the walk, that you seemed to wish to encourage me to
throw myself in your way. Pardon me if my imagination, too apt to
beguile me with such dear illusions, has deceived me into too
presumptuous an idea here. You must have observed that I generally
endeavored to avoid both you and Colonel Wildman. It was to spare your
generous hearts the pain of witnessing distress you could not
alleviate. Thus cut off, as it were, from all human society, I have
been compelled to live in a world of my own, and certainly with the
beings with which my world is peopled, I am at no loss to converse.
But, though I love solitude and am never in want of subjects to amuse
my fancy, yet solitude too much indulged in must necessarily have an
unhappy effect upon the mind, which, when left to seek for resources
wholly within itself will, unavoidably, in hours of gloom and
despondency, brood over corroding thoughts that prey upon the spirits,
and sometimes terminate in confirmed misanthropy--especially with those
who, from constitution, or early misfortunes, are inclined to
melancholy, and to view human nature in its dark shades. And have I not
cause for gloomy reflections? The utter loneliness of my lot would
alone have rendered existence a curse to one whom nature has formed
glowing with all the warmth of social affection, yet without an object
on which to place it--without one natural connection, one earthly
friend to appeal to, to shield me from the contempt, indignities, and
insults, to which my deserted situation continually exposed me."

I am giving long extracts from this letter, yet I cannot refrain from
subjoining another letter, which depicts her feelings with respect to
Newstead.

"Permit me, madame, again to request your and Colonel Wildman's
acceptance of these acknowledgments which I cannot too often repeat,
for your unexampled goodness to a rude stranger. I know I ought not to
have taken advantage of your extreme good nature so frequently as I
have. I should have absented myself from your garden during the stay of
the company at the Abbey, but, as I knew I must be gone long before
they would leave it, I could not deny myself the indulgence, as you so
freely gave me your permission to continue my walks, but now they are
at an end. I have taken my last farewell of every dear and interesting
spot, which I now never hope to see again, unless my disembodied spirit
may be permitted to revisit them.--Yet O! if Providence should enable
me again to support myself with any degree of respectability, and you
should grant me some little humble shed, with what joy shall I return
and renew my delightful rambles. But dear as Newstead is to me, I will
never again come under the same unhappy circumstances as I have this
last time--never without the means of at least securing myself from
contempt. How dear, how very dear Newstead is to me, how unconquerable
the infatuation that possesses me, I am now going to give a too
convincing proof. In offering to your acceptance the worthless trifles
that will accompany this, I hope you will believe that I have no view
to your amusement. I dare not hope that the consideration of their
being the products of your own garden, and most of them written there,
in my little tablet, while sitting at the foot of _my Altar_--I
could not, I cannot resist the earnest desire of leaving this memorial
of the many happy hours I have there enjoyed. Oh! do not reject them,
madam; suffer them to remain with you, and if you should deign to honor
them with a perusal, when you read them repress, if you can, the smile
that I know will too naturally arise, when you recollect the appearance
of the wretched being who has dared to devote her whole soul to the
contemplation of such more than human excellence. Yet, ridiculous as
such devotion may appear to some, I must take leave to say, that if the
sentiments which I have entertained for that exalted being could be
duly appreciated, I trust they would be found to be of such a nature as
is no dishonor even for him to have inspired."...

"I am now coming to take a last, last view of scenes too deeply
impressed upon my memory ever to be effaced even by madness itself. O
madam! may you never know, nor be able to conceive the agony I endure
in tearing myself from all that the world contains of dear and sacred
to me: the only spot on earth where I can ever hope for peace or
comfort. May every blessing the world has to bestow attend you, or
rather, may you long, long live in the enjoyment of the delights of
your own paradise, in secret seclusion from a world that has no real
blessings to bestow. Now I go--but O might I dare to hope that when you
are enjoying these blissful scenes, a thought of the unhappy wanderer
might sometimes cross your mind, how soothing would such an idea be, if
I dared to indulge it--could you see my heart at this moment, how
needless would it be to assure you of the respectful gratitude, the
affectionate esteem, this heart must ever bear you both."

The effect of this letter upon the sensitive heart of Mrs. Wildman may
be more readily conceived than expressed. Her first impulse was to give
a home to this poor homeless being, and to fix her in the midst of
those scenes which formed her earthly paradise. She communicated her
wishes to Colonel Wildman, and they met with an immediate response in
his generous bosom. It was settled on the spot, that an apartment
should be fitted up for the Little White Lady in one of the new
farmhouses, and every arrangement made for her comfortable and
permanent maintenance on the estate. With a woman's prompt benevolence,
Mrs. Wildman, before she laid her head upon her pillow, wrote the
following letter to the destitute stranger:

"NEWSTEAD ABBEY,
  "Tuesday night, September 20, 1825.

"On retiring to my bedchamber this evening I have opened your letter,
and cannot lose a moment in expressing to you the strong interest which
it has excited both in Colonel Wildman and myself, from the details of
your peculiar situation, and the delicate, and, let me add, elegant
language in which they are conveyed. I am anxious that my note should
reach you previous to your departure from this neighborhood, and should
be truly happy if, by any arrangement for your accommodation, I could
prevent the necessity of your undertaking the journey. Colonel Wildman
begs me to assure you that he will use his best exertions in the
investigation of those matters which you have confided to him, and
should you remain here at present, or return again after a short
absence, I trust we shall find means to become better acquainted, and
to convince you of the interest I feel, and the real satisfaction it
would afford me to contribute in any way to your comfort and happiness.
I will only now add my thanks for the little packet which I received
with your letter, and I must confess that the letter has so entirely
engaged my attention, that I have not as yet had time for the attentive
perusal of its companion.

Believe me, dear madam, with sincere good wishes,

  "Yours truly,
    "LOUISA WILDMAN."

Early the next morning a servant was dispatched with the letter to the
Weir Mill farm, but returned with the information that the Little White
Lady had set off, before his arrival, in company with the farmer's
wife, in a cart for Nottingham, to take her place in the coach for
London. Mrs. Wildman ordered him to mount horse instantly, follow with
all speed, and deliver the letter into her hand before the departure of
the coach.

The bearer of good tidings spared neither whip nor spur, and arrived at
Nottingham on a gallop. On entering the town, a crowd obstructed him in
the principal street. He checked his horse to make his way through it
quietly. As the crowd opened to the right and left, he beheld a human
body lying on the pavement.--It was the corpse of the Little White
Lady!

It seems that on arriving in town and dismounting from the cart, the
farmer's wife had parted with her to go on an errand, and the White
Lady continued on toward the coach-office. In crossing a street a cart
came along, driven at a rapid rate. The driver called out to her, but
she was too deaf to hear his voice or the rattling of his cart. In an
instant she was knocked down by the horse, and the wheels passed over
her body, and she died without a groan.





End of the Project Gutenberg EBook of Abbotsford and Newstead Abbey
by Washington Irving

*** END OF THE PROJECT GUTENBERG EBOOK ABBOTSFORD AND NEWSTEAD ABBEY ***

This file should be named abbnw10.txt or abbnw10.zip
Corrected EDITIONS of our eBooks get a new NUMBER, abbnw11.txt
VERSIONS based on separate sources get new LETTER, abbnw10a.txt

Produced by Joshua Hutchinson, Tiffany Vergon, Charles Franks,
and the Online Distributed Proofreaders Team

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included.  Thus, we usually do not
keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.

Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our Web sites at:
http://gutenberg.net or
http://promo.net/pg

These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).


Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date.  This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext03 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.   Our
projected audience is one hundred million readers.  If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month:  1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.

The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

Here is the briefest record of our progress (* means estimated):

eBooks Year Month

    1  1971 July
   10  1991 January
  100  1994 January
 1000  1997 August
 1500  1998 October
 2000  1999 December
 2500  2000 December
 3000  2001 November
 4000  2001 October/November
 6000  2002 December*
 9000  2003 November*
10000  2004 January*


The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.

We have filed in all 50 states now, but these are the only ones
that have responded.

As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally
request donations in all 50 states.  If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.

While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.

International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.

Donations by check or money order may be sent to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154.  Donations are
tax-deductible to the maximum extent permitted by law.  As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information online at:

http://www.gutenberg.net/donation.html


***

If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart <hart@pobox.com>

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.


**The Legal Small Print**


(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.

*BEFORE!* YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM EBOOKS
This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause:  [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     eBook or this "small print!" statement.  You may however,
     if you wish, distribute this eBook in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word
     processing or hypertext software, but only so long as
     *EITHER*:

     [*]  The eBook, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The eBook may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the eBook (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          eBook in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the eBook refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Foundation of 20% of the
     gross profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Literary Archive Foundation"
     the 60 days following each date you prepare (or were
     legally required to prepare) your annual (or equivalent
     periodic) tax return.  Please contact us beforehand to
     let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox.com

[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees.  Copyright (C) 2001, 2002 by
Michael S. Hart.  Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]

*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*