This brings us towards the end—that is, to show how some of our own familiar stories connect themselves with the old Aryan myths, and also to show something of what they mean. There are four stories which we know best—Cinderella, and Little Red Riding Hood, and Jack the Giant Killer, and Jack and the Bean Stalk—and the last two of these belong especially to English fairy lore.
Now about the story of Cinderella. We saw something of her in the first chapter: How she is Ushas, the Dawn Maiden of the Aryans, and the Aurora of the Greeks; and how the Prince is the Sun, ever seeking to make the Dawn his bride, and how the envious stepmother and sisters are the Clouds and the Night, which strive to keep the Dawn and the Sun apart. The story of Little Red Riding Hood, as we call her, or Little Red Cap, as she is called in the German tales, also comes from the same source, and refers to the Sun and the Night. You all know the story so well that I need not repeat it: how Little Red Riding Hood goes with nice cakes and a pat of butter to her poor old grandmother; how she meets on the way with a wolf, and gets into talk with him, and tells him where she is going; how the wolf runs off to the cottage to get there first, and eats up the poor grandmother, and puts on her clothes, and lies down in her bed; how Little Red Riding hood, knowing nothing of what the wicked wolf has done, comes to the cottage, and gets ready to go to bed to her grandmother, and how the story goes on in this way:—
"Grandmother," (says Little Red Riding Hood), "what great arms you have got!"
"That is to hug you the better, my dear."
"Grandmother, what, great ears you have got!"
That is to hear you the better, my dear."
"Grandmother, what great eyes you have got!"
"That is to see you the better, my dear."
"Grandmother, what a great mouth you have got!"
"That is to eat you up!" cried the wicked wolf; and then he leaped out of bed, and fell upon poor Little Red Riding Hood, and ate her up in a moment.
This is the English version of the story, and here it stops; but in the German story there is another ending to it. After the wolf has eaten up Little Red Riding Hood he lies down in bed again, and begins to snore very loudly. A huntsman, who is going by, thinks it is the old grandmother snoring, and he says, "How loudly the old woman snores; I must see if she wants anything." So he stepped into the cottage, and when he came to the bed he found the wolf lying in it. "What! do I find you here, you old sinner?" cried the huntsman; and then, taking aim with his gun, he shot the wolf quite dead.
Now this ending helps us to see the full meaning of the story. One of the fancies in the most ancient Aryan or Hindu stories was that there was a great dragon that was trying to devour the sun, and to prevent him from shining upon the earth and filling it with brightness and life and beauty, and that Indra, the sun-god, killed the dragon. Now this is the meaning of Little Red Riding Hood, as it is told in our nursery tales. Little Red Riding Hood is the evening sun, which is always described as red or golden; the old Grandmother is the earth, to whom the rays of the sun bring warmth and comfort. The Wolf—which is a well-known figure for the clouds and blackness of night—is the dragon in another form; first he devours the grandmother, that is, he wraps the earth in thick clouds, which the evening sun is not strong enough to pierce through. Then, with the darkness of night he swallows up the evening sun itself, and all is dark and desolate. Then, as in the German tale, the night-thunder and the storm winds are represented by the loud snoring of the Wolf; and then the Huntsman, the morning sun, comes in all his strength and majesty, and chases away the night-clouds and kills the Wolf, and revives old Grandmother Earth, and brings Little Red Riding Hood to life again. Or another explanation may be that the Wolf is the dark and dreary winter that kills the earth with frost, and hides the sun with fog and mist; and then the Spring comes, with the huntsman, and drives winter down to his ice-caves again, and brings the Earth and the Sun back to life. Thus, you see, how closely the most ancient myth is preserved in the nursery tale, and how full of beautiful and hopeful meaning this is when we come to understand it. The same idea is repeated in another story, that of "The Sleeping Beauty in the Wood," where the Maiden is the Morning Dawn, and the young Prince, who awakens her with a kiss, is the Sun which comes to release her from the long sleep of wintry night.
The germ of the story of "Jack and the Bean Stalk" is to be found in old Hindu tales, in which the beans are used as the symbols of abundance, or as meaning the moon, and in which the white cow is the clay and the black cow is the night. There is also a Russian story in which a bean falls upon the ground and grows up to the sky, and an old man, meaning the sun, climbs up by it to heaven, and sees everything. This comes very near the story of Jack, who sells his cow for a handful of beans, and his mother scatters them in the garden, and throws her apron over her head and weeps, thus figuring the Night and the Rain; and, shielded by the night and watered by the rain, the bean grows up to the sky, and Jack climbs to the Ogre's land, and carries off the bags of gold, and the wonderful hen that lays a golden egg every day, and the golden harp that plays tunes by itself. It is also possible that the bean-stalk which grows from earth to heaven is a remembrance, brought by the Norsemen, of the great tree, Ygdrassil, which, in the Norse mythology, has its roots in hell and its top in heaven; and the evil Demons dwell in the roots, and the earth is placed in the middle, and the Gods live in the branches. And there is another explanation given, namely, that "the Ogre in the land above the skies, who was once the All-father, possessed three treasures: a harp which played of itself enchanting music, bags of gold and diamonds, and a hen which daily laid a golden egg. The harp is the wind, the bags are the clouds dropping the sparkling rain, and the golden egg laid every day by the red hen is the dawn-produced sun."1 Thus, in the story of "Jack and the Bean Stalk" we find repeated the same idea which appears in Northern and Eastern fairy tales, and in Greek legends; and so we are carried back to the ancient Hindu traditions, and to the myths of Nature-worship amongst the old Aryan race.
It is the same with the story of "Jack the Giant Killer," which also has its connection with the legends of various countries and all ages, and has also its inner meaning, drawn from the beliefs and traditions of the ancient past. There is no need to tell you the adventures of Jack the Giant Killer; how he kills the Cornish giant Cormoran by tumbling him into a pit and striking him on the head with a pick-axe; how he strangles Giant Blunderbore and his friend by throwing ropes over their heads and drawing the nooses fast until they are choked; how he cheats the Welsh giant by putting a block of wood into his own bed for the giant to hammer at and by slipping the hasty-pudding into a leathern bag, and then ripping it up, to induce the giant to do the same with his own stomach, which he does, and so kills himself; or how he frightens the giant with three heads, and so gets the coat of darkness, the cap of knowledge, the shoes of swiftness, and the sword of sharpness, and uses these to escape from other and more terrible masters, and to kill them; and gets the duke's daughter for his wife, and lives honoured and happy ever after.
Now Jack the Giant Killer is really one of the very oldest and most widely-known characters in Wonderland. He is the hero who, in all countries and ages, fights with monsters and overcomes them; like Indra, the ancient Hindu sun-god, whose thunderbolts slew the demons of drought in the far East; or Perseus, who, in Greek story, delivers the maiden from the sea-monster; or Odysseus, who tricks the giant Polyphemus, and causes him to throw himself into the sea; or Thor, whose hammer beats down the frost-giants of the North. The gifts bestowed upon Jack are found in Tartar stories, in Hindu tales, in German legends, and in the fables of Scandinavia. The cloak is the cloud cloak of Alberich, king of the old Teutonic dwarfs, the cap is found in many tales of Fairyland, the shoes are like the sandals of Hermes, the sword is like Arthur's Excalibur, or like the sword forged for Sigurd, or that which was made by the horse-smith, Velent, the original of Wayland Smith, of old English legends. This sword was so sharp, that when Velent smote his adversary it seemed only as if cold water had glided down him. "Shake thyself," said Velent; and he shook himself, and fell dead in two halves. The trick which Jack played upon the Welsh giant is related in the legend of the god Thor and the giant Skrimner. The giant laid himself down to sleep under an oak, and Thor struck him with his mighty hammer. "Hath a leaf fallen upon me from the tree?" said the giant. Thor struck him again on the forehead. "What is the matter," said Skrimner, "hath an acorn fallen upon my head?" A third time Thor struck his tremendous blow. Skrimner rubbed his cheek and said, "Methinks some moss has fallen upon my face." The giant had done what Jack did: he put a great rock upon the place where Thor supposed him to be sleeping, and the rock received all the blows. The whole story probably means no more than this: Jack the Giant Killer is the Wind and the Light which disperses the mists and overthrows the cloud giants; and popular fancy, ages ago, dressed him out as a person combating real giants of flesh and blood, just as in all ages and all countries the forces of nature have taken personal shape, and have given us these tales of miraculous gifts, of great deeds done, and of monsters destroyed by men with the courage and the strength of heroes.
Now our task is done. We have seen that
the Fairy Stories came from Asia, where they
were made, ages and ages ago, by a people who
spread themselves over our Western world, and
formed the nations which dwell in it, and brought
their myths and legends with them; and we
have seen, too, how the ancient meanings are still
to be found in the tales that are put now into
children's books, and are told by nurses at the
fireside. And we have seen something of the
lessons they teach us, and which are taught by
all the famous tales of Wonderland; lessons
of kindness to the feeble and the old, and to
birds, and beasts, and all dumb creatures;
lessons of courtesy, courage, and truth-speaking;
and above all, the first and noblest lesson
believed in by those who were the founders of
our race, that God is very near to us, and is
about us always; and that now, as in all times,
He helps and comforts those who live good
and honest lives, and do whatever duty lies
clear before them.
| <—PREV |
| Introductory Note | 1 | 2 | 3 | 4 | 5 | 6 |
*** END OF THE PROJECT GUTENBERG EBOOK, FAIRY TALES; THEIR ORIGIN AND MEANING ***
This file should be named frtom10h.htm or frtom10h.zip
Corrected EDITIONS of our eBooks get a new NUMBER, frtom11h.htm
VERSIONS based on separate sources get new LETTER, frtom10ah.htm
Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included. Thus, we usually do not
keep eBooks in compliance with any particular paper edition.
We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.
Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month. A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.
Most people start at our Web sites at:
http://gutenberg.net or
http://promo.net/pg
These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).
Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date. This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.
http://www.ibiblio.org/gutenberg/etext05 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext05
Or /etext05, 04, 03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
Just search by the first five letters of the filename you want,
as it appears in our Newsletters.
Information about Project Gutenberg (one page)
We produce about two million dollars for each hour we work. The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc. Our
projected audience is one hundred million readers. If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month: 1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.
The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.
Here is the briefest record of our progress (* means estimated):
eBooks Year Month
1 1971 July
10 1991 January
100 1994 January
1000 1997 August
1500 1998 October
2000 1999 December
2500 2000 December
3000 2001 November
4000 2001 October/November
6000 2002 December*
9000 2003 November*
10000 2004 January*
The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.
We need your donations more than ever!
As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.
We have filed in all 50 states now, but these are the only ones
that have responded.
As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.
In answer to various questions we have received on this:
We are constantly working on finishing the paperwork to legally
request donations in all 50 states. If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.
While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.
International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.
Donations by check or money order may be sent to:
Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109
Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.
The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154. Donations are
tax-deductible to the maximum extent permitted by law. As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.
We need your donations more than ever!
You can get up to date donation information online at:
http://www.gutenberg.net/donation.html
***
If you can't reach Project Gutenberg,
you can always email directly to:
Michael S. Hart [hart@pobox.com]
Prof. Hart will answer or forward your message.
We would prefer to send you information by email.
**The Legal Small Print**
(Three Pages)
***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.
*BEFORE!* YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.
ABOUT PROJECT GUTENBERG-TM EBOOKS
This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.
Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.
To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.
LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.
If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.
THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.
Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.
INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause: [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:
[1] Only give exact copies of it. Among other things, this
requires that you do not remove, alter or modify the
eBook or this "small print!" statement. You may however,
if you wish, distribute this eBook in machine readable
binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word
processing or hypertext software, but only so long as
*EITHER*:
[*] The eBook, when displayed, is clearly readable, and
does *not* contain characters other than those
intended by the author of the work, although tilde
(~), asterisk (*) and underline (_) characters may
be used to convey punctuation intended by the
author, and additional characters may be used to
indicate hypertext links; OR
[*] The eBook may be readily converted by the reader at
no expense into plain ASCII, EBCDIC or equivalent
form by the program that displays the eBook (as is
the case, for instance, with most word processors);
OR
[*] You provide, or agree to also provide on request at
no additional cost, fee or expense, a copy of the
eBook in its original plain ASCII form (or in EBCDIC
or other equivalent proprietary form).
[2] Honor the eBook refund and replacement provisions of this
"Small Print!" statement.
[3] Pay a trademark license fee to the Foundation of 20% of the
gross profits you derive calculated using the method you
already use to calculate your applicable taxes. If you
don't derive profits, no royalty is due. Royalties are
payable to "Project Gutenberg Literary Archive Foundation"
the 60 days following each date you prepare (or were
legally required to prepare) your annual (or equivalent
periodic) tax return. Please contact us beforehand to
let us know your plans and to work out the details.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.
The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."
If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox.com
[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees. Copyright (C) 2001, 2002 by
Michael S. Hart. Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]
*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*